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Lee, Anthony W. The Global Flows of Early Scottish Photography: Encounters in Scotland, Canada, and China. Montreal and Kingston: McGill-Queen’s University Press, 2019.
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Béland, Mario. “William Brymner en Irlande.” Cap-aux-Diamants No. 132 (Hiver 2018): 47–48.
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Vachon, Christian. “Notman, Creator of the First Halftone.” In Notman: A Visionary Photographer, edited by Hélène Samson and Suzanne Sauvage, 152–157. Paris, France & Montreal: Éditions Hazan & McCord Museum, 2016.
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Schwartz, Joan M. “With Word and Image: Notman and the Photographically Illustrated Book.” In Notman: A Visionary Photographer, edited by Hélène Samson and Suzanne Sauvage, 144–151. Paris, France & Montreal: Éditions Hazan & McCord Museum, 2016.
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Samson, Hélène. “The Art of Photography According to Notman.” In Notman: A Visionary Photographer, edited by Hélène Samson and Suzanne Sauvage, 68–73. Paris, France & Montreal: Éditions Hazan & McCord Museum, 2016.
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Parsons, Sarah. “Notman’s Studio as a Space of Performance.” In Notman: A Visionary Photographer, edited by Hélène Samson and Suzanne Sauvage, 76–83. Paris, France & Montreal: Éditions Hazan & McCord Museum, 2016.
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McNabb, Heather. “The Arrival of the Notman Archives at the McCord Museum.” In Notman: A Visionary Photographer, edited by Hélène Samson and Suzanne Sauvage, 230–236. Paris, France & Montreal: Éditions Hazan & McCord Museum, 2016.
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Hague, Nora. “Notman’s Numbers.” In Notman: A Visionary Photographer, edited by Hélène Samson and Suzanne Sauvage, 224–229. Paris, France & Montreal: Éditions Hazan & McCord Museum, 2016.
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Deschamps, François. The Prophetic Anti-Gallic Letters: Adam Thom and the Hidden Roots of the Dominion of Canada. Edited by Robin Philpot. Translated by Robin Philpot. Montreal: Baraka Books, 2016.
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Samson, Hélène, and Suzanne Sauvage, eds. Notman: A Visionary Photographer. Paris, France & Montreal: Éditions Hazan & McCord Museum, 2016.
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Skelly, Julia. “The Politics of Drunkenness: John Henry Walker, John A. Macdonald, and Graphic Satire.” RACAR (Revue d’art canadienne/Canadian Art Review) Vol. 40, no. 1 (2015): 71–84. http://www.uaac-aauc.com/sites/default/files/40_1_Skelly.pdf.
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MacLeod, Rod. “Redpath’s Many Mansions.” Quebec Heritage News, Summer 2014. http://qahn.org/files/quebecanglophoneheritagenetwork/documents/qhn/qhn_summer_2014_layout_4_reduced.pdf.
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Parsons, Sarah. “William Notman: Life & Work.” Electronic monograph. Art Canada Institute / Institut de l’art Canadien. Last modified 2014. https://www.pinterest.ca/artcaninstitute/william-notman-life-work-by-sarah-parsons/.
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Béland, Mario. “Notman, père et fils.” Cap-aux-Diamants No. 115 (Automne 2013): 46–47. https://www.erudit.org/culture/cd1035538/cd0850/70089ac.pdf.
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Wagg, Susan. The Architecture of Andrew Thomas Taylor: Montreal’s Square Mile and Beyond. Montreal and Kingston: McGill-Queen’s University Press, 2013.
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Lahaie, Andréann. “William Notman et les imaginaires photographiques de la chasse au XIXe siècle à Montréal.” Master’s Thesis, Université du Québec à Montréal, 2013. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMUQ/TC-QMUQ-5829.pdf.
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Naves, Elaine Kalman. “William Notman: ‘Photographer to the Queen.’” The Gazette. Montreal, February 18, 2012, sec. Extra Saturday.
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Wallace, Donald G. The First Two Hundred Years: A History of the Royal Montreal Curling Club, 1807-2007. Montreal: The Royal Montreal Curling Club, 2012.
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Sorbelli, Silvia. “Renaissance Art in Montreal: The City’s Early Collectors and Their Gifts to the Art Association of Montreal and the Montreal Museum of Fine Arts.” Master’s Thesis, Concordia University, 2010. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/002/MR70958.PDF.
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Boutillier, Alicia, and Paul Maréchal, eds. William Brymner: Artist, Teacher, Colleague. Kingston, ON: Agnes Etherington Art Centre, 2010.
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Poulter, Gillian. Becoming Native in a Foreign Land: Sport, Visual Culture and Identity in Montreal, 1840-1885. Vancouver, BC: UBC Press, 2009. http://www.nlc-bnc.ca/obj/s4/f2/dsk2/ftp03/NQ56261.pdf.
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Hutchison, J. Lawrence. From Ayrshire, Scotland to Canada: The History of a Hutchison Family in Scotland and Canada 1650 to 2009. Westmount, QC: J. Lawrence Hutchison, 2009.
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McGuire, Susan. “Portrait of the Pastor: Henry Esson Was Guiding Force Behind the Montreal Mechanics’ Institute.” Quebec Heritage News, December 2008. http://qahn.org/files/quebecanglophoneheritagenetwork/documents/qhn/QHN%20Nov-Dec_2008_web%20edition.pdf.
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Richard, Pierre. Curling-- ou le jeu de galets : son histoire au Québec (1807-1980). Paris, France: L’Harmattan, 2007.
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Leitch, Gillian I. “The Importance of Being English?: Identity and Social Organisation in British Montreal, 1800-1850.” PhD dissertation, Université de Montréal, 2007. https://papyrus.bib.umontreal.ca/xmlui/bitstream/handle/1866/17918/Leitch_Gillian_I_2006_these.pdf?sequence=1&isAllowed=y.
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Gibson, Sarah Katherine. “The Emigration of Adam Smith’s Ploughman: A Case Study of the Intellectual Culture of Scots Emigrants to Lower Canada, 1760-1850.” PhD dissertation, McGill University, 2007. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/002/NR50821.PDF.
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Villeneuve, René. “A Scottish-Born Silversmith in Montreal: Robert Cruikshank.” In Kingdom of the Mind: How the Scots Helped Make Canada, edited by Peter E. Rider and Heather McNabb, 137–148. Montreal and Kingston: McGill-Queen’s University Press, 2006.
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Stack, Eileen. “‘Bonnie Lassies’ and a ‘Coat of Many Colours’: Highland-Inspired Clothing at the McCord Museum.” In A Kingdom of the Mind: How the Scots Helped Make Canada, edited by Peter E. Rider and Heather McNabb, 149–164. Montreal and Kingston: McGill-Queen’s University Press, 2006.
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Richard, Pierre. “Une histoire sociale du curling au Québec de 1807 à 1980.” PhD dissertation, Université du Québec à Trois-Rivières, 2006.
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Dalgleish, George R. “Aspects of Scottish-Canadian Material Culture: Heart Brooches and Scottish Pottery.” In A Kingdom of the Mind: How the Scots Helped Make Canada, edited by Peter E. Rider and Heather McNabb, 122–136. Montreal and Kingston: McGill-Queen’s University Press, 2006.
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