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30 resources
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Harris, Jennifer. “Black Canadian Contexts: The Case of Amelia E. Johnson.” African American Review Vol. 49, no. 3 (Fall 2016): 241–259.
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Henry, Jeff. “Black Theatre in Montreal and Toronto in the Sixties and Seventies: The Struggle for Recognition.” Canadian Theatre Review Vol. 118 (Spring 2004): 29–33.
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Marrelli, Nancy. Burgundy Jazz: Little Burgundy and the Story of Montreal Jazz. Montreal: Véhicule Press and Catbird Productions, 2013.
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Green, Kim. “Contested ‘Places’ and Conflicted Nexuses in Gloria Naylor’s Linden Hills and Mairuth Sarsfield’s No Crystal Stair.” Canadian Review of American Studies Vol. 48, no. 2 (Summer 2018): 210–230.
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Ojo, Tokunbo. “Ethnic Print Media in the Multicultural Nation of Canada: A Case Study of the Black Newspaper in Montreal.” Journalism: Theory, Practice and Criticism Vol. 7, no. 3 (2006): 343–361.
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Rachwal, Maria Noriega. From Kitchen to Carnegie Hall: Ethel Stark and the Montreal Women’s Symphony Orchestra. Toronto, ON: Second Story Press, 2015.
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Peterson, Oscar. Jazz Odyssey: The Life of Oscar Peterson. London, England: Continuum, 2002.
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Gale, Lorena. Je Me Souviens : Memories of an Expatriate Anglophone Montréalaise Québecoise Exiled in Canada. Vancouver, BC: Talon Books, 2001.
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Rochat, Désirée. La Vie Caribéenne Au Québec : L’histoire Des Années 60, 70 et 80 En Photos / Caribbean Life in Québec: A Pictorial History of the 60s, 70s and 80s. Montréal: Les Éditions du CIDIHCA, 2014.
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Bayne, Clarence S. “Le Black Theatre Workshop de Montreal: Un Nouveau Bilan.” L’Annuaire théâtral: Revue québécoise d’études théâtrales Vol. 29 (Printemps 2001): 141–155.
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Whitley, Robert. “Mastery of Mothering Skills and Satisfaction with Associated Health Services: An Ethnocultural Comparison.” Culture, Medicine and Psychiatry Vol. 33, no. 3 (September 2009): 343–365.
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Austin, David. Moving Against the System : The 1968 Congress of Black Writers and the Making of Global Consciousness. Toronto, ON: Between The Lines, 2018.
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Brownell, Edwin Orion. “Notes in Time: A Brief Oral History of Montreal’s Rhythm and Blues Club Circuit.” Research paper, Concordia University, 2000.
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Sansregret, Marthe. Oliver Jones. The Musician, the Man: A Biography. Montreal: XYZ, 2006.
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Avrich, Barry. Oscar Peterson : Black + White. Documentary. Bell Media, 2021.
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Barris, Alex. Oscar Peterson: A Musical Biography. Scarborough, ON: Harper Collins Canada, 2002.
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Lees, Gene. Oscar Peterson: The Will to Swing. Toronto: Key Porter Books, 2000.
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Marin, Reva. Oscar: The Life and Music of Oscar Peterson. Toronto: Douglas & McIntyre, 2003.
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Martin, Valerie. “Racial Slavery and the Development of Gendered Power in the Quebec Gazette: The Role of Fugitive Slave and Slave Sale Notices, 1765–1791.” Journal of Eastern Townships Studies / Revue d’études des Cantons-de-l’Est No. 47 (Fall 2016): 11–37.
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Hornbacher, Marya. “Return of a Virtuoso.” Smithsonian Magazine Vol. 35, no. 10 (January 2005): 56–62.
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Nelson, Charmaine A. Slavery, Geography and Empire in Nineteenth-Century Marine Landscapes of Montreal and Jamaica. New York, NY: Routledge, 2016.
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Mills, Sean, Eric Fillion, and Désirée Rochat, eds. Statesman of the Piano: Jazz, Race, and History in the Life of Lou Hooper. Montreal and Kingston: McGill-Queen’s University Press, 2023.
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Nelson, Charmaine A. “Sugar Cane, Slaves and Ships: Colonialism, Geography and Power in Nineteenth-Century Landscapes of Montreal and Jamaica.” In Living History: Encountering the Memory of the Heirs of Slavery, edited by Ana Lucia Araujo, 19–56. Newcastle upon Tyne, England: Cambridge Scholars Publishing, 2009.
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Siemerling, Winfried. The Black Atlantic Reconsidered: Black Canadian Writing, Cultural History, and the Presence of the Past. Montreal and Kingston: McGill-Queen’s University Press, 2015.
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Pruden, Keith. “The Georgian Spirit in Crisis: The Causes of the Computer Centre Riot.” Master’s Thesis, Concordia University, 2004.
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Boone, Emilie. “The Likeness of Fugitivity: William Notman’s Carte-de-Visite Portrait of John Anderson.” History of Photography Vol. 37, no. 2 (May 2013): 221–234.
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Bayne, Clarence S. “The Origins of Black Theatre in Montreal.” Canadian Theatre Review Vol. 118 (Spring 2004): 34–40.
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Reynolds, Mark. “Toot Sweet: When Jazz Ruled Montreal.” The Beaver Vol. 81, no. 3 (July 2001): 26–32.
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Siemerling, Winfried. “Writing the Black Canadian City at the Turn of the Twenty-First Century: Dionne Brand’s Toronto and Mairuth Sarsfield’s Montreal.” Études canadiennes/Canadian Studies No. 64 (2008): 109–122.
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Austin, David, ed. You Don’t Play with Revolution: The Montreal Lectures of C.L.R. James. Oakland, CA: AK Press, 2009.