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Irvine, Lorna. “Words on the Prowl: Quebec Literature and Gail Scott’s Heroine.” Québec Studies Vol. 9 (Fall /Winter 1990 1989): 111–120.
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Trépanier, Esther. “Entre socialisme et modernisme : les peintres progressistes québécois (1930-1945).” In Le droit de se taire: Histoire des communistes au Québec, de la Première Guerre mondiale à la Révolution tranquille, edited by Robert Comeau and Bernard Dionne, 134–161. Outremont, QC: VLB Éditeur, 1989.
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Meadowcroft, Barbara. Mabel Lockerby, 1882-1976. Montreal: Galerie Walter Klinkhoff, 1989.
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Gualtieri, Julia M. “The Woman as Artist and as Subject in Canadian Painting (1890-1930): Florence Carlyle, Laura Muntz Lyall, Helen McNicoll.” Master’s Thesis, Queen’s University, 1989.
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Bogardi, George. Liliana Berezowsky. Montreal: Centre Saidye Bronfman, 1989.
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Pontbriand, Chantal. La ruse historique : l’art à Montréal/The Historical Ruse : Art in Montreal : Céline Baril, Geneviève Cadieux, Melvin Charney, Angela Grauerholz, Gilles Michalcean, Roland Poulin, Robert Racine, Irene F. Whittome. Toronto, ON: Power Plant, 1988.
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McMann, Evelyn (de Rostaing). Montreal Museum of Fine Arts, Formerly Art Association of Montreal: Spring Exhibitions 1880-1970. Toronto, ON: University of Toronto Press, 1988.
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MacDonald, Cheryl. “Our Intrepid Reporter.” Beaver Outfit 68, no. 2 (1988): 29–33.
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McMullen, Lorraine. “Lily Dougall: The Religious Vision of a Canadian Novelist.” Studies in Religions/Sciences religieuses Vol. 16, no. 1 (Winter 1987): 79–90.
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Racine, Yolande. Betty Goodwin, Oeuvres de 1971 à 1987/Works from 1971 to 1987. Montréal: Musée des Beaux-arts de Montréal/Montreal Museum of Fine Arts, 1987.
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Nadeau-Saumier, Monique. La joie de l’art : Kay Kinsman : Musée des beaux-arts de Sherbrooke, 14 novembre au 19 décembre 1987 / The Joy of Art : Kay Kinsman : Musée des beaux-arts de Sherbrooke, November 14-December 19, 1987. Sherbrooke, QC: Musée des beaux-arts de Sherbrooke, 1987.
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Godmer, Gilles. Oratio Obliqua (Eva Brandl). Montréal: Musée d’art contemporain, 1987.
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Giles, Jennifer. “Music Consumption Among English-Speaking Teenage Girls in Montreal.” Master’s Thesis, Carleton University, 1987.
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Campbell, James D. Sylvia Safdie. Montreal: Centre Saidye Bronfman, 1987.
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Antaki, Karen, and Sandra Paikowsky. Emily Coonan (1885-1971). Montreal: Concordia Art Gallery/Galerie d’art Concordia, 1987.
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Nadeau-Saumier, Monique. “Late Victorian and Edwardian Jewellery in Montreal.” The Journal of Canadian Art History/Annales d’histoire de l’art canadien Vol. 9, no. 1 (1986): 69–80.
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Luckyj, Natalie. Expressions of Will: The Art of Prudence Heward/L’art de Prudence Heward: L’expression d’une Volonté. Kingston, ON: Agnes Etherington Art Centre, 1986.
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Forrester, Maureen, and Marci MacDonald. Maureen Forrester: Out of Character. Toronto, ON: McClelland and Stewart, 1986.
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Cameron, Elspeth. “Montreal Modernists: The Emergence of Canadian Art and Literature in Montreal, 1926-1951.” In Canada Ieri e Oggi: 2, Sezione Anglofona, edited by Giovanni Bonanno, 291–299. Fasano, Italia: Schena, 1986.
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Bogardi, George, and Sandra Paikowsky. Betty Goodwin: Passages. Montreal: Concordia Art Gallery/Galerie d’art Concordia, 1986.
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Sherman, Leah, and Angela Grigor. A Comparison of the Influences of Anne Savage and Arthur Lismer: Oral History Project. Montreal: Concordia University Libraries, Oral History Montreal Studies, 1985.
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Brock, Ellison M. “Symbols of Order and Harmony in the Work of Marian Scott, 1931-1949.” Master’s Thesis, Carleton University, 1985.
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Jones, Laura. “Canadian Women Photographers 1841-1910.” Resources for Feminist Research/Documentation sur la recherche féministe Vol. 13, no. 4 (January 1984): 13–14.
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Ling, Amy. “Winnifred Eaton: Ethnic Chameleon and Popular Success.” Melus Vol. 11, no. 3 (Autum 1984): 5–15.
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Beaudet, Pascale. “La galerie Powerhouse : réflexion sur dix années d’existence.” Master’s Thesis, Université de Montréal, 1984.
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Leblond, Sylvio. “Margaret Charlton : notice biographique.” Canadian Society for the History of Medicine Newsletter (Spring 1983): 15–16.
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Gossage, Peter. “Absorbing Junior: The Use of Patent Medicines as Abortifacients in Nineteenth Century Montreal.” The Register Vol. 3, no. 1 (March 1982): 1–13.
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Kollar, Kathryn L. Women Painters of the Beaver Hall Group. Montreal: Sir George Williams Art Galleries of Concordia University, 1982.
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Morgan, Norma. “Fashion Plates: Sources for Canadian Fashion.” Journal of Canadian Art History/Annales d’histoire de l’art Vol. 5, no. 2 (1981): 106–110.
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Farr, Dorothy. Lilias Torrance Newton, 1896-1980. Kingston, ON: Agnes Etherington Art Centre, 1981.
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