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Vachon, Christian. “Images of Montreal for the Motherland.” In James Duncan (1806-1881): Painter of Montreal, edited by Laurier Lacroix and Suzanne Sauvage, 62–80. Montreal: McCord Stewart Museum, 2023.
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Lacroix, Laurier. “Discovering Duncan. James Duncan: One of Quebec’s Most Famous Unknown Artists.” In James Duncan (1806-1881): Painter of Montreal, edited by Laurier Lacroix and Suzanne Sauvage, 13–45. Montreal: McCord Stewart Museum, 2023.
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Gehmacher, Arlene. “Speaking Volumes: James Duncan ‘Takes Note’ of Montreal.” In James Duncan (1806-1881) : Painter of Montreal, edited by Laurier Lacroix and Suzanne Sauvage, 48–59. Montreal: McCord Stewart Museum, 2023.
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Lacroix, Laurier, and Suzanne Sauvage, eds. James Duncan (1806-1881): Painter of Montreal. Montreal: McCord Stewart Museum, 2023.
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Béland, Mario. “Daniel Charles Grose à Québec.” Cap-aux-Diamants, Automne 2021.
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Béland, Mario. “William Brymner en Irlande.” Cap-aux-Diamants No. 132 (Hiver 2018): 47–48.
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Mackey, Frank. “A Painter’s Progress.” Connections: Journal of The Quebec Family History Society, June 2017.
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Vachon, Christian. “Notman, Creator of the First Halftone.” In Notman: A Visionary Photographer, edited by Hélène Samson and Suzanne Sauvage, 152–157. Paris, France & Montreal: Éditions Hazan & McCord Museum, 2016.
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Schwartz, Joan M. “With Word and Image: Notman and the Photographically Illustrated Book.” In Notman: A Visionary Photographer, edited by Hélène Samson and Suzanne Sauvage, 144–151. Paris, France & Montreal: Éditions Hazan & McCord Museum, 2016.
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Samson, Hélène. “The Art of Photography According to Notman.” In Notman: A Visionary Photographer, edited by Hélène Samson and Suzanne Sauvage, 68–73. Paris, France & Montreal: Éditions Hazan & McCord Museum, 2016.
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Parsons, Sarah. “Notman’s Studio as a Space of Performance.” In Notman: A Visionary Photographer, edited by Hélène Samson and Suzanne Sauvage, 76–83. Paris, France & Montreal: Éditions Hazan & McCord Museum, 2016.
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Nelson, Charmaine A. Slavery, Geography and Empire in Nineteenth-Century Marine Landscapes of Montreal and Jamaica. New York, NY: Routledge, 2016.
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McNabb, Heather. “The Arrival of the Notman Archives at the McCord Museum.” In Notman: A Visionary Photographer, edited by Hélène Samson and Suzanne Sauvage, 230–236. Paris, France & Montreal: Éditions Hazan & McCord Museum, 2016.
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Hague, Nora. “Notman’s Numbers.” In Notman: A Visionary Photographer, edited by Hélène Samson and Suzanne Sauvage, 224–229. Paris, France & Montreal: Éditions Hazan & McCord Museum, 2016.
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Samson, Hélène, and Suzanne Sauvage, eds. Notman: A Visionary Photographer. Paris, France & Montreal: Éditions Hazan & McCord Museum, 2016.
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Prakash, A. K. Impressionism in Canada: A Journey of Rediscovery. Stuttgart, Germany: Arnoldsche Art Publishers, 2015.
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Morrice and Lyman in the Company of Matisse. Richmond Hill, ON: Firefly Books, 2014.
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Boone, Emilie. “The Likeness of Fugitivity: William Notman’s Carte-de-Visite Portrait of John Anderson.” History of Photography Vol. 37, no. 2 (May 2013): 221–234.
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Naves, Elaine Kalman. “William Notman: ‘Photographer to the Queen.’” The Gazette. Montreal, February 18, 2012, sec. Extra Saturday.
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Stavert, William Ewart. Windows of History, Service and Sacrifice. Montreal: Price-Patterson, 2011.
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Boutillier, Alicia, and Paul Maréchal, eds. William Brymner: Artist, Teacher, Colleague. Kingston, ON: Agnes Etherington Art Centre, 2010.
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Nelson, Charmaine A. “Sugar Cane, Slaves and Ships: Colonialism, Geography and Power in Nineteenth-Century Landscapes of Montreal and Jamaica.” In Living History: Encountering the Memory of the Heirs of Slavery, edited by Ana Lucia Araujo, 19–56. Newcastle upon Tyne, England: Cambridge Scholars Publishing, 2009.
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Germain, Georges-Hébert. A City’s Museum: A History of the Montreal Museum of Fine Arts. Translated by Janet Chapman. Montreal: Montreal Museum of Fine Arts, 2007.
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Villeneuve, René. “A Scottish-Born Silversmith in Montreal: Robert Cruikshank.” In Kingdom of the Mind: How the Scots Helped Make Canada, edited by Peter E. Rider and Heather McNabb, 137–148. Montreal and Kingston: McGill-Queen’s University Press, 2006.
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Stirling, J. Craig. “Postsecondary Art Education in Quebec from the 1870s to the 1920s.” In From Drawing to Visual Culture: A History of Art Education in Canada, edited by Harold Pearse, 47–84. Montreal and Kingston: McGill-Queen’s University Press, 2006.
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Stack, Eileen. “‘Bonnie Lassies’ and a ‘Coat of Many Colours’: Highland-Inspired Clothing at the McCord Museum.” In A Kingdom of the Mind: How the Scots Helped Make Canada, edited by Peter E. Rider and Heather McNabb, 149–164. Montreal and Kingston: McGill-Queen’s University Press, 2006.
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Farah, Myriam. “Impact de la genèse d’une collection muséale sur le processus d’acquisition futur : Étude comparative de l’histoire des collections de l’Art Association of Montreal et de la Royal Canadian Academy of Arts.” Master’s Thesis, Université du Québec à Montréal, 2006.
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Rousseau, Marlène. “Alexander Henderson (1831-1913) : photographe paysagiste montréalais du XIXe siècle.” Master’s Thesis, Université du Québec à Montréal, 2005.
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Stack, Eileen. “‘Very Picturesque and Very Canadian’: The Blanket Coat and Anglo-Canadian Identity in the Second Half of the Nineteenth Century.” In Fashion: A Canadian Perspective, edited by Alexandra Palmer, 17–40. Toronto, ON: University of Toronto Press, 2004.
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Sicotte, Hélène. “L’Implantation de la galerie d’art à Montréal : le cas de W. Scott & Sons, 1859-1914. Comment la révision du concept d’œuvres d’art autorisa la spécialisation du commerce d’art.” PhD dissertation, Université du Québec à Montréal, 2003.
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