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22 resources
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Lajeunesse, Marcel. “Mary Sollace Saxe et la Bibliothèque publique de Westmount.” In Pour une histoire des femmes bibliothécaires au Québec. Portraits et parcours de vies professionnelles, 47–96. Montréal: Presses de l’Université du Québec, 2020.
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Simon, Sherry. “Chava Rosenfarb, le yiddish et Montréal.” In Kanade, di Goldene Medine? : Perspectives on Canadian-Jewish Literature and Culture / Perspectives sur la litterature et la culture juives canadiennes, edited by Krzysztof Majer, Justyna Fruzińska, Józef Kwaterko, and Norman Ravvin, 191–204. Leiden, The Netherlands & Boston, MA: Brill, 2019.
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Huneault, Kristina. “The Lived Experience and Cultural Narrative of Helen McNicoll’s Impressionist Canvases.” In I’m Not Myself At All : Women, Art and Subjectivity in Canada, 103–145. Montreal and Kingston: McGill-Queen’s University Press, 2018.
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Trépanier, Esther. “The Beaver Hall Group: A Montreal Modernity.” In 1920s Modernism in Montreal: The Beaver Hall Group, edited by Jacques Des Rochers and Brian Foss, 160–261. Montreal: Montreal Museum of Fine Arts, 2015.
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Trépanier, Esther. “1920 : création du Groupe de Beaver Hall : des femmes font jazzer la couleur.” In De la Belle époque à la Crise: Chroniques de la vie culturelle à Montréal, edited by Denis Saint-Jacques and Marie-José des Rivières, 245–259. Montréal: Nota Bene, 2015.
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Spergel, Julie. “Gendered Experience in Chava Rosenfarb’s The Tree of Life : A Trilogy of Life in the Łódź Ghetto.” In Women Writers of Yiddish Literature : Critical Essays, edited by Rosemary Horowitz, 208–229. Jefferson, NC: McFarland and Company, 2015.
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Sicotte, Hélène. “Intersecting Paths of Budding Artists.” In 1920s Modernism in Montreal: The Beaver Hall Group, edited by Jacques Des Rochers and Brian Foss, 113–125. Montreal: Montreal Museum of Fine Arts, 2015.
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Hunrault, Kristina. “‘As Well as Men’: The Gendering of Beaver Hall.” In 1920s Modernism in Montreal: The Beaver Hall Group, edited by Jacques Des Rochers and Brian Foss, 262–292. Montreal: Montreal Museum of Fine Arts, 2015.
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Foss, Brian. “Out on the Town: Modernism, Arts and Entertainment in Montreal, 1920-33.” In 1920s Modernism in Montreal: The Beaver Hall Group, edited by Jacques Des Rochers and Brian Foss, 126–159. Montreal; Montreal Museum of Fine Arts, 2015.
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Des Rochers, Jacques. “Setting the Stage: The Emergence of the Beaver Hall Group.” In 1920s Modernism in Montreal: The Beaver Hall Group, edited by Jacques Des Rochers and Brian Foss, 39–55. Montreal: Montreal Museum of Fine Arts, 2015.
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Des Rochers, Jacques. “Defining the Beaver Hall Group Today.” In 1920s Modernism in Montreal: The Beaver Hall Group, edited by Jacques Des Rochers and Brian Foss, 57–112. Montreal: Montreal Museum of Fine Arts, 2015.
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Buis, Alena. “‘A Story of Struggle and Splendid Courage’: Anne Savage’s Broadcasts of The Development of Art in Canada.” In Rethinking Professionalism: Women and Art in Canada, 1850-1970, edited by Kristina Huneault and Janice Anderson, 106–131. Montreal and Kingston: McGill-Queen’s University Press, 2012.
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Des Rochers, Jacques. “The Beaver Hall Group: A Montreal Feel.” In Quebec and Canadian Art: The Montreal Museum of Fine Arts’ Collection, edited by Jacques Des Rochers, 1:184–193. Montreal: Montreal Museum of Fine Arts, 2011.
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Cohen, Judith R. “Selanikli Humour in Montreal : The Repertoire of Bouena Sarfatty Garfinkle.” In Judeo Espaniol : Textos Satíricos Judeoespañoles, de Salonicenses o Sobre Salonicences / Judeo-Espaniol : Satirical Texts in Judeo-Spanish by and about the Jews in Thessaloniki, edited by Rena Molho, Hilary Pomeroy, and Elena Romero, 220–242. Thessaloniki, Greece: ETS Ahaim Foundation, 2011.
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Lerner, Loren. “When the Children Are Sick, So Is Society: Dr Norman Bethune and the Montreal Circle of Artists.” In Healing the World’s Children: Interdisciplinary Perspectives on Child Health in the Twentieth Century, edited by Cynthia Comacchio, Janet Golden, and George Weisz, 253–281. Montreal and Kingston: McGill-Queen’s University Press, 2008.
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Morgentaler, Goldie. “Yiddish Montreal Lost and Regained: The Recuperative Power of the Translated Word.” In New Readings of Yiddish Montreal/Traduire Le Montréal Yiddish/Taytshn Un Ibertaytshn Yiddish in Montreol, edited by Pierre Anctil, Norman Ravvin, and Sherry Simon, 103–109. Ottawa, ON: Presses de l’Université d’Ottawa/University of Ottawa Press, 2007.
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Campbell, Wanda. “Moonlight and Morning: Women’s Early Contribution to Canadian Modernism.” In The Canadian Modernists Meet, edited by Dean Irvine, 79–99. Ottawa, ON: University of Ottawa Press, 2005.
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Lynch, Gerald. “An Intangible Cure for Death by Homesickness: Mavis Gallant’s Canadian Short-Story Cycle ‘Linnet Muir.’” In Transient Questions: New Essays on Mavis Gallant, edited by Kristjana Gunnars, 2–27. Amsterdam, Netherlands & New York, NY: Rodopi, 2004.
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Hill, Charles. “Beaver Hall Group.” In The Oxford Companion to Canadian History, edited by Gerald Hallowell, 66–67. Don Mills, ON: Oxford University Press, 2004.
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Ferrabee Sharman, Lydia. “Fashion and Refuge: The Jane Harris Salon, Montreal, 1941-1961.” In Fashion: A Canadian Perspective, edited by Alexandra Palmer, 270–287. Toronto, ON: University of Toronto Press, 2004.
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Bosnitch, Katherine. “A Little on the Wild Side: Eaton’s Prestige Fashion Advertising Published in the Montreal Gazette, 1952-1972.” In Fashion: A Canadian Perspective, edited by Alexandra Palmer, 339–363. Toronto, ON: University of Toronto Press, 2004.
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Ferrari, Pepita. “Prudence Heward: Painting At Home.” In Framing Our Past: Canadian Women’s History in the Twentieth Century, edited by Sharon Anne Cook, Lorna R. McLean, and Kate O’Rouke, 129–133. Montreal and Kingston: McGill-Queen’s University Press, 2001.