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Wyder, Patricia. “The Theatre Arts Programmes at the Montreal Anglophone CEGEP: A Study of Their History, Philosophy and Development from 1967 to 1980.” Master’s Thesis, McGill University, 1981. http://www.collectionscanada.gc.ca/obj/thesescanada/vol1/QMM/TC-QMM-57374.pdf.
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Stevens, Lys. “Miss Swing: Ethel Bruneau from Harlem to Rockhead’s.” Quebec Heritage News, Winter 2013. http://qahn.org/files/quebecanglophoneheritagenetwork/documents/qhn/qhn_winter_2013_layout_1_reduced.pdf.
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Stevens, Lys. “Ethel Bruneau : Montreal’s Rhythm Tap Legend.” Dance Collection Danse, Fall 2011. https://www.dcd.ca/download/71DCDTheMagazine.pdf.
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Stahl, Geoff. “Crisis? What Crisis?: Anglophone Musicmakers in Montreal.” PhD dissertation, McGill University, 2003. http://www.collectionscanada.gc.ca/obj/s4/f2/dsk3/QMM/TC-QMM-19483.pdf.
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Rittenhouse, Jonathan. “Herbert Whittaker: A Theatre Life.” Theatre Research in Canada/Recherches théâtrales au Canada Vol. 3, no. 1 (Spring 1982): 51–78. https://journals.lib.unb.ca/index.php/TRIC/article/view/7499.
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Ripley, John. “Shakespeare on the Montreal Stage 1805-1826.” Theatre Research in Canada / Recherches Théâtrales Au Canada Vol. 3, no. 1 (Spring 1982): 3–20. https://journals.lib.unb.ca/index.php/tric/article/view/7496/8555.
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Rice, Kelly S. “Joseph Gould and the Montreal Mendelssohn Choir.” Master’s Thesis, McGill University, 1992. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMM/TC-QMM-61098.pdf.
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Poulin, Louise. Faire les bons Choix. État des immobilisations pour la création, la production et la diffusion du théâtre professionnel d’expression anglaise : territoire de l’île de Montréal : rapport final. Montréal: ArtExpert.ca, 2007. https://numerique.banq.qc.ca/patrimoine/details/52327/1901477?docref=z17KP-Vkc3MFCCwUhpnQUQ.
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Needles, Jane. “Stage Legends : Highlights From a Long History of English Theatre in Montreal.” Quebec Heritage News, December 2008. http://qahn.org/files/quebecanglophoneheritagenetwork/documents/qhn/QHN%20Nov-Dec_2008_web%20edition.pdf.
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Larrue, Jean-Marc. “‘Il faut tuer Broadway’: création du Her Majesty’s Theatre et des Soirées de famille du Monument National.” L’Annuaire théâtral No. 4 (Printemps 1988): 47–80. https://www.erudit.org/fr/revues/annuaire/1988-n4-annuaire3654/041049ar.pdf.
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Larrue, Jean-Marc. “L’activité dramatique à Montréal de 1890 à 1900.” Master’s Thesis, McGill University, 1979. http://www.collectionscanada.gc.ca/obj/thesescanada/vol1/QMM/TC-QMM-54728.pdf.
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Laplante, Benoît, and Guy Bellevance. “L’évolution de la formation des artistes québécois au xxe siècle.” Recherches sociographiques Vol. 42, no. 3 (2001): 543–584. https://www.erudit.org/en/journals/rs/2001-v42-n3-rs1612/057475ar.pdf.
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Kremer, Johanna. “Die Geschichte des deutschsprachigen Theaters in Montreal von seinen Anfängen 1953 bis 1997.” Master’s Thesis, McGill University, 1998. http://www.collectionscanada.gc.ca/obj/thesescanada/vol1/QMM/TC-QMM-28286.pdf.
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Klein, A. Owen. “The Opening of Montreal’s Theatre Royal, 1825.” Theatre Research in Canada/Recherches théâtrales au Canada Vol. 1, no. 1 (Spring 1980): 24–38. https://journals.lib.unb.ca/index.php/TRIC/article/view/7539/8598.
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Gold, Muriel. “A Study of Three Montreal Children’s Theatres.” Master’s Thesis, McGill University, 1972. http://www.collectionscanada.gc.ca/obj/thesescanada/vol1/QMM/TC-QMM-45855.pdf.
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G. “On the Influence of a Well Regulated English Theatre in Montreal.” The Canadian Magazine and Literary Repository Vol. 1, no. 3 (September 1823): 221–226. http://eco.canadiana.ca/view/oocihm.8_06234_3/30?r=0&s=1.
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Fraser, Kathleen D. J. “Theatre Management in the Nineteenth Century: Eugene A. McDowell in Canada, 1874-1891.” Theatre History in Canada/Histoire du théâtre au Canada Vol. 1, no. 1 (1980): 39–54. https://journals.lib.unb.ca/index.php/tric/article/view/7540/8599.
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Curtis, Ron. “A History of Playwrights’ Workshop Montreal, 1963-1988.” Master’s Thesis, McGill University, 1991. http://www.collectionscanada.gc.ca/obj/thesescanada/vol1/QMM/TC-QMM-60465.pdf.
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Cooper, Dorith Rachel. “Opera in Montreal and Toronto: A Study of Performance Traditions and Repertoire, 1783-1980.” PhD dissertation, University of Toronto, 1983. https://tspace.library.utoronto.ca/handle/1807/24930.
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Conroy, Patricia. “A History of the Theatre in Montreal Prior to Confederation.” Master’s Thesis, McGill University, 1936. https://escholarship.mcgill.ca/concern/theses/bk128d99d?locale=en.
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Charpentier, Marc. “Broadway North: Musical Theatre in Montreal in the 1920s.” PhD dissertation, McGill University, 1999. http://www.collectionscanada.gc.ca/obj/thesescanada/vol1/QMM/TC-QMM-35990.pdf.
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Breon, Robin. “The Growth and Development of Black Theatre in Canada: A Starting Point.” Theatre Research in Canada / Recherches Théâtrales Au Canada Vol. 9, no. 2 (1988): 216–228. https://journals.lib.unb.ca/index.php/tric/article/view/7342/8401.
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Bradley, John. “David Fennario persiste et signe : entrevue avec David Fennario.” Translated by Yves Rochon. Nouveaux Cahiers du socialisme, Hiver 2016. https://www.erudit.org/en/journals/ncs/2016-n15-ncs02387/80871ac.pdf.
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Bourassa, André-G. “Les visiteurs au pouvoir : Le théâtre au Québec, 1850-1879 (1re partie).” Bulletin d’histoire politique Vol. 13, no. 2 (Hiver 2005): 191–216. https://www.erudit.org/en/journals/bhp/2005-v13-n2-bhp04188/1055047ar.pdf.
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Booth, Philip. “Le Montreal Repertory Theatre et les théâtres d’art.” L’Annuaire théâtral: revue québécoise d’études théâtrales No. 13-14 (1993): 59–74. https://www.erudit.org/en/journals/annuaire/1993-n13-14-annuaire3651/041185ar.pdf.
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Booth, Philip. “The Montreal Repertory Theatre, 1930-1961: A History and Handlist of Productions.” Master’s Thesis, McGill University, 1990. http://www.collectionscanada.gc.ca/obj/thesescanada/vol1/QMM/TC-QMM-61143.pdf.
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Boivin, Jennifer. “From the Community to the World: Ukrainian Dance in Montréal.” Master’s Thesis, University of Alberta, 2010. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/AEU/TC-AEU-29828.pdf.
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Blais-Tremblay, Vanessa. “Gorgeous Girlies in Glittering Gyrations! Capital érotique et danse jazz dans l’entre-deux-guerres québécois.” Recherches féministes Vol. 32, no. 1 (2019): 89–109. https://www.erudit.org/en/journals/rf/2019-v32-n1-rf04777/1062226ar/.
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Blais-Tremblay, Vanessa. “Jazz, Gender, Historiography : A Case Study of the ‘Golden Age’ of Jazz in Montreal (1925-1955).” PhD dissertation, McGill University, 2018. https://escholarship-test.mcgill.ca/concern/theses/12579v62c?locale=en.
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Blaise, Clark. “Portrait of the Artist as Young Pup.” Canadian Literature No. 100 (1984): 35–41. http://cinema2.arts.ubc.ca/units/canlit/pdfs/articles/canlit100-Portrait(Blaise).pdf.
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