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Huston, Lorne, and Ann Pearson. “Montreal Camera Club: 125 Years.” The Westmount Historian, February 2018. https://westmounthistorical.org/whawp/wp-content/uploads/2018/02/2018_02Text.pdf.
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Evoughlian, Sandra. “Envisioning New Futures : Portrait Photographs of Black Victorians in Montreal, 1861-1901.” Master’s Thesis, McGill University, 2018. https://escholarship.mcgill.ca/concern/theses/v979v695j.
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Théry, Flore. “Les commandes de photographies documentaires dans le studio Notman (1858-1909) : Naissance d’une mythologie canadienne de l’âge moderne.” Master’s Thesis, Université de Montréal, 2017. https://papyrus.bib.umontreal.ca/xmlui/bitstream/handle/1866/20182/Thery_Flore_2017_memoire.pdf?sequence=2&isAllowed=y.
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Skelly, Julia. “The Politics of Drunkenness: John Henry Walker, John A. Macdonald, and Graphic Satire.” RACAR (Revue d’art canadienne/Canadian Art Review) Vol. 40, no. 1 (2015): 71–84. http://www.uaac-aauc.com/sites/default/files/40_1_Skelly.pdf.
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Wing, Emily. “On Different Sides of the Studio: Chinese Male and Female Sitters in Montreal’s Photographic Portraiture, Pre Exclusion Era (1885-1923).” Chrysalis: A Critical Student Journal of Transformative Art History Vol. 1, no. 1 (Fall 2014): 77–90. http://www.blackcanadianstudies.com/cms/chrysalis_journal_fall_2014_final.pdf.
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Bordeleau-Cass, Jaya. “Through the Lens of William Notman’s Camera: The Exoticization of ‘Indianness’ in Montreal Fancy Dress Balls and Skating Carnivals.” Chrysalis: A Critical Student Journal of Transformative Art History Vol. 1, no. 1 (Fall 2014): 3–15. http://www.blackcanadianstudies.com/cms/chrysalis_journal_fall_2014_final.pdf.
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Truchon, Caroline. “Entre passion et raison : une histoire du collectionnement privé à Montréal (1850-1910).” PhD dissertation, Université de Montréal, 2014. https://papyrus.bib.umontreal.ca/xmlui/bitstream/handle/1866/18363/Truchon_Caroline_2014_these.pdf?sequence=10&isAllowed=y.
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Parsons, Sarah. “William Notman: Life & Work.” Electronic monograph. Art Canada Institute / Institut de l’art Canadien. Last modified 2014. https://www.pinterest.ca/artcaninstitute/william-notman-life-work-by-sarah-parsons/.
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Béland, Mario. “Notman, père et fils.” Cap-aux-Diamants No. 115 (Automne 2013): 46–47. https://www.erudit.org/culture/cd1035538/cd0850/70089ac.pdf.
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Lahaie, Andréann. “William Notman et les imaginaires photographiques de la chasse au XIXe siècle à Montréal.” Master’s Thesis, Université du Québec à Montréal, 2013. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMUQ/TC-QMUQ-5829.pdf.
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Lerner, Loren. “William Notman’s Photographic Selections (1863).” Journal of Canadian Art History/Annales d’histoire de l’art Vol. 33, no. 1 (2012): 16–45. http://jcah-ahac.concordia.ca/fr/archive/2012_33-1.
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McGuire, Susan. “Discovered by Descendants : William Satchwell Leney, 1769-1831.” Quebec Heritage News, Summer 2011. http://qahn.org/files/quebecanglophoneheritagenetwork/documents/qhn/qhn_summer_2011_layout_1_reduced.pdf.
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Fox, Ross Allan C. “Julius Barnard (1769-after 1820) as Peripatetic Yankee Cabinetmaker.” Vermont History Vol. 79, no. 1 (Winter/Spring 2011): 1–25. https://vermonthistory.org/journal/79/VHS7901JuliusBarnard.pdf.
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Burton, Samantha. “Canadian Girls in London: Negotiating Home and Away in the British World at the Turn of the Twentieth Century.” PhD dissertation, McGill University, 2011. http://digitool.Library.McGill.CA:80/R/-?func=dbin-jump-full&object_id=107634&silo_library=GEN01.
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Sorbelli, Silvia. “Renaissance Art in Montreal: The City’s Early Collectors and Their Gifts to the Art Association of Montreal and the Montreal Museum of Fine Arts.” Master’s Thesis, Concordia University, 2010. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/002/MR70958.PDF.
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Liétard, Clotilde. “La thématique hivernale dans les oeuvres de Maurice Cullen, de 1896 à 1914.” Master’s Thesis, Université de Montréal, 2010. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMU/TC-QMU-4417.pdf.
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Lerner, Loren Ruth. “William Notman’s Portrait Photographs of the Wealthy English-Speaking Girls of Montreal: Representations of Informal Female Education in Relation to John Ruskin’s ‘Of Queens’ Gardens’ and Writings by and for Canadians from the 1850s to 1890s.” Historical Studies in Education/Revue d’histoire de l’éducation Vol. 21, no. 2 (Fall 2009): 65–97. http://historicalstudiesineducation.ca/index.php/edu_hse-rhe/article/view/816.
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Béland, Mario. “Edith Hemming: Au service des Livernois.” Cap-aux-Diamants No. 96 (2009): 51. https://www.erudit.org/en/journals/cd/2009-n96-cd1044555/6844ac.pdf.
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Trudel, Jean. “L’Art Association of Montreal : Les années d’incertitude : 1863-1877 (Première partie).” The Journal of Canadian Art History/Annales d’histoire de l’art canadien Vol. 29 (2008): 116–145. http://jcah-ahac.concordia.ca/fr/archive/2009_30.
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Robert, Kimberlie M. “Women’s Botanical Illustration in Canada: Its Gendered, Colonial and Garden Histories (1830-1930).” Master’s Thesis, Concordia University, 2008. http://spectrum.library.concordia.ca/976097/1/MR45323.pdf.
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Eagan, Mireille. “The Pictured and the Posed: Nineteenth Century Touristic Images of the Lachine Rapids.” Master’s Thesis, Concordia University, 2008. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMG/TC-QMG-976200.pdf.
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Buis, Alena. “Ut Pictura Poesis: Edward Black Greenshields’ Collection of Hague School Paintings.” Master’s Thesis, Concordia University, 2008. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMG/TC-QMG-976098.pdf.
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Grants, Anita. “Selectivity, Interpretation and Application: The Influence of John Ruskin in Canada.” PhD dissertation, Concordia University, 2006. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMG/TC-QMG-9098.pdf.
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Korda, Andrea. “Travel Photography after the Kodak: Two Amateur Albums from the Turn of the Century.” Master’s Thesis, Concordia University, 2005. https://spectrum.library.concordia.ca/8281/1/MR04467.pdf.
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Graham, Conrad. “Cornelius Krieghoff and the Shakspeare [Sic] Club.” The Journal of Canadian Art History/Annales d’histoire de l’art canadien Vol. 24, no. 1/2 (2003): 46–59. http://jcah-ahac.concordia.ca/en/archive/2003_24.
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Fowler, Robyn. “‘A New Canadian National Spirit’: Allegorical Miss Canada and the Occult Canadian State.” In Culture + the State, edited by James Gifford and Gabrielle E. M. Zezulka-Mailloux, 40–52. Edmonton, AB: CRC Humanities Studio, 2003. http://epe.lac-bac.gc.ca/100/200/300/crc_humanities_studio/culture_and_the_state/fowler.pdf.
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Pierce, Alexandria. “Imperialist Intent - Colonial Response: The Art Collection and Cultural Milieu of Lord Strathcona in Nineteenth-Century Montreal.” PhD dissertation, McGill University, 2002. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMM/TC-QMM-84197.pdf.
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Skidmore, Colleen Marie. “Women in Photography at the Notman Studio, Montreal, 1856-1881.” PhD dissertation, University of Alberta, 1999. https://era.library.ualberta.ca/items/530019af-f126-4a3b-bf75-4539d329012f.
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Mathieu, Christine Johanne. “The History of the Tiffany Windows at the Erskine and American Church, Montreal.” Master’s Thesis, Concordia University, 1999. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMG/TC-QMG-742.pdf.
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Hardy, Dominic Llwelyn. “Drawn To Order: Henri Julien’s Political Cartoons of 1899 and His Career with Hugh Graham’s Montreal Daily Star, 1888-1908.” Master’s Thesis, Trent University, 1998. http://www.collectionscanada.gc.ca/obj/s4/f2/dsk2/ftp01/MQ30215.pdf.
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