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29 resources
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Rosenfeld, Roslyn. “An Index of Miniaturists and Silhouettists Who Worked in Montreal.” The Journal of Canadian Art History/Annales d’histoire de l’art canadien Vol. 5, no. 2 (1981): 111–121.
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Greenhill, Ralph, and Andrew Birrell. Canadian Photography, 1839-1920. Toronto, ON: Coach House Press, 1979.
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Jones, Laura. “Canadian Women Photographers 1841-1910.” Resources for Feminist Research/Documentation sur la recherche féministe Vol. 13, no. 4 (January 1984): 13–14.
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Bara, Jana. “Cradled in Fur: Winter Fashions in Montreal in the 1860s.” Dress: Journal of the Costume Society of America Vol. 16 (1990): 39–47.
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Vignola, Luce. “Essai de définition : les sculpteurs, statuaires et ornemanistes italiens à Montréal de 1862 à 1880.” Master’s Thesis, Université du Québec à Montréal, 1996.
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Cox, Leo. “Fifty Years of Bush and Pen.” Queen’s Quarterly 46, no. 3 (Autumn 1939): 341–347.
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Lacroix, Laurier. “Italian Art and Artists in Nineteenth-Century Québec: A Few Preliminary Observations.” In Arrangiarsi: The Italian Immigrant Experience in Canada, edited by Roberto Perin and Franc Sturino, 163–178. Montreal: Guernica, 1989.
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Dorais, Lucie. “James Wilson Morrice -- Peintre canadien (1865-1924) -- Les années de formation.” Master’s Thesis, Université de Montréal, 1980.
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Kollar, Kathryn L. John Arthur Fraser, 1838-1898: Watercolours / John Arthur Fraser, 1838-1898: Aquarelles. Montreal: Concordia Art Gallery, 1984.
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Chevrefils, Yves. “John Henry Walker (1831-1899), artisan-graveur montréalais. La montée et la chute du premier médium moderne d’illustration: la gravure sur bois de reproduction.” Master’s Thesis, Universtié du Québec à Montréal, 1985.
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McCord Museum. La Fin d’une époque : Montréal, 1880-1914/The End of an Era : Montreal 1880-1914. Montreal: Musée McCord, Université McGill/ Montreal McCord Museum, McGill University, 1977.
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Nadeau-Saumier, Monique. “Late Victorian and Edwardian Jewellery in Montreal.” The Journal of Canadian Art History/Annales d’histoire de l’art canadien Vol. 9, no. 1 (1986): 69–80.
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Triggs, Stanley G. Le Studio de William Notman. Objectif Canada/William Notman’s Studio. The Canadian Picture. Montreal: McCord Museum of Canadian History and McGill-Queen’s University Press, 1992.
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Leduc, Pierre. “Les origines et le développement de l’Art Association de Montréal (1860-1912).” Master’s Thesis, Université de Montréal, 1963.
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Collard, Elizabeth. “Montreal Cabinetmakers and Chairmakers, 1800-1850: A Check List.” Antiques (New York) Vol. 105 (June 1974): 1132–1146.
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Lacroix, Laurier. “Montréal et les origines de la Canadian Academy of Arts.” Vie des arts Vol. 24, no. 98 (Printemps 1980): 20–24.
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McMann, Evelyn (de Rostaing). Montreal Museum of Fine Arts, Formerly Art Association of Montreal: Spring Exhibitions 1880-1970. Toronto, ON: University of Toronto Press, 1988.
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Hayes, E. H. Montrealers As We See’em. [S.l.]: Canada Newspaper Cartoonists’ Association, 1905.
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Reid, Dennis. “Our Own Country Canada”: Being an Account of the National Aspirations of the Principal Landscape Artists in Montreal and Toronto, 1860-1890. Ottawa, ON: The National Gallery of Canada for the Corporation of the National Museums of Canada, 1979.
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Harper, J. Russell, and Stanley Triggs, eds. Portrait of a Period: A Collection of Notman Photographs, 1856-1915. Montreal: McGill University Press, 1967.
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de Pencier, Honor. Posted to Canada : The Watercolours of George Russell Dartnell, 1835-1844. Toronto, ON: Dundurn Press, 1987.
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Edward, Joan. Rediscovering McGill’s Heritage: A Collection of Pen Drawings. Montreal: McGill Development Office, 1997.
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Pepall, Rosalind. “Stained Glass Windows in Montreal at the Turn of the Century.” Bulletin of the Association for Preservation Technology Vol. 13, no. 3 (1981): 48–55.
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Stirling, J. Craig. “The Development of Art Institutions in Quebec and Ontario (1876-1914) and the South Kensington Influence.” PhD dissertation, University of Edinburgh, 1988.
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Ruch, John. “The Loyalists and the Arts in Montreal.” In The Loyalists of Quebec, 1774-1825: A Forgotten History, edited by United Empire Loyalists’ Association of Canada -- Heritage Branch-Montreal, 391–408. Montreal: Price-Patterson, 1989.
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Holowach-Amiot, Elaine. The Women’s Art Society of Montreal: A Century of Commitment to the Arts. Montreal: McCord Museum of Canadian History, 1994.
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Hall, Roger, Gordon Dodds, and Stanley Triggs. The World of William Notman: The Nineteenth Century Through a Master Lens. Toronto: McClelland & Stewart, 1993.
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Bara, Jana L. “Through the Frosty Lens: William Notman and His Studio Props, 1861-1876.” History of Photography Vol. 12, no. 1 (March 1988): 23–30.
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Bazin, Jules. “Un peintre américain à Montréal.” Vie des arts No. 66 (1972): 19–23.