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Harper, J. Russell, and Stanley Triggs, eds. Portrait of a Period: A Collection of Notman Photographs, 1856-1915. Montreal: McGill University Press, 1967.
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In The House: The Story of the Needlepoint Kneelers. Montreal: Christ Church Cathedral, 1978.
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Eidelberg, Martin, ed. Design 1935-1965: What Modern Was. Selections from the Liliane and David M. Stewart Collection. Montréal: Musée des arts décoratifs de Montréal, 1991.
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Hommage à Nincheri à l’occasion du XXème anniversaire de sa mort /Omaggio a Nincheri nel XX anniversario della sua scomparsa. Montréal: Centre culturel italien du Québec / Centro culturale italiano del Quebec / Italian Cultural Center of Quebec, 1993.
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Adams, Robert. The Life and Work of Alexander Bercovitch, Artist. Montreal: Éditions Marlowe, 1988.
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Aislin. One Oar in the Water: The Nasty Nineties Continued in Cartoons. Edited by Joe Fiorito. Toronto, ON: Little, Brown Canada, 1997.
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Andrus, Donald F. P. Ghitta Caiserman-Roth: A Retrospective View, 1947-1980. [S.l.]: Sir George Williams Art Galleries of Concordia University, 1981.
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Avon, Susan. “The Beaver Hall Group Redefined.” Imposture Vol. 6 (Winter 1992): 56–61.
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Biello, V. “Comparative Study of Notre Dame de La Defense and St. Edouard Churches.” Student paper, School of Architecture, McGill University, 1969.
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Braide, Janet. Prudence Heward (1896-1947): An Introduction to Her Life and Work. Montreal: Galerie Walter Klinkhoff, 1980.
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Brock, Ellison M. “Symbols of Order and Harmony in the Work of Marian Scott, 1931-1949.” Master’s Thesis, Carleton University, 1985.
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Brooke, Janet M. Discerning Tastes: Montreal Collectors, 1880-1920. Montreal: Montreal Museum of Fine Arts, 1989.
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Calvin, H. A. “Ann [Sic] Savage, Teacher.” Master’s Thesis, Concordia University, 1967.
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Cameron, Elspeth. “Montreal Modernists: The Emergence of Canadian Art and Literature in Montreal, 1926-1951.” In Canada Ieri e Oggi: 2, Sezione Anglofona, edited by Giovanni Bonanno, 291–299. Fasano, Italia: Schena, 1986.
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Chauvin, Jean. “À l’atelier d’Edwin Holgate.” La Revue Populaire Vol. 20, no. 2 (Février 1927): 7–9.
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Clowery, Freeman. “Bank of Montreal Centenary Medal, 1817-1917.” Transactions of the Canadian Numismatic Research Society Vol. 16, no. 3 (1980): 80–81.
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Cox, Leo. “Fifty Years of Bush and Pen.” Queen’s Quarterly 46, no. 3 (Autumn 1939): 341–347.
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Cox, Leonard. Portrait of a Club. Montreal: The Arts Club of Montreal, 1962.
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Déry, Louise. “L’influence de la critique d’art de John Lyman dans le milieu artistique québécois de 1936 à 1942.” Master’s Thesis, Université Laval, 1982.
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Déry, Louise. “La mémoire à rebours : Lyman et le ‘présent du passé.’” In Des lieux de mémoire: identité et culture modernes au Québec, 1930-1960, edited by Marie Carani, 183–191. Ottawa, ON: Presses de l’Université d’Ottawa, 1995.
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Dion, François. “Jack Beder, la vie et l’oeuvre d’un peintre montréalais : (1910-1987).” Master’s Thesis, Université du Québec à Montréal, 1993.
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Dorais, Lucie. “James Wilson Morrice -- Peintre canadien (1865-1924) -- Les années de formation.” Master’s Thesis, Université de Montréal, 1980.
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Dumas, Paul. Lyman. Montréal: Éditions de l’Arbre, 1944.
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Dumas, Paul. “Un peintre méconnu : Allan Harrison.” Vie des arts, Printemps 1973.
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Edmonton Art Gallery. The Contemporary Arts Society, Montreal, 1939-1948/La Societe d’art Contemporain, Montréal, 1939-1948. Edmonton, AB: Edmonton Art Gallery, 1980.
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Edward, Joan. Rediscovering McGill’s Heritage: A Collection of Pen Drawings. Montreal: McGill Development Office, 1997.
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Farand, Francine. “La critique d’art dans les journaux montréalais de 1940 à 1948.” Master’s Thesis, Université de Montréal, 1985.
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Farr, Dorothy. Lilias Torrance Newton, 1896-1980. Kingston, ON: Agnes Etherington Art Centre, 1981.
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Gauthier, Ninon. “Le Dr Stern et la galerie Dominion.” Le Collectionneur Vol. 2, no. 2 (1980): 20–24.
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Gironnay, Sophie. “L’oeuvre gravé de Frédérick Bourchier Taylor, 1931-1951.” Master’s Thesis, Université du Québec à Montréal, 1993.
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