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Frey, Geza. “L’institution muséale et le marché de l’art : étude de cas sur cinq artistes membres du Groupe du Beaver Hall, 1970-2007.” Master’s Thesis, Université du Québec à Montréal, 2007.
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Fortin, Nathalie. “La place des femmes dans la Société d’art contemporain : Montréal, 1939-1948.” Master’s Thesis, Université du Québec à Montréal, 2007. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMUQ/TC-QMUQ-3348.pdf.
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Carlevaris, Anna Maria. “Italian Artists in Quebec, Some Methodological Considerations.” Studi Emigrazione No. 166 (2007): 295–312.
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Campbell, James. “Young Girls and Old Boys: The Art of Prudence Heward and Edwin Holgate.” Border Crossings Vol. 25, no. 2 (June 2006): 68–75.
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O’Brien, Donald C. “William Satchwell Leney, Artist, Engraver and Entrepreneur.” Imprint Vol. 31, no. 1 (Spring 2006): 2–13.
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Villeneuve, René. “A Scottish-Born Silversmith in Montreal: Robert Cruikshank.” In Kingdom of the Mind: How the Scots Helped Make Canada, edited by Peter E. Rider and Heather McNabb, 137–148. Montreal and Kingston: McGill-Queen’s University Press, 2006.
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Stirling, J. Craig. “Postsecondary Art Education in Quebec from the 1870s to the 1920s.” In From Drawing to Visual Culture: A History of Art Education in Canada, edited by Harold Pearse, 47–84. Montreal and Kingston: McGill-Queen’s University Press, 2006.
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Stack, Eileen. “‘Bonnie Lassies’ and a ‘Coat of Many Colours’: Highland-Inspired Clothing at the McCord Museum.” In A Kingdom of the Mind: How the Scots Helped Make Canada, edited by Peter E. Rider and Heather McNabb, 149–164. Montreal and Kingston: McGill-Queen’s University Press, 2006.
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Sinclair, Catherine. “Season’s Greetings in Canada : Gender and Nationalism in Rous and Mann, Limited’s Canadian Artists Series Christmas Cards, 1923-1929.” Master’s Thesis, Carleton University, 2006. https://curve.carleton.ca/702fb01c-a854-48c1-9fdd-8924b1617bb6.
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Rackham, Michèle. “Reframing Montreal Modernisms: A Biographical Study of Betty Sutherland and Her Work with First Statement, First Statement Press, Contact, Contact Press, and CIV/n.” Master’s Thesis, Carleton University, 2006. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/002/MR18293.PDF.
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Grants, Anita. “Selectivity, Interpretation and Application: The Influence of John Ruskin in Canada.” PhD dissertation, Concordia University, 2006. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMG/TC-QMG-9098.pdf.
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Farah, Myriam. “Impact de la genèse d’une collection muséale sur le processus d’acquisition futur : Étude comparative de l’histoire des collections de l’Art Association of Montreal et de la Royal Canadian Academy of Arts.” Master’s Thesis, Université du Québec à Montréal, 2006.
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Beavis, Lori. “An Educational Journey: Women’s Art Training in Canada and Abroad, 1880-1929.” Master’s Thesis, Concordia University, 2006. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMG/TC-QMG-9279.pdf.
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Walters, Evelyn. The Women of Beaver Hall: Canadian Modernist Painters. Toronto: Dundurn Press, 2005.
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Sicotte, Hélène. “Suzor-Coté chez W. Scott & Sons de Montréal : Du rôle de l’éxposition particulière dans la consécreation d’une carrière d’artiste.” The Journal of Canadian Art History/Annales d’histoire de l’art canadien Vol. 26 (2005): 108–126. http://jcah-ahac.concordia.ca/en/archive?page=4.
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Rousseau, Marlène. “Alexander Henderson (1831-1913) : photographe paysagiste montréalais du XIXe siècle.” Master’s Thesis, Université du Québec à Montréal, 2005.
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Pierce, Alexandria. “Imperialist Intent: Lord Strathcona’s Art Collection in Nineteenth-Century Montreal.” In Montreal-Glasgow, edited by Bill Marshall, 105–116. Glasgow, Scotland: University of Glasgow French and German Publications, 2005.
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Pepall, Rosalind, and Brian Foss. Edwin Holgate. Montreal: Montreal Museum of Fine Arts, 2005.
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Lerner, Loren. Sam Borenstein. Montreal: Montreal Museum of Fine Arts, 2005.
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Korda, Andrea. “Travel Photography after the Kodak: Two Amateur Albums from the Turn of the Century.” Master’s Thesis, Concordia University, 2005. https://spectrum.library.concordia.ca/8281/1/MR04467.pdf.
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Des Rochers, Jacques, and Loren R. Lerner. Sam Borenstein. Montréal: Musée des Beaux-Arts de Montréal, 2005.
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Campbell, James D. Fonds et Figures: L’oeuvre de Ross Heward: Avec Une Esquisse de La Vie et de l’oeuvre de Sa Tante, Prudence Heward/Figures and Grounds: The Work of Ross Heward: With a Brief Sketch of the Life and Work of His Aunt Prudence Heward. Montreal: Visual Arts Centre, McClure Gallery, 2005.
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Burton, Samantha. “Re-Mapping Modernity: The Sites and Sights of Helen McNicoll (1879-1915).” Master’s Thesis, McGill University, 2005. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMM/TC-QMM-83172.pdf.
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Moore, Paul S. “Movie Palaces on Canadian Downtown Main Streets: Montreal, Toronto and Vancouver.” Urban History Review/Revue d’historire urbaine Vol. 32, no. 2 (Spring 2004): 3–20.
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Huneault, Kristina. “Impressions of Difference: The Painted Canvases of Helen McNicoll.” Art History Vol. 27, no. 2 (April 2004): 212–249.
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Meyer, Noel. “Prudence Heward (1896-1947).” MagazinArt No. 66 (Hiver -2005 2004): 88–127.
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Wagner, Serge, and Jan Johnson. Du Privé Au Public : Gravures Du Québec Provenant Des Membres de La Société Des Collectionneurs d’Estampes de Montréal / From Private to Public : Prints by Quebec Artists from the Collections of the Montreal Print Collectors’ Society. Montreal: Montreal Print Collectors’ Society, 2004.
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Trépanier, Esther, and Sandra Paikowsky. Jack Beder : Lumières de la ville/City Lights. Montreal: Leonard & Bina Ellen Art Gallery, Concordia University, 2004.
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Todd, Phillip. “Breaking Bones in Political Cartooning: Aislin and the Free Trade Fight of 1998.” Master’s Thesis, McGill University, 2004. http://digitool.Library.McGill.CA:80/R/-?func=dbin-jump-full&object_id=79981&silo_library=GEN01.
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Tierney, Cara. “Jori Smith: A Contextual Analysis.” Master’s Thesis, Carleton University, 2004. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/001/mq99003.pdf.
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