Your search results
154 resources
Page 1 of 6
-
Janson, Gilles. “1810-1895, l’entrée des femmes dans l’arène sportive.” Cap-aux-Diamants No. 113 (Printemps 2013): 11–16. https://www.erudit.org/en/journals/cd/2013-n113-cd0535/68940ac.pdf.
-
Rachwal, Maria Noriega. “"A Jewish Maestra and a Lady Too’: Reflections on Femininity in the Career of Ethel Stark.” Canadian Jewish Studies / Études juives canadiennes Vol. 28 (2019): 74–103. https://cjs.journals.yorku.ca/index.php/cjs/article/view/40146/36316.
-
Bosnitch, Katherine. “A Little on the Wild Side: Eaton’s Prestige Fashion Advertising Published in the Montreal Gazette, 1952-1972.” Master’s Thesis, Concordia University, 2000. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMG/TC-QMG-1065.pdf.
-
Essert, Emily Margaret. “A Modernist Menagerie: Representations of Animals in the Work of Five North American Poets.” PhD dissertation, McGill University, 2012. http://digitool.Library.McGill.CA:80/R/-?func=dbin-jump-full&object_id=114133&silo_library=GEN01.
-
Insaf, Zeenat S. “A Neighborhood That Empowers Women : In Search of Housing Sustainability.” Master’s Thesis, McGill University, 1999. https://escholarship.mcgill.ca/concern/theses/tm70mx374?locale=en.
-
Fowler, Robyn. “‘A New Canadian National Spirit’: Allegorical Miss Canada and the Occult Canadian State.” In Culture + the State, edited by James Gifford and Gabrielle E. M. Zezulka-Mailloux, 40–52. Edmonton, AB: CRC Humanities Studio, 2003. http://epe.lac-bac.gc.ca/100/200/300/crc_humanities_studio/culture_and_the_state/fowler.pdf.
-
Henderson-Cameron, Laura. “‘A Strange Gestation’: Periods of Poetic Silence in Modern Canadian Creative Careers.” PhD dissertation, McGill University, 2015. https://escholarship.mcgill.ca/concern/theses/3t945t690.
-
Harvey, Kathryn. “Amazons and Victims: Resisting Wife-Abuse in Working-Class Montréal, 1869-1879.” Journal of the Canadian Historical Association/Revue de la Société historique du Canada New Series Vol. 2 (1991): 131–148. https://www.erudit.org/en/journals/jcha/1991-v2-n1-jcha998/031031ar.pdf.
-
Beavis, Lori. “An Educational Journey: Women’s Art Training in Canada and Abroad, 1880-1929.” Master’s Thesis, Concordia University, 2006. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMG/TC-QMG-9279.pdf.
-
Warner, Mary Jane. “Anne Fairbrother Hill: ‘A Chaste and Elegant Dancer.’” Theatre Research in Canada/Recherches théâtrales au Canada Vol. 12, no. 2 (Fall 1991): 169–191. https://journals.lib.unb.ca/index.php/TRIC/article/view/7264.
-
Adams, Annmarie. “‘Archi-Ettes’ in Training: The Admission of Women to McGill’s School of Architecture.” Society for the Study of Architecture in Canada Bulletin / Bulletin de la Société pour l’étude de l’architecture au Canada Vol. 21, no. 3 (September 1996): 70–73. https://dalspace.library.dal.ca/bitstream/handle/10222/71192/vol21_3__70_73.pdf?sequence=1&isAllowed=y.
-
O’Neill, Heather. “Autoportrait de l’artiste, huile sur toile.” Lettres Québécoises, Printemps 2019. https://lettresquebecoises.qc.ca/index.php/system/files/2019-10/6.pdf.
-
Haskins, Heather Victoria. “Bending the Rules: The Montreal Branch of the Women’s Art Association of Canada, 1894-1900.” Master’s Thesis, Concordia University, 1995. http://spectrum.library.concordia.ca/6199/.
-
Rackham, Michèle. “Between the Lines: Interartistic Modernism in Canada, 1930-1960.” PhD dissertation, McGill University, 2011. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMM/TC-QMM-107764.pdf.
-
Richter, Adrienne. “Blanche Lemco van Ginkel, Montreal Modernist.” Master’s Thesis, Carleton University, 2002. https://curve.carleton.ca/44c36b6c-9abe-441d-8090-08a96e1bb8a4.
-
Cassidy, Richard. “Bodies, Stories, Cities : Learning to Read and Write (in) Montréal with Gail Scott.” PhD dissertation, Université de Montréal, 2015. https://papyrus.bib.umontreal.ca/xmlui/bitstream/handle/1866/13604/Cassidy_Richard_2015_these.pdf?sequence=2&isAllowed=y.
-
Quirk, Linda Elizabeth. “Breaking New Ground: The First Generation of Women to Work as Professional Authors in English Canada (1880-1920).” PhD dissertation, Queen’s University, 2011. http://qspace.library.queensu.ca/handle/1974/6845.
-
Gonçalves da Cruz, Patricia Lane. “Brian Moore’s The Luck of Ginger Coffey: An Experience of Immigration from Ireland to Canada in the Fifties.” Master’s Thesis, Universidade Federal de Minas Gerais, 2008. http://www.bibliotecadigital.ufmg.br/dspace/bitstream/handle/1843/ECAP-7DPGDX/microsoft_word___disserta__o_plgc_revisada.pdf?sequence=1.
-
Page, Anne Mandely. “Canada’s First Professional Women Painters, 1890-1914: Their Reception in Canadian Writing on the Visual Arts.” Master’s Thesis, Concordia University, 1991. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMG/TC-QMG-2659.pdf.
-
Burton, Samantha. “Canadian Girls in London: Negotiating Home and Away in the British World at the Turn of the Twentieth Century.” PhD dissertation, McGill University, 2011. http://digitool.Library.McGill.CA:80/R/-?func=dbin-jump-full&object_id=107634&silo_library=GEN01.
-
Hétu, Dominique. “Care and Wonder in Two Novels by Heather O’Neill.” Studies in Canadian Literature/Études en littérature canadienne Vol. 44, no. 1 (2019): 239–257. https://www.erudit.org/en/journals/scl/2019-v44-n1-scl05054/1066508ar.pdf.
-
Powell, Grace. “Challenging the Status Quo: Prudence Heward’s Portrayals of Canadian Women from the 1920s to the 1940s.” Master’s Thesis, Concordia University, 2009. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/002/MR63273.PDF.
-
Morgentaler, Goldie. “Chava Rosenfarb: The Yiddish Woman Writer in the Post-Holocaust World.” Canadian Jewish Studies/Études juives canadiennes Vol. 11 (2003): 37–51. http://cjs.journals.yorku.ca/index.php/cjs/article/view/19978/18682.
-
Des Rochers, Jacques. “Circonscrire l’œuvre : quelques notes au sujet des encadrements d’œuvres de membres du Groupe de Beaver Hall.” Journal of Canadian Art History / Annales d’histoire de l’art Canadien Vol. 35, no. 2 (2014): 207–211. http://jcah-ahac.concordia.ca/en/archive.
-
Macquarrie, Jennifer. “CIV/n: Not a One [Wo]Man Job - The Significance of Aileen Collins as Editor.” Master’s Thesis, Carleton University, 2006. https://curve.carleton.ca/54ee87f6-a034-42b8-acf0-ef077e15ee47.
-
Leahy, David. “Classic Realist Ethnic, Gender and Class Fictions in Québec, 1939-1945.” PhD dissertation, Concordia University, 1995. https://spectrum.library.concordia.ca/id/eprint/2715/1/NN18463.pdf.
-
Blanchette, Jean-François. “Collectionner le Québec de tradition française à la manière de Nettoe Covey Sharpe.” In Du coq à l’âme : l’art populaire au Québec, 39–61. Gatineau, QC: Musée canadien de l’histoire / Les Presses de l’Université d’Ottawa, 2014. https://www.historymuseum.ca/cmc/exhibitions/arts/sharpe/sharpe_e.html.
-
Martens, Debra Kay. “Continuity and Discontinuity in the Short Fiction of Mavis Gallant.” Master’s thesis, McGill University, 1986. http://digitool.Library.McGill.CA:80/R/-?func=dbin-jump-full&object_id=65486&silo_library=GEN01.
-
Paterson, Elaine C. “Crafting Empire: Intersections of Irish and Canadian Women’s History.” Journal of Canadian Art History / Annales d’histoire de l’art Canadien Vol. 34, no. 2 (2013): 242–267. http://jcah-ahac.concordia.ca/en/archive.
-
Frédette, Julie. “De la lecture à la bibliophilie : Villeneuve Publications ou l’édition artisanale anglo-québécoise.” Mémoires du livre / Studies in Book Culture Vol. 1, no. 2 (2010): 1–23. https://www.erudit.org/en/journals/memoires/2010-v1-n2-memoires3876/044207ar/.
Page 1 of 6