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37 resources
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Durante, Agnes. “The Visual Politics of the Female Form in 1920s Canada.” PhD dissertation, York University, 2015. https://yorkspace.library.yorku.ca/xmlui/handle/10315/30630.
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Rondeau, Kim. “Où en sommes-nous avec l’art féministe? : analyse de la programmation de la Centrale Galerie Powerhouse (1973-1978 et 2007-2010).” Master’s Thesis, Université du Québec à Montréal, 2013. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMUQ/TC-QMUQ-5249.pdf.
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Rackham, Michèle. “Between the Lines: Interartistic Modernism in Canada, 1930-1960.” PhD dissertation, McGill University, 2011. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMM/TC-QMM-107764.pdf.
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Burton, Samantha. “Canadian Girls in London: Negotiating Home and Away in the British World at the Turn of the Twentieth Century.” PhD dissertation, McGill University, 2011. http://digitool.Library.McGill.CA:80/R/-?func=dbin-jump-full&object_id=107634&silo_library=GEN01.
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Godin-Laverdière, Julie-Anne. “L’apport de Prudence Heward, Lilias Torrance Newton et Jori Smith à l’élaboration de la modernité picturale canadienne : 1920-1948.” Master’s Thesis, Université du Québec à Montréal, 2010. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMUQ/TC-QMUQ-2702.pdf.
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Powell, Grace. “Challenging the Status Quo: Prudence Heward’s Portrayals of Canadian Women from the 1920s to the 1940s.” Master’s Thesis, Concordia University, 2009. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/002/MR63273.PDF.
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Aylen, Marielle. “Modern Vision and National Memory: Jori Smith, the Montreal Avant-Garde, and Charlevoix Painters.” PhD dissertation, York University, 2009. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/002/NR51669.PDF.
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Robert, Kimberlie M. “Women’s Botanical Illustration in Canada: Its Gendered, Colonial and Garden Histories (1830-1930).” Master’s Thesis, Concordia University, 2008. http://spectrum.library.concordia.ca/976097/1/MR45323.pdf.
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De Garie-Lamanque, Ève. “L’Esthetique de la trace anonyme. Étude comparative des cas de Betty Goodwin et de Christian Boltanski.” Master’s Thesis, Concordia University, 2008. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/002/MR45287.PDF.
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Frey, Geza. “L’institution muséale et le marché de l’art : étude de cas sur cinq artistes membres du Groupe du Beaver Hall, 1970-2007.” Master’s Thesis, Université du Québec à Montréal, 2007.
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Fortin, Nathalie. “La place des femmes dans la Société d’art contemporain : Montréal, 1939-1948.” Master’s Thesis, Université du Québec à Montréal, 2007. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMUQ/TC-QMUQ-3348.pdf.
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Sinclair, Catherine. “Season’s Greetings in Canada : Gender and Nationalism in Rous and Mann, Limited’s Canadian Artists Series Christmas Cards, 1923-1929.” Master’s Thesis, Carleton University, 2006. https://curve.carleton.ca/702fb01c-a854-48c1-9fdd-8924b1617bb6.
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Rackham, Michèle. “Reframing Montreal Modernisms: A Biographical Study of Betty Sutherland and Her Work with First Statement, First Statement Press, Contact, Contact Press, and CIV/n.” Master’s Thesis, Carleton University, 2006. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/002/MR18293.PDF.
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Beavis, Lori. “An Educational Journey: Women’s Art Training in Canada and Abroad, 1880-1929.” Master’s Thesis, Concordia University, 2006. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMG/TC-QMG-9279.pdf.
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Korda, Andrea. “Travel Photography after the Kodak: Two Amateur Albums from the Turn of the Century.” Master’s Thesis, Concordia University, 2005. https://spectrum.library.concordia.ca/8281/1/MR04467.pdf.
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Burton, Samantha. “Re-Mapping Modernity: The Sites and Sights of Helen McNicoll (1879-1915).” Master’s Thesis, McGill University, 2005. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMM/TC-QMM-83172.pdf.
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Tierney, Cara. “Jori Smith: A Contextual Analysis.” Master’s Thesis, Carleton University, 2004. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/001/mq99003.pdf.
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Bosnitch, Katherine. “A Little on the Wild Side: Eaton’s Prestige Fashion Advertising Published in the Montreal Gazette, 1952-1972.” Master’s Thesis, Concordia University, 2000. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMG/TC-QMG-1065.pdf.
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Skidmore, Colleen Marie. “Women in Photography at the Notman Studio, Montreal, 1856-1881.” PhD dissertation, University of Alberta, 1999. https://era.library.ualberta.ca/items/530019af-f126-4a3b-bf75-4539d329012f.
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Israël, Véronique. “La problématique de la fonction de l’art dans la production des années quarante de Ghitta Caiserman-Roth.” Master’s Thesis, Université du Québec à Montréal, 1999.
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Emeny, Shirley Kathleen. “Plurality and Agency: Portraits of Women by Prudence Heward.” Master’s Thesis, University of Alberta, 1999. http://www.nlc-bnc.ca/obj/s4/f2/dsk2/ftp01/MQ40006.pdf.
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Adley, Allyson Sarah. “Re-Presenting Diasporic Difference: Images of Immigrant Women by Canadian Women Artists, 1912-1935.” Master’s thesis, Concordia University, 1999. http://www.nlc-bnc.ca/obj/s4/f2/dsk3/ftp04/mq39122.pdf.
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Roome, Patricia. “Henrietta Muir Edwards: The Journey of A Canadian Feminist.” PhD dissertation, University of Calgary, 1996. https://www.collectionscanada.gc.ca/obj/s4/f2/dsk3/ftp04/nq24346.pdf.
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Hodges, Margaret. “Sigrun Bulow-Hube: Scandinavian Modernism in Canada.” Master’s Thesis, Concordia University, 1996. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMG/TC-QMG-152.pdf.
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Hébert Stoneberger, Jacqueline. “The Beaver Hall Group: Montréal Painters between World War I and World War II.” Master’s Thesis, University of Miami, 1996.
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Aylen, Marielle. “Interfaces of the Portrait: Liminality and Dialogism in Canadian Women’s Portraiture between the Wars.” Master’s Thesis, Carleton University, 1996. http://www.nlc-bnc.ca/obj/s4/f2/dsk2/ftp04/MQ26894.pdf.
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McLeod, Ellen Mary Easton. “Enterprising Women and the Early History of the Canadian Handicrafts Guild, 1905-1936.” Master’s Thesis, Carleton University, 1995. https://curve.carleton.ca/4eb5c1d8-c457-44bf-9aff-378fc39a8836.
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Haskins, Heather Victoria. “Bending the Rules: The Montreal Branch of the Women’s Art Association of Canada, 1894-1900.” Master’s Thesis, Concordia University, 1995. http://spectrum.library.concordia.ca/6199/.
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Avon, Susan. “The Beaver Hall Group and Its Place in the Montreal Art Milieu and the Nationalist Network.” Master’s Thesis, Concordia University, 1994. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMG/TC-QMG-74.pdf.
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Schofield, Appolonia Elizabeth. “The Soul Pictures of Margaret Mary Nealis R.S.C.J., 1876 to 1957.” Master’s Thesis, Concordia University, 1993. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMG/TC-QMG-6105.pdf.
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