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26 resources
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Ravvin, Norman. “Placed Upon the Landscape, Casting Shadows: Jewish Canadian Monuments and Other Forms of Memory.” Canadian Jewish Studies / Études juives canadiennes Vol. 31 (Spring 2021): 104–114. https://cjs.journals.yorku.ca/index.php/cjs/article/view/40212/36393.
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Dietze, Antje. “A Middleman’s Process : Booking and Managing Musical Theater Venues in Montreal from the 1880s to the First World War.” Journal of Urban History Vol. 47 (2020).
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Mills, Sean. “Democracy in Music : Louis Metcalf’s International Band and Montreal Jazz History.” Canadian Historical Review Vol. 100, no. 3 (September 2019): 351–373.
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Rachwal, Maria Noriega. “"A Jewish Maestra and a Lady Too’: Reflections on Femininity in the Career of Ethel Stark.” Canadian Jewish Studies / Études juives canadiennes Vol. 28 (2019): 74–103. https://cjs.journals.yorku.ca/index.php/cjs/article/view/40146/36316.
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de Almeida, Tereza Virginia. “Leonard Cohen and the Neo-Baroque Perspective.” Canadian Literature : A Quarterly of Criticism and Review No. 238 (2019): 177–181.
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Flamand, Guylaine. “Le Montreal Orchestra et la création de la Société des Concerts symphoniques de Montréal (1930 - 1941).” Les Cahiers de la Société québécoise de recherche en musique Vol. 19, no. nos. 1 et 2 (Printemps-Autumne 2018): 145–154. https://www.erudit.org/en/journals/sqrm/2018-v19-n1-2-sqrm05332/1069883ar.pdf.
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Laberge, Yves. “Leonard Cohen (1934-2016), le Montréalais.” Cap-aux-Diamants (Printemps 2017): 54–55.
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Remnick, David. “How the Light Gets In: Leonard Cohen at Eight-Two.” The New Yorker (October 17, 2016): 46–59. http://www.newyorker.com/magazine/2016/10/17/leonard-cohen-makes-it-darker.
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Roquigny, Peggy. “La danse pour tout un chacun : pratiques différenciées d’un loisir commercial à Montréal pendant l’entre-deux-guerres.” Mens: Revue d’histoire intellectuelle et culturelle Vol. 16, no. 1 (automne 2015): 21–61. https://www.erudit.org/en/journals/mens/2015-v16-n1-mens02948/1038983ar.pdf.
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Cohalan, Kevin. “Trajet de jeunesse d’une artiste de renommée modiale. Maureen Forrester, fille de la rue Fabre.” Bulletin de la Société d’histoire et de généalogie du Plateau-Mont-Royal Vol. 10, no. 1 (Printemps 2015): 13.
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Robineau, Anne. “La scène musicale anglo-québécoise : institutionnalisation, mutations et représentations.” Recherches sociographiques Vol. 55, no. 3 (September 2014): 559–581. https://www.erudit.org/en/journals/rs/2014-v55-n3-rs01677/1028379ar.pdf.
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Patterson, Glenn. “La vie culturelle des anglo-Gaspésiens à Montréal et ses environs depuis la deuxième guerre mondiale.” Bulletin Mnémo Vol. 15, no. 1 (t 2014): 1–6. http://mnemo.qc.ca/bulletin-mnemo/article/la-vie-culturelle-des-anglo-gaspesiens-a-montreal-et-ses-environs-depuis-la.
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Forrest, Andrew. “The Organ at St. James United Church, Montréal.” The Diapason Vol. 105, no. 1 (January 2014): 22–28.
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Patterson, Glenn, and Laura Risk. “Digitization, Recirculation and Reciprocity: Proactive Archiving for Community and Memory on the Gaspé Coast and Beyond.” MUSICultures Vol. 41, no. 2 (2014): 102–132. https://journals.lib.unb.ca/index.php/MC/article/view/22913.
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Forrest, Andrew. “L’orgue de l’église unie St. James à Montréal : Une restauration signée Orgues Létourneau. II.” Mixtures: Bulletin de liaison de la Fédération Québécoise des Amis de l’Orgue Vol. 38 (Mai 2013): 19–22.
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Forrest, Andrew. “L’orgue de l’église unie St. James à Montreal. Une restauration signée Orgues Létourneau (1e partie).” Mixtures: Bulletin de liaison de la Fédération Québécoise des Amis de l’Orgue Vol. 37 (November 2012): 13–17.
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Vineberg, Robert. “The British Garrison and Montreal Society, 1830-1850.” Canadian Military History Vol. 21, no. 1 (Autumn 2012): 3–16. https://scholars.wlu.ca/cgi/viewcontent.cgi?article=1643&context=cmh.
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Glazer, Aubrey L. “Leonard Cohen and The Tosher Rebbe: On Exile as Redemptions in Canadian Jewish Mysticism.” Canadian Jewish Studies / Études juives canadiennes Vol. 20, no. 1 (2012): 149–189. http://pi.library.yorku.ca/ojs/index.php/cjs/article/view/34696.
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Lam, Emily. “‘People Didn’t Call It Klezmer’: Klezmer Music in Jewish Montreal 1924-1970.” Student Journal of Canadian Jewish Studies Vol. 3, no. 1 (Spring 2009): 40–70. http://portico.concordia.ca/canadianjewishjournal/assets/downloads/articlesspring2009.pdf.
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Morris, Kim Chow. “‘Small Has No Inside, Big Has No Outside’: Montreal’s Chinese Diaspora Breaks Out/In Music.” MUSICultures: Canadian Society for Traditional Music/Société canadienne pour les traditions musicales Vol. 36 (2009): 49–82. http://journals.hil.unb.ca/index.php/MC/article/view/20246.
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Wolfson, Elliot R. “New Jerusalem Glowing: Songs and Poems of Leonard Cohen in a Kabbalistic Key.” Kabbalah: Journal for the Study of Jewish Mystical Texts Vol. 15 (2006): 103–153. http://themathesontrust.org/papers/judaism/wolfson-new_jerusalem_glowing.pdf.
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Hornbacher, Marya. “Return of a Virtuoso.” Smithsonian Magazine Vol. 35, no. 10 (January 2005): 56–62.
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Reynolds, Mark. “Toot Sweet: When Jazz Ruled Montreal.” The Beaver Vol. 81, no. 3 (July 2001): 26–32.
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Stahl, Geoff. “Tracing Out an Anglo-Bohemia: Musicmaking and Myth in Montréal.” Public Vol. 22/23 (2001): 99–121. https://public.journals.yorku.ca/index.php/public/article/view/30328.
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Lefebvre, Marie-Thérèse. “La semaine annuelle de musique de Montréal sous les auspices du Delphic Study Club, 1923–1937.” Canadian University Music Review / Revue de musique des universités canadiennes Vol. 21, no. 2 (2001): 60–76. https://www.erudit.org/en/journals/cumr/2001-v21-n2-cumr0473/1014485ar.pdf.
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Laplante, Benoît, and Guy Bellevance. “L’évolution de la formation des artistes québécois au xxe siècle.” Recherches sociographiques Vol. 42, no. 3 (2001): 543–584. https://www.erudit.org/en/journals/rs/2001-v42-n3-rs1612/057475ar.pdf.