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12 resources
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Green, Kim. “Contested ‘Places’ and Conflicted Nexuses in Gloria Naylor’s Linden Hills and Mairuth Sarsfield’s No Crystal Stair.” Canadian Review of American Studies Vol. 48, no. 2 (Summer 2018): 210–230.
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Martin, Valerie. “Racial Slavery and the Development of Gendered Power in the Quebec Gazette: The Role of Fugitive Slave and Slave Sale Notices, 1765–1791.” Journal of Eastern Townships Studies / Revue d’études des Cantons-de-l’Est No. 47 (Fall 2016): 11–37.
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Harris, Jennifer. “Black Canadian Contexts: The Case of Amelia E. Johnson.” African American Review Vol. 49, no. 3 (Fall 2016): 241–259.
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Boone, Emilie. “The Likeness of Fugitivity: William Notman’s Carte-de-Visite Portrait of John Anderson.” History of Photography Vol. 37, no. 2 (May 2013): 221–234.
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Whitley, Robert. “Mastery of Mothering Skills and Satisfaction with Associated Health Services: An Ethnocultural Comparison.” Culture, Medicine and Psychiatry Vol. 33, no. 3 (September 2009): 343–365.
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Siemerling, Winfried. “Writing the Black Canadian City at the Turn of the Twenty-First Century: Dionne Brand’s Toronto and Mairuth Sarsfield’s Montreal.” Études canadiennes/Canadian Studies No. 64 (2008): 109–122.
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Ojo, Tokunbo. “Ethnic Print Media in the Multicultural Nation of Canada: A Case Study of the Black Newspaper in Montreal.” Journalism: Theory, Practice and Criticism Vol. 7, no. 3 (2006): 343–361.
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Hornbacher, Marya. “Return of a Virtuoso.” Smithsonian Magazine Vol. 35, no. 10 (January 2005): 56–62.
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Henry, Jeff. “Black Theatre in Montreal and Toronto in the Sixties and Seventies: The Struggle for Recognition.” Canadian Theatre Review Vol. 118 (Spring 2004): 29–33.
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Bayne, Clarence S. “The Origins of Black Theatre in Montreal.” Canadian Theatre Review Vol. 118 (Spring 2004): 34–40.
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Reynolds, Mark. “Toot Sweet: When Jazz Ruled Montreal.” The Beaver Vol. 81, no. 3 (July 2001): 26–32.
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Bayne, Clarence S. “Le Black Theatre Workshop de Montreal: Un Nouveau Bilan.” L’Annuaire théâtral: Revue québécoise d’études théâtrales Vol. 29 (Printemps 2001): 141–155.