Your search results
26 resources
-
Williams, Dorothy W. “‘You Don’t Have A History’: Passion as the Counter-Narrative of Heritage, History, and Archives.” Minorités linguistiques et société / Linguistic Minorities and Society No. 21 (2023): 1–14. https://www.erudit.org/fr/revues/minling/2023-n21-minling07803/1097640ar.pdf.
-
Williams, Dorothy W. “Soirées Éthiopiennes : Blackface Culture in Quebec.” Canadian Diversity/Diversité canadienne Vol. 16, no. 3 (2019): 26–30. https://www.ciim.ca/img/boutiquePDF/canadiandiversity-vol16-no3-2019-v2-m8007.pdf.
-
Blais-Tremblay, Vanessa. “Gorgeous Girlies in Glittering Gyrations! Capital érotique et danse jazz dans l’entre-deux-guerres québécois.” Recherches féministes Vol. 32, no. 1 (2019): 89–109. https://www.erudit.org/en/journals/rf/2019-v32-n1-rf04777/1062226ar/.
-
Green, Kim. “Contested ‘Places’ and Conflicted Nexuses in Gloria Naylor’s Linden Hills and Mairuth Sarsfield’s No Crystal Stair.” Canadian Review of American Studies Vol. 48, no. 2 (Summer 2018): 210–230.
-
O’Halloran, Sinéad. “Afro-Can: The Local, Historical and Global Reach of a Community Newspaper.” Quebec Heritage News Vol. 12, no. 1 (Winter 2018): 19–20. http://qahn.org/files/quebecanglophoneheritagenetwork/documents/qhn_winter_2018.final_.pdf.
-
Martin, Valerie. “Racial Slavery and the Development of Gendered Power in the Quebec Gazette: The Role of Fugitive Slave and Slave Sale Notices, 1765–1791.” Journal of Eastern Townships Studies / Revue d’études des Cantons-de-l’Est No. 47 (Fall 2016): 11–37.
-
Harris, Jennifer. “Black Canadian Contexts: The Case of Amelia E. Johnson.” African American Review Vol. 49, no. 3 (Fall 2016): 241–259.
-
Starkman, Jordana. “In Black and White: The Georgian and the Sir George Williams Affair.” Historiae: Concordia Undergraduate Journal of History Vol. 13 (2015): 77–91. https://shaconline.wordpress.com/historiae-archive/.
-
Marquis, Greg. “A War Within a War : Canadian Reactions to D. W. Griffith’s The Birth of a Nation.” Histoire sociale / Social History Vol. 47, no. 94 (June 2014): 421–442. https://hssh.journals.yorku.ca/index.php/hssh/article/view/40352.
-
Boone, Emilie. “The Likeness of Fugitivity: William Notman’s Carte-de-Visite Portrait of John Anderson.” History of Photography Vol. 37, no. 2 (May 2013): 221–234.
-
Whitley, Robert. “Mastery of Mothering Skills and Satisfaction with Associated Health Services: An Ethnocultural Comparison.” Culture, Medicine and Psychiatry Vol. 33, no. 3 (September 2009): 343–365.
-
Siemerling, Winfried. “Writing the Black Canadian City at the Turn of the Twenty-First Century: Dionne Brand’s Toronto and Mairuth Sarsfield’s Montreal.” Études canadiennes/Canadian Studies No. 64 (2008): 109–122.
-
Martel, Marcel. “‘S’ils veulent faire la révolution, qu’ils aillent la faire chez eux à leurs risques et pèriles. Nos anarchistes maison sont suffisants!’ : occupation et répression à Sir George Williams.” Bulletin d’histoire politique Vol. 15, no. 1 (Automne 2006): 163–178. https://www.erudit.org/en/journals/bhp/2006-v15-n1-bhp04290/1056093ar.pdf.
-
Ojo, Tokunbo. “Ethnic Print Media in the Multicultural Nation of Canada: A Case Study of the Black Newspaper in Montreal.” Journalism: Theory, Practice and Criticism Vol. 7, no. 3 (2006): 343–361.
-
Hornbacher, Marya. “Return of a Virtuoso.” Smithsonian Magazine Vol. 35, no. 10 (January 2005): 56–62.
-
Lelièvre, Denys. “Les Noirs et le jazz au Québec.” Cap aux Diamants No. 79 (Automne 2004): 36–41. https://www.erudit.org/en/journals/cd/2004-n79-cd1045095/7191ac.pdf.
-
Henry, Jeff. “Black Theatre in Montreal and Toronto in the Sixties and Seventies: The Struggle for Recognition.” Canadian Theatre Review Vol. 118 (Spring 2004): 29–33.
-
Bayne, Clarence S. “The Origins of Black Theatre in Montreal.” Canadian Theatre Review Vol. 118 (Spring 2004): 34–40.
-
Reynolds, Mark. “Toot Sweet: When Jazz Ruled Montreal.” The Beaver Vol. 81, no. 3 (July 2001): 26–32.
-
Bayne, Clarence S. “Le Black Theatre Workshop de Montreal: Un Nouveau Bilan.” L’Annuaire théâtral: Revue québécoise d’études théâtrales Vol. 29 (Printemps 2001): 141–155.
-
Bayne, Clarence S. “Black Community Submission...Montreal-Quebec Into the 1990s.” Canadian Theatre Review Vol. 83 (1995): 24–27.
-
Joy, Annamma, and Clarence Bayne. “From Community Workshop to Professional Theatre: Audience Development and the Consumption of Art.” Advances in Non-Profit Marketing No. 4 (1993): 79–113.
-
Breon, Robin. “The Growth and Development of Black Theatre in Canada: A Starting Point.” Theatre Research in Canada / Recherches Théâtrales Au Canada Vol. 9, no. 2 (1988): 216–228. https://journals.lib.unb.ca/index.php/tric/article/view/7342/8401.
-
Pringle, Allan. “Robert S. Duncanson in Montreal, 1863-1865.” Americal Art Journal Vol. 17, no. 4 (Autumn 1985): 28–50.
-
Clifton, Merritt. “Quebec Loop Broke Color Line in 1935.” Baseball Research Journal Vol. 13 (1984): 67–68.
-
Rooney, Frances. “The Montreal Women’s Symphony.” Atlantis Vol. 5, no. 1 (Fall 1979): 70–82. http://journals.msvu.ca/index.php/atlantis/article/viewFile/4711/3942.