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Irvine, Lorna. “Words on the Prowl: Quebec Literature and Gail Scott’s Heroine.” Québec Studies Vol. 9 (Fall /Winter 1990 1989): 111–120.
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Trépanier, Esther. “Entre socialisme et modernisme : les peintres progressistes québécois (1930-1945).” In Le droit de se taire: Histoire des communistes au Québec, de la Première Guerre mondiale à la Révolution tranquille, edited by Robert Comeau and Bernard Dionne, 134–161. Outremont, QC: VLB Éditeur, 1989.
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Meadowcroft, Barbara. Mabel Lockerby, 1882-1976. Montreal: Galerie Walter Klinkhoff, 1989.
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Gualtieri, Julia M. “The Woman as Artist and as Subject in Canadian Painting (1890-1930): Florence Carlyle, Laura Muntz Lyall, Helen McNicoll.” Master’s Thesis, Queen’s University, 1989.
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Bogardi, George. Liliana Berezowsky. Montreal: Centre Saidye Bronfman, 1989.
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Beaulieu-Roy, Thérèse. L’héritage fleuri de Madame Reford : les Jardins de Métis et la Maison Reford. Mont-Joli, QC: Ateliers Plein Soleil, 1989.
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Migneault, Yvon. “Que devons-nous à Frances Brooke (1724-1789) au sujet de Toussaint Cartier, l’ermite de l’île St-Barnabé (1707-1767).” Revue d’histoire du Bas-Saint-Laurent Vol. 13, no. 1 (35) (Hiver 1988): 3–11.
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Migneault, Yvon. “La romancière Frances Brooke et l’ermite de l’Île Saint-Barnabé.” Revue d’histoire du Bas-Saint-Laurent Vol. 13, no. 1 (Hiver 1988): 3–11.
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Pontbriand, Chantal. La ruse historique : l’art à Montréal/The Historical Ruse : Art in Montreal : Céline Baril, Geneviève Cadieux, Melvin Charney, Angela Grauerholz, Gilles Michalcean, Roland Poulin, Robert Racine, Irene F. Whittome. Toronto, ON: Power Plant, 1988.
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McMann, Evelyn (de Rostaing). Montreal Museum of Fine Arts, Formerly Art Association of Montreal: Spring Exhibitions 1880-1970. Toronto, ON: University of Toronto Press, 1988.
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MacDonald, Cheryl. “Our Intrepid Reporter.” Beaver Outfit 68, no. 2 (1988): 29–33.
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Ferry, Joan. “Experiences of a Pioneer in Canadian Experimental Theatre.” Theatre History in Canada/Histoire du théâtre au Canada Vol. 8, no. 1 (Spring 1987): 43–50.
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McMullen, Lorraine. “Lily Dougall: The Religious Vision of a Canadian Novelist.” Studies in Religions/Sciences religieuses Vol. 16, no. 1 (Winter 1987): 79–90.
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Racine, Yolande. Betty Goodwin, Oeuvres de 1971 à 1987/Works from 1971 to 1987. Montréal: Musée des Beaux-arts de Montréal/Montreal Museum of Fine Arts, 1987.
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Nadeau-Saumier, Monique. La joie de l’art : Kay Kinsman : Musée des beaux-arts de Sherbrooke, 14 novembre au 19 décembre 1987 / The Joy of Art : Kay Kinsman : Musée des beaux-arts de Sherbrooke, November 14-December 19, 1987. Sherbrooke, QC: Musée des beaux-arts de Sherbrooke, 1987.
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Godmer, Gilles. Oratio Obliqua (Eva Brandl). Montréal: Musée d’art contemporain, 1987.
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Giles, Jennifer. “Music Consumption Among English-Speaking Teenage Girls in Montreal.” Master’s Thesis, Carleton University, 1987.
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Campbell, James D. Sylvia Safdie. Montreal: Centre Saidye Bronfman, 1987.
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Antaki, Karen, and Sandra Paikowsky. Emily Coonan (1885-1971). Montreal: Concordia Art Gallery/Galerie d’art Concordia, 1987.
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Berland, K. J. H. “The True Pleasurable Philosopher: Some Influences on Frances Brooke’s History of Emily Montague.” Dalhousie Review Vol. 66, no. 3 (Fall 1986): 286–300.
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Nadeau-Saumier, Monique. “Late Victorian and Edwardian Jewellery in Montreal.” The Journal of Canadian Art History/Annales d’histoire de l’art canadien Vol. 9, no. 1 (1986): 69–80.
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Luckyj, Natalie. Expressions of Will: The Art of Prudence Heward/L’art de Prudence Heward: L’expression d’une Volonté. Kingston, ON: Agnes Etherington Art Centre, 1986.
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Forrester, Maureen, and Marci MacDonald. Maureen Forrester: Out of Character. Toronto, ON: McClelland and Stewart, 1986.
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Cameron, Elspeth. “Montreal Modernists: The Emergence of Canadian Art and Literature in Montreal, 1926-1951.” In Canada Ieri e Oggi: 2, Sezione Anglofona, edited by Giovanni Bonanno, 291–299. Fasano, Italia: Schena, 1986.
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Boutelle, Ann Edwards. “Frances Brooke’s Emily Montague (1769): Canada and Women’s Rights.” Women’s Studies : An Interdisciplinary Journal Vol. 12, no. 1 (1986): 7–16.
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Bogardi, George, and Sandra Paikowsky. Betty Goodwin: Passages. Montreal: Concordia Art Gallery/Galerie d’art Concordia, 1986.
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Sherman, Leah, and Angela Grigor. A Comparison of the Influences of Anne Savage and Arthur Lismer: Oral History Project. Montreal: Concordia University Libraries, Oral History Montreal Studies, 1985.
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Brock, Ellison M. “Symbols of Order and Harmony in the Work of Marian Scott, 1931-1949.” Master’s Thesis, Carleton University, 1985.
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Jones, Laura. “Canadian Women Photographers 1841-1910.” Resources for Feminist Research/Documentation sur la recherche féministe Vol. 13, no. 4 (January 1984): 13–14.
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Shohet, Linda. “An Essay on the History of Emily Montague.” In The Canadian Novel, Volume II. Beginnings. A Critical Anthology, edited by John Moss, 28–34. Toronto, ON: NC Press, 1984.
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