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181 resources
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Robert, Kimberlie M. “Women’s Botanical Illustration in Canada: Its Gendered, Colonial and Garden Histories (1830-1930).” Master’s Thesis, Concordia University, 2008. http://spectrum.library.concordia.ca/976097/1/MR45323.pdf.
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Skidmore, Colleen Marie. “Women in Photography at the Notman Studio, Montreal, 1856-1881.” PhD dissertation, University of Alberta, 1999. https://era.library.ualberta.ca/items/530019af-f126-4a3b-bf75-4539d329012f.
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Callaghan, Lori. “Witnesses of Their Time : The Visual Arts in Quebec’s English-Speaking Community.” Quebec Heritage News, Summer 2011. http://qahn.org/files/quebecanglophoneheritagenetwork/documents/qhn/qhn_summer_2011_layout_1_reduced.pdf.
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Goelman, Sharon Rose. “William Raphael R.C.A. 1833-1914.” Master’s Thesis, Concordia University, 1978. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMG/TC-QMG-5554.pdf.
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Borcoman, Katharine J. “William Notman’s Portraits of Children.” Master’s Thesis, Concordia University, 1991. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMG/TC-QMG-5914.pdf.
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Lerner, Loren Ruth. “William Notman’s Portrait Photographs of the Wealthy English-Speaking Girls of Montreal: Representations of Informal Female Education in Relation to John Ruskin’s ‘Of Queens’ Gardens’ and Writings by and for Canadians from the 1850s to 1890s.” Historical Studies in Education/Revue d’histoire de l’éducation Vol. 21, no. 2 (Fall 2009): 65–97. http://historicalstudiesineducation.ca/index.php/edu_hse-rhe/article/view/816.
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Lerner, Loren. “William Notman’s Photographic Selections (1863).” Journal of Canadian Art History/Annales d’histoire de l’art Vol. 33, no. 1 (2012): 16–45. http://jcah-ahac.concordia.ca/fr/archive/2012_33-1.
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Parsons, Sarah. “William Notman: Life & Work.” Electronic monograph. Art Canada Institute / Institut de l’art Canadien. Last modified 2014. https://www.pinterest.ca/artcaninstitute/william-notman-life-work-by-sarah-parsons/.
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Lahaie, Andréann. “William Notman et les imaginaires photographiques de la chasse au XIXe siècle à Montréal.” Master’s Thesis, Université du Québec à Montréal, 2013. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMUQ/TC-QMUQ-5829.pdf.
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Braide, Janet. “William Brymner (1855-1925): The Artist in Retrospect.” Master’s Thesis, Concordia University, 1979. https://spectrum.library.concordia.ca/5552/1/MK41309.pdf.
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Burr, Christina Ann. “Why the Flapper Still Matters: Feminist Pedagogy, the Modern Girl, and the Women Artists of the Beaver Hall Group.” Historical Studies in Education/Revue d’histoire de l’éducation Vol. 29, no. 2 (Fall 2017): 113–135. https://historicalstudiesineducation.ca/index.php/edu_hse-rhe/article/view/4531/4789.
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McNabb, Heather. “Visions of Canada: Photographs and History in a Museum, 1921-1967.” PhD dissertation, Concordia University, 2015. https://spectrum.library.concordia.ca/980517/1/McNabb_PhD_F2015.pdf.
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Buis, Alena. “Ut Pictura Poesis: Edward Black Greenshields’ Collection of Hague School Paintings.” Master’s Thesis, Concordia University, 2008. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMG/TC-QMG-976098.pdf.
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Pageot, Édith-Anne. “Une voix féminine dans l’espace public : La Galerie Dominion, 1941-1956.” Globe: revue internationale d’études québécoises Vol. 11, no. 2 (2008): 186–302. https://www.erudit.org/en/journals/globe/2008-v11-n2-globe1497200/1000528ar.pdf.
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Trudel, Jean. “Une élite et son musée.” Cap-aux-Diamants No. 25 (Printemps 1991): 22–25. https://www.erudit.org/en/journals/cd/1991-n25-cd1042089/7834ac.pdf.
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Lessard, Michel. “Un première au Canada : le portfolio photographique de Samuel McLaughlin.” Cap-aux-Diamants Vol. 3, no. 2 (t 1987): 9–12. https://www.erudit.org/en/journals/cd/1987-v3-n2-cd1039400/6686ac.pdf.
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Nadeau-Saumier, Monique. “Un espace et un lieu de culture : le Art Building de Sherbrooke, 1887-1927.” PhD dissertation, Université du Québec à Montréal, 2007. https://archipel.uqam.ca/9616/1/D1560-1.pdf.
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Korda, Andrea. “Travel Photography after the Kodak: Two Amateur Albums from the Turn of the Century.” Master’s Thesis, Concordia University, 2005. https://spectrum.library.concordia.ca/8281/1/MR04467.pdf.
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Roza, Alexandria M. “Towards a Modern Canadian Art, 1910-1936: The Group of Seven, A.J.M. Smith and F.R. Scott.” Master’s Thesis, McGill University, 1997. https://www.collectionscanada.gc.ca/obj/s4/f2/dsk2/ftp01/MQ43942.pdf.
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Matte, Gabrielle. “Tourisme et vulgarisation historique dans le milieu artistique montréalais entre les années 1910 et 1930 : étude des recueils ‘Old Montreal’ de Herbert Raine et...’Croquis montréalais’ de Charles Walter Simpson.” Master’s Thesis, Université du Québec à Montréal, 2007. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMUQ/TC-QMUQ-850.pdf.
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Bordeleau-Cass, Jaya. “Through the Lens of William Notman’s Camera: The Exoticization of ‘Indianness’ in Montreal Fancy Dress Balls and Skating Carnivals.” Chrysalis: A Critical Student Journal of Transformative Art History Vol. 1, no. 1 (Fall 2014): 3–15. http://www.blackcanadianstudies.com/cms/chrysalis_journal_fall_2014_final.pdf.
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Caulfield, Jon. “Three Preconfederation Painters of the Canadian City. Part II: James Duncan.” Urban History Review/Revue d’histoire urbaine Vol. 16, no. 2 (October 1987): 190–195. https://www.erudit.org/en/journals/uhr/1987-v16-n2-uhr0769/1017789ar.pdf.
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Caulfield, Jon. “Three Preconfederation Painters of the Canadian City. Part I: James Cockburn.” Urban History Review/Revue d’histoire urbaine Vol. 16, no. 1 (June 1987): 69–77. https://www.erudit.org/en/journals/uhr/1987-v16-n1-uhr0777/1017947ar.pdf.
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Gubbay, Aline. “Three Montreal Monuments: An Expression of Nationalism.” Master’s Thesis, Concordia University, 1978. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMG/TC-QMG-5421.pdf.
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Reford, Alexander. “Thomas Fenwick: illustrer et promouvoir une région.” Magazine Gaspésie No. 192 (November 2018): 12–14. https://magazinegaspesie.ca/pages/extra-no-192.
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Wiseman, Lauren. “The Work of Louis Muhlstock: A Compassionate Despiction of Depression-Era Subjects.” Chrysalis: A Critical Student Journal of Transformative Art History Vol. 1, no. 1 (Fall 2014): 91–100. http://www.blackcanadianstudies.com/cms/chrysalis_journal_fall_2014_final.pdf.
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Durante, Agnes. “The Visual Politics of the Female Form in 1920s Canada.” PhD dissertation, York University, 2015. https://yorkspace.library.yorku.ca/xmlui/handle/10315/30630.
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Turcot, Laurent. “The Surrender of Montreal to General Amherst de Francis Hayman et l’identité impériale britannique.” Mens: Revue d’histoire intellectuelle et culturelle Vol. 12, no. 1 (Automne 2011): 91–135. https://www.erudit.org/fr/revues/mens/2011-v12-n1-mens0146/1010567ar.pdf.
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Schofield, Appolonia Elizabeth. “The Soul Pictures of Margaret Mary Nealis R.S.C.J., 1876 to 1957.” Master’s Thesis, Concordia University, 1993. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMG/TC-QMG-6105.pdf.
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Antoniou, Sylvia. “The Sculpture of Anne Kahane.” Master’s Thesis, Concordia University, 1992. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMG/TC-QMG-6091.pdf.
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