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Ferron-Desautels, Marie. “Katherine Jane Ellice (1812-1864) : de Beauharnois à Glenquoich, rires et pérégrinations d’une artiste en mouvement.” Master’s Thesis, Université du Québec à Montréal, 2019. https://archipel.uqam.ca/13368/1/M16342.pdf.
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Boisclair, Rachel. “Les impacts du contexte canadien de la deuxième guerre mondiale sur l’Art Association of Montreal.” Master’s Thesis, Université du Québec à Montréal, 2019. https://archipel.uqam.ca/12706/1/M16106.pdf.
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Reford, Alexander. “Thomas Fenwick: illustrer et promouvoir une région.” Magazine Gaspésie No. 192 (November 2018): 12–14. https://magazinegaspesie.ca/pages/extra-no-192.
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Huston, Lorne, and Ann Pearson. “Montreal Camera Club: 125 Years.” The Westmount Historian, February 2018. https://westmounthistorical.org/whawp/wp-content/uploads/2018/02/2018_02Text.pdf.
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Evoughlian, Sandra. “Envisioning New Futures : Portrait Photographs of Black Victorians in Montreal, 1861-1901.” Master’s Thesis, McGill University, 2018. https://escholarship.mcgill.ca/concern/theses/v979v695j.
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Burr, Christina Ann. “Why the Flapper Still Matters: Feminist Pedagogy, the Modern Girl, and the Women Artists of the Beaver Hall Group.” Historical Studies in Education/Revue d’histoire de l’éducation Vol. 29, no. 2 (Fall 2017): 113–135. https://historicalstudiesineducation.ca/index.php/edu_hse-rhe/article/view/4531/4789.
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Wright, Jr, James R., Richard Fraser, Annmarie Adams, and Mary Hunter. “Portraying Maude Abbott.” Canadian Medical Association Journal/Journal de l’Association médicale canadienne Vol. 189, no. 7 (February 21, 2017): E281–E283. https://www.ncbi.nlm.nih.gov/pmc/articles/PMC5318216/.
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Théry, Flore. “Les commandes de photographies documentaires dans le studio Notman (1858-1909) : Naissance d’une mythologie canadienne de l’âge moderne.” Master’s Thesis, Université de Montréal, 2017. https://papyrus.bib.umontreal.ca/xmlui/bitstream/handle/1866/20182/Thery_Flore_2017_memoire.pdf?sequence=2&isAllowed=y.
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Grondin, Mélanie. The Art and Passion of Guido Nincheri. Montreal: Véhicule Press, 2017. 978-1-55065-485-1.
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Blain, Marie-Pier. “L’orfèvrerie québécoise dans le contexte muséal : une relecture contemporaine de la Collection Henry Birks d’orfèvrerie canadienne.” Master’s Thesis, Université de Montréal, 2017. https://papyrus.bib.umontreal.ca/xmlui/bitstream/handle/1866/20158/Blain_Marie-Pier_2017_memoire.pdf?sequence=2&isAllowed=y.
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Beaudoin, Caroline. “Everyday Landscapes: Picturing Places of Labour, Leisure, and Industry in Quebec’s Eastern Townships, 1900-2015.” PhD dissertation, Concordia University, 2017. https://spectrum.library.concordia.ca/982512/.
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Beaudoin, Caroline. “Landscapes and Postcards from the Eastern Townships: A Cultural Landscape Perspective.” Journal of Eastern Townships Studies / Revue d’études des Cantons-de-l’Est No. 47 (Fall 2016): 71–96. https://www.etrc.ca/wp-content/uploads/2021/05/Jets_47-08_Beaudoin.pdf.
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Beaudoin, Caroline. “F.S. Coburn’s Antimodern-Modern Landscape Paintings of Quebec Loggers in the Eastern Townships.” Journal of Eastern Townships Studies / Revue d’études des Cantons-de-l’Est No. 46 (Spring 2016): 37–57. http://www.etrc.ca/wp-content/uploads/2017/10/JETS_46-6_Beaudoin.pdf.
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Ward, Nick. “Remembering the Beaver Hall Group -- Canada’s Unsung Modernists.” FASSinate: Carleton University Faculty of Arts and Social Sciences Magazine, 2016. https://carleton.ca/fass/wp-content/uploads/FASSinate2016.pdf.
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Esteves, Filipa. “La position historique des artistes issus de l’immigration : le cas de Leopold Plotek.” Master’s Thesis, Université de Montréal, 2016. https://papyrus.bib.umontreal.ca/xmlui/bitstream/handle/1866/18743/Esteves_Filipa_2016_memoire.pdf?sequence=2&isAllowed=y.
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Skelly, Julia. “The Politics of Drunkenness: John Henry Walker, John A. Macdonald, and Graphic Satire.” RACAR (Revue d’art canadienne/Canadian Art Review) Vol. 40, no. 1 (2015): 71–84. http://www.uaac-aauc.com/sites/default/files/40_1_Skelly.pdf.
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McNabb, Heather. “Visions of Canada: Photographs and History in a Museum, 1921-1967.” PhD dissertation, Concordia University, 2015. https://spectrum.library.concordia.ca/980517/1/McNabb_PhD_F2015.pdf.
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Fleming, Arwen Jean. “David Marvin’s Griffintown: An Archival Exploration of a Ghosted Neighbourhood.” Master’s thesis, Concordia University, 2015. https://spectrum.library.concordia.ca/980525/1/Fleming_MA_F2015.pdf.
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Durante, Agnes. “The Visual Politics of the Female Form in 1920s Canada.” PhD dissertation, York University, 2015. https://yorkspace.library.yorku.ca/xmlui/handle/10315/30630.
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Wiseman, Lauren. “The Work of Louis Muhlstock: A Compassionate Despiction of Depression-Era Subjects.” Chrysalis: A Critical Student Journal of Transformative Art History Vol. 1, no. 1 (Fall 2014): 91–100. http://www.blackcanadianstudies.com/cms/chrysalis_journal_fall_2014_final.pdf.
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Wing, Emily. “On Different Sides of the Studio: Chinese Male and Female Sitters in Montreal’s Photographic Portraiture, Pre Exclusion Era (1885-1923).” Chrysalis: A Critical Student Journal of Transformative Art History Vol. 1, no. 1 (Fall 2014): 77–90. http://www.blackcanadianstudies.com/cms/chrysalis_journal_fall_2014_final.pdf.
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Bordeleau-Cass, Jaya. “Through the Lens of William Notman’s Camera: The Exoticization of ‘Indianness’ in Montreal Fancy Dress Balls and Skating Carnivals.” Chrysalis: A Critical Student Journal of Transformative Art History Vol. 1, no. 1 (Fall 2014): 3–15. http://www.blackcanadianstudies.com/cms/chrysalis_journal_fall_2014_final.pdf.
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Truchon, Caroline. “Entre passion et raison : une histoire du collectionnement privé à Montréal (1850-1910).” PhD dissertation, Université de Montréal, 2014. https://papyrus.bib.umontreal.ca/xmlui/bitstream/handle/1866/18363/Truchon_Caroline_2014_these.pdf?sequence=10&isAllowed=y.
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Parsons, Sarah. “William Notman: Life & Work.” Electronic monograph. Art Canada Institute / Institut de l’art Canadien. Last modified 2014. https://www.pinterest.ca/artcaninstitute/william-notman-life-work-by-sarah-parsons/.
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Grignon, Marc. “Architecture and ‘Environmentality’ in the Nineteenth Century.” Journal of the Society for the Study of Architecture in Canada /Journal de la Société pour l’étude de l’architecture au Canada Vol. 39, no. 2 (2014): 65–77. https://dalspace.library.dal.ca/bitstream/handle/10222/64726/Pages%20from%20vol39_no2_65_77.pdf?sequence=1&isAllowed=y.
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Des Rochers, Jacques. “Circonscrire l’œuvre : quelques notes au sujet des encadrements d’œuvres de membres du Groupe de Beaver Hall.” Journal of Canadian Art History / Annales d’histoire de l’art Canadien Vol. 35, no. 2 (2014): 207–211. http://jcah-ahac.concordia.ca/en/archive.
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Blanchette, Jean-François. “Collectionner le Québec de tradition française à la manière de Nettoe Covey Sharpe.” In Du coq à l’âme : l’art populaire au Québec, 39–61. Gatineau, QC: Musée canadien de l’histoire / Les Presses de l’Université d’Ottawa, 2014. https://www.historymuseum.ca/cmc/exhibitions/arts/sharpe/sharpe_e.html.
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Béland, Mario. “Notman, père et fils.” Cap-aux-Diamants No. 115 (Automne 2013): 46–47. https://www.erudit.org/culture/cd1035538/cd0850/70089ac.pdf.
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Rondeau, Kim. “Où en sommes-nous avec l’art féministe? : analyse de la programmation de la Centrale Galerie Powerhouse (1973-1978 et 2007-2010).” Master’s Thesis, Université du Québec à Montréal, 2013. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMUQ/TC-QMUQ-5249.pdf.
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Paterson, Elaine C. “Crafting Empire: Intersections of Irish and Canadian Women’s History.” Journal of Canadian Art History / Annales d’histoire de l’art Canadien Vol. 34, no. 2 (2013): 242–267. http://jcah-ahac.concordia.ca/en/archive.
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