Your search results
29 resources
-
Trudel, Jean. “Une élite et son musée.” Cap-aux-Diamants No. 25 (Printemps 1991): 22–25. https://www.erudit.org/en/journals/cd/1991-n25-cd1042089/7834ac.pdf.
-
Lessard, Michel. “Un première au Canada : le portfolio photographique de Samuel McLaughlin.” Cap-aux-Diamants Vol. 3, no. 2 (t 1987): 9–12. https://www.erudit.org/en/journals/cd/1987-v3-n2-cd1039400/6686ac.pdf.
-
Bazin, Jules. “Un peintre américain à Montréal.” Vie des arts No. 66 (1972): 19–23.
-
Bara, Jana L. “Through the Frosty Lens: William Notman and His Studio Props, 1861-1876.” History of Photography Vol. 12, no. 1 (March 1988): 23–30.
-
Caulfield, Jon. “Three Preconfederation Painters of the Canadian City. Part II: James Duncan.” Urban History Review/Revue d’histoire urbaine Vol. 16, no. 2 (October 1987): 190–195. https://www.erudit.org/en/journals/uhr/1987-v16-n2-uhr0769/1017789ar.pdf.
-
Caulfield, Jon. “Three Preconfederation Painters of the Canadian City. Part I: James Cockburn.” Urban History Review/Revue d’histoire urbaine Vol. 16, no. 1 (June 1987): 69–77. https://www.erudit.org/en/journals/uhr/1987-v16-n1-uhr0777/1017947ar.pdf.
-
Trudel, Jean. “The Montreal Society of Artists : Une galerie d’art contemporain à Montréal en 1847.” The Journal of Canadian Art History/Annales d’histoire de l’art canadien Vol. 13, no. 1 (1990): 61–87. http://jcah-ahac.concordia.ca/fr/archive/1990_13-1.
-
Pepall, Rosalind. “Stained Glass Windows in Montreal at the Turn of the Century.” Bulletin of the Association for Preservation Technology Vol. 13, no. 3 (1981): 48–55.
-
Belleau, Bernard. “‘Secure the Shadow Ere the Substance Fades’ : Les photographes itinérants dans les Cantons de l’Est.” Journal of Eastern Townships Studies/Revue d’études des Cantons de l’Est No. 2 (printemps 1993): 29–41. http://www.etrc.ca/wp-content/uploads/2016/12/JETS_02-5-Belleau.pdf.
-
Poulter, Gillian. “Representation as Colonial Rhetoric : The Image of ‘the Native’ and ‘the Habitant’ in the Formation of Colonial Identities in Early Nineteenth-Century Lower Canada.” The Journal of Canadian Art History/Annales d’histoire de l’art canadien Vol. 16, no. 1 (1994): 10–29. http://jcah-ahac.concordia.ca/fr/archive/1994_16-1.
-
Derome, Robert. “Portrait de James McGill peint par Louis Dulongpré.” Vie des arts Vol. 26, no. 105 (1982 1981): 44–46. http://www.erudit.org/culture/va1081917/va1174852/54487ac.pdf.
-
Lessard, Michel. “Portrait de George William Ellisson d’après des dossiers secrets.” Cap-aux-Diamants Vol. 3, no. 2 (t 1987): 13–16. https://www.erudit.org/en/journals/cd/1987-v3-n2-cd1039400/6687ac.pdf.
-
Lacroix, Laurier. “Montréal et les origines de la Canadian Academy of Arts.” Vie des arts Vol. 24, no. 98 (Printemps 1980): 20–24.
-
Levenson, Rustin Steele. “Materials and Techniques of Painters in Quebec City, 1760-1850.” The Journal of Canadian Art History/Annales d’histoire de l’art canadien Vol. 7, no. 1 (1983): 1–54. http://jcah-ahac.concordia.ca/fr/archive/1983_7-1.
-
Cloutier, Nicole. “Les disciples de Daguerre à Québec.” Journal of Canadian Art History/Annales d’histoire de l’art Vol. 5, no. 1 (1980): 33–38. http://jcah-ahac.concordia.ca/en/archive/5.
-
Syrek, Barbara M. “Les archives photographiques Notman du Musée McCord.” Fontanus Vol. 7 (1994): 127–147. http://fontanus.mcgill.ca/article/view/100.
-
Chagnon, Joanne. “Le portrait de Sir James Henry Craig par Levi Stevens.” The Journal of Canadian Art History/Annales d’histoire de l’art canadien Vol. 17, no. 2 (1996): 58–63. http://jcah-ahac.concordia.ca/en/archive?page=6.
-
Nadeau-Saumier, Monique. “Late Victorian and Edwardian Jewellery in Montreal.” The Journal of Canadian Art History/Annales d’histoire de l’art canadien Vol. 9, no. 1 (1986): 69–80.
-
Chèvrefils, Yves. “John Henry Walker (1831-1899), Artisan-Graveur.” The Journal of Canadian Art/Annales d’histoire de l’art canadien Vol. 8, no. 2 (1985): 178–225. http://jcah-ahac.concordia.ca/fr/archive/1985_8-2.
-
Duhamel, Serge. “George Heriot, auteur et artiste.” Cap-aux-Diamants No. 35 (Automne 1993): 67. https://www.erudit.org/en/journals/cd/1993-n35-cd1043067/8437ac.pdf.
-
Cox, Leo. “Fifty Years of Bush and Pen.” Queen’s Quarterly 46, no. 3 (Autumn 1939): 341–347.
-
Baker, Victoria. “Establishing A Sense Of Community: Early Representations of the Eastern Townships.” Journal of Eastern Townships Studies/Revue d’études des Cantons de l’Est. No. 14 (1999): 19–32. http://www.etrc.ca/wp-content/uploads/2016/12/JETS_14-5-Baker.pdf.
-
Béland, Mario. “De Berczy à Krieghoff : peintres étrangers au Bas-Canada, 1790-1850.” Vie des arts No. 149 (hiver -1993 1992): 10–17.
-
Bara, Jana. “Cradled in Fur: Winter Fashions in Montreal in the 1860s.” Dress: Journal of the Costume Society of America Vol. 16 (1990): 39–47.
-
Jones, Laura. “Canadian Women Photographers 1841-1910.” Resources for Feminist Research/Documentation sur la recherche féministe Vol. 13, no. 4 (January 1984): 13–14.
-
National Gallery of Canada, National Museums of Canada. “Canada in the Graphic Arts, 1556-1977.” Journal No. 40 (April 1982): 8p.
-
Lacroix, Laurier. “Berlin-Paris : George W. Hill et Lyonel Feininger Correspondants de Frederick S. Coburn.” Journal of Eastern Townships Studies / Revue d’études des Cantons-de-l’Est No. 14 (Spring 1999): 79–91. http://www.etrc.ca/wp-content/uploads/2016/12/JETS_14-7-Lacroix.pdf.
-
Trudel, Jean. “Aux origines du Musée des beaux-arts de Montréal : la fondation de l’Art Association of Montreal en 1860.” The Journal of Canadian Art History/Annales d’histoire de l’art canadien Vol. 15, no. no, 1 (1992): 31–62. http://jcah-ahac.concordia.ca/fr/archive/1992_15-1.
-
Rosenfeld, Roslyn. “An Index of Miniaturists and Silhouettists Who Worked in Montreal.” The Journal of Canadian Art History/Annales d’histoire de l’art canadien Vol. 5, no. 2 (1981): 111–121.