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Des Rochers, Jacques, and Brian Foss, eds. 1920s Modernism in Montreal: The Beaver Hall Group. Montreal: Montreal Museum of Fine Arts, 2015.
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Andrus, Donald F. P. Ghitta Caiserman-Roth: A Retrospective View, 1947-1980. [S.l.]: Sir George Williams Art Galleries of Concordia University, 1981.
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Avon, Susan. “The Beaver Hall Group Redefined.” Imposture Vol. 6 (Winter 1992): 56–61.
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Baker, Victoria. L’art des Cantons de l’est : 1800-1950. Exposition à la Galerie d’art du Centre culturel, Université de Sherbrooke. Sherbrooke, QC: La Galerie, 1980.
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Beitel, Garry. Vive le Québec-anglé : la culture anglo-québécoise. Synercom Téléproductions Inc., 2002.
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Bertrand, Magdeleine. “Les femmes artistes du Québec de 1875 à 1925.” Master’s Thesis, Université de Montréal, 1990.
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Braide, Janet. Prudence Heward (1896-1947): An Introduction to Her Life and Work. Montreal: Galerie Walter Klinkhoff, 1980.
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Brock, Ellison M. “Symbols of Order and Harmony in the Work of Marian Scott, 1931-1949.” Master’s Thesis, Carleton University, 1985.
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Buis, Alena. “‘A Story of Struggle and Splendid Courage’: Anne Savage’s Broadcasts of The Development of Art in Canada.” In Rethinking Professionalism: Women and Art in Canada, 1850-1970, edited by Kristina Huneault and Janice Anderson, 106–131. Montreal and Kingston: McGill-Queen’s University Press, 2012.
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Calvin, H. A. “Ann [Sic] Savage, Teacher.” Master’s Thesis, Concordia University, 1967.
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Cameron, Elspeth. “Montreal Modernists: The Emergence of Canadian Art and Literature in Montreal, 1926-1951.” In Canada Ieri e Oggi: 2, Sezione Anglofona, edited by Giovanni Bonanno, 291–299. Fasano, Italia: Schena, 1986.
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Des Rochers, Jacques. “The Beaver Hall Group: A Montreal Feel.” In Quebec and Canadian Art: The Montreal Museum of Fine Arts’ Collection, edited by Jacques Des Rochers, 1:184–193. Montreal: Montreal Museum of Fine Arts, 2011.
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Des Rochers, Jacques. “Defining the Beaver Hall Group Today.” In 1920s Modernism in Montreal: The Beaver Hall Group, edited by Jacques Des Rochers and Brian Foss, 57–112. Montreal: Montreal Museum of Fine Arts, 2015.
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Des Rochers, Jacques. “Setting the Stage: The Emergence of the Beaver Hall Group.” In 1920s Modernism in Montreal: The Beaver Hall Group, edited by Jacques Des Rochers and Brian Foss, 39–55. Montreal: Montreal Museum of Fine Arts, 2015.
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Des Rochers, Jacques. “Previously Unseen Kathleen Moir Morris : Montreal, Rare and Iconic.” The Magazine of the Montreal Museum of Fine Arts, August 2019.
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Dussault, Nathalie. “Parachute : discours de médiation : études de cas : Pierre Boogaerts, Geneviève Cadieux, Melvin Charney, Betty Goodwin, Robert Racine et Irene Whittome.” Master’s Thesis, Université du Québec à Montréal, 2005.
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Edward, Joan. Rediscovering McGill’s Heritage: A Collection of Pen Drawings. Montreal: McGill Development Office, 1997.
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Farr, Dorothy. Lilias Torrance Newton, 1896-1980. Kingston, ON: Agnes Etherington Art Centre, 1981.
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Ferrari, Pepita. “Prudence Heward: Painting At Home.” In Framing Our Past: Canadian Women’s History in the Twentieth Century, edited by Sharon Anne Cook, Lorna R. McLean, and Kate O’Rouke, 129–133. Montreal and Kingston: McGill-Queen’s University Press, 2001.
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Fontein, Rosina. “Annie G. McDougall, Québec.” Canadian Woman Studies / Les cahiers de la femme Vol. 2, no. 3 (1980): 11.
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Foss, Brian. “Out on the Town: Modernism, Arts and Entertainment in Montreal, 1920-33.” In 1920s Modernism in Montreal: The Beaver Hall Group, edited by Jacques Des Rochers and Brian Foss, 126–159. Montreal; Montreal Museum of Fine Arts, 2015.
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Frey, Geza. “L’institution muséale et le marché de l’art : étude de cas sur cinq artistes membres du Groupe du Beaver Hall, 1970-2007.” Master’s Thesis, Université du Québec à Montréal, 2007.
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Germain, Georges-Hébert. A City’s Museum: A History of the Montreal Museum of Fine Arts. Translated by Janet Chapman. Montreal: Montreal Museum of Fine Arts, 2007.
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Gosselin, Claude, and Bella Rabinovitch. Liliana Berezowsky. Translated by Yves Lapointe. Montréal: Centre international d’art contemporain de Montréal, 1999.
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Gualtieri, Julia M. “The Woman as Artist and as Subject in Canadian Painting (1890-1930): Florence Carlyle, Laura Muntz Lyall, Helen McNicoll.” Master’s Thesis, Queen’s University, 1989.
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Hébert Stoneberger, Jacqueline. “The Beaver Hall Group: Montréal Painters between World War I and World War II.” Master’s Thesis, University of Miami, 1996.
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Hill, Charles. “Beaver Hall Group.” In The Oxford Companion to Canadian History, edited by Gerald Hallowell, 66–67. Don Mills, ON: Oxford University Press, 2004.
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Holowach-Amiot, Elaine. The Women’s Art Society of Montreal: A Century of Commitment to the Arts. Montreal: McCord Museum of Canadian History, 1994.
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Huneault, Kristina. “Impressions of Difference: The Painted Canvases of Helen McNicoll.” Art History Vol. 27, no. 2 (April 2004): 212–249.
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Huneault, Kristina. “The Lived Experience and Cultural Narrative of Helen McNicoll’s Impressionist Canvases.” In I’m Not Myself At All : Women, Art and Subjectivity in Canada, 103–145. Montreal and Kingston: McGill-Queen’s University Press, 2018.
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