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Young, Brian. “Death, Burial, and Protestant Identity in an Elite Family: The Montreal McCords.” In Negotiating Identities in 19th- and 20th-Century Montreal, edited by Bettina Bradbury and Tamara Myers, 101–119. Vancouver, BC: UBC Press, 2005.
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Young, Brian. “L’université et le musée : une cohabitation difficile.” In Les musées en mouvement: nouvelles conceptions, nouveaux publics (Belgique, Canada), edited by Serge Jaumain, 63–72. Bruxelles, Belgique: Éditions de l’Université de Bruxelles, 2000.
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Wood, William. “The Archival Work of the Literary and Historical Society of Quebec.” In Rapport de l’Archiviste de La Province de Québec Pour 1920-21, 242–246. [S.l.]: [s.n.], 1922.
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Wolff, Hellmuth. “L’orgue de la Salle Redpath de l’Université McGill.” In L’orgue à notre époque : Papers and Proceedings of the Symposium Held at McGill University, May 26-28, 1981, edited by Donald MacKay, 1–12. Montreal: McGill University, 1981.
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White-Parks, Annette. “Intersections of Gender and Cultural Difference as Both Impediment and Inspiration to Sui Sin Far, A Canadian/American Writer.” In Intersexions: Issues of Race and Gender in Canadian Women’s Writing, edited by Coomi S. Vevaina and Barbara Godard, 197–218. New Delhi, India: Creative Books, 1996.
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White-Parks, Annette. “’We Wear the Mask‘: Sui Sin Far as One Example of Trickster Authorship.” In Tricksterism in Turn-of-the-Century American Literature: A Multicultural Perspective, edited by Elizabeth Ammons and Annette White-Parks, 1–20. Hanover, NH: University Press of New England, 1994.
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Whiteman, Bruce. “Leonard Cohen: An Annotated Bibliography.” In The Annotated Bibliography of Canada’s Major Authors, edited by Robert Lecker and Jack David, Vol. 2:55-95 p. Downsview, ON: ECW Press, 1980.
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Weiser, Kalman. “Vilna on the Saint Lawrence: Montreal as the Would-Be Haven for Yiddish Culture.” In No Better Home?: Canada, Its Jews, and the Question of Home, edited by David H. Koffman, 56–69. Toronto, ON: University of Toronto Press, 2021.
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Weingarten, J. A. “Modernist Poetry in Canada, 1920-1960.” In The Oxford Handbook of Canadian Literature, edited by Cynthia Sugars, 314–336. New York, NY: Oxford University Press, 2016.
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Wallis, Faith. “W.W. Francis: A Scholar and Showman of the Osler Library.” In Readings in Canadian Library History 2, edited by Peter F. McNally, 2:319–344. Ottawa, ON: Canadian Library Association, 1996.
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Wakeling, Faye. “Une cité à bâtir : des femmes dans la lutte pour le changement social.” In Société, culture et religion à Montréal: XIXe-XXe siècle, edited by Guy Lapointe, 245–253. Montréal: VLB, 1994.
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Wagner, Anton. “Saving the Nation’s Aesthetic Soul: B.K. Sandwell at the Montreal Herald (1900-1914) and Saturday Night (1932-1951).” In Establishing Our Boundaries: English-Canadian Theatre Criticism, edited by Anton Wagner, 177–198. Toronto: University of Toronto Press, 1999.
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Voldřichová Beránková, Eva. “Symbiose ou ‘solitude à trois’ ? Le théâtre yiddish à Montréal face aux communautés francophone et anglophone.” In Kanade, di Goldene Medine? : Perspectives on Canadian-Jewish Literature and Culture / Perspectives sur la litterature et la culture juives canadiennes, edited by Krzysztof Majer, Justyna Fruzińska, Józef Kwaterko, and Norman Ravvin, 205–217. Leiden, The Netherlands & Boston, MA: Brill, 2019.
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Vigneault, Michel. “Les débuts du hockey montréalaise, 1875-1917.” In La culture du sport au Québec, edited by Jean-Pierre Augustin and Claude Sorbets, 187–205. Talence, France: Éditions de la Maison des Sciences de l’Homme d’Aquitaine, 1996.
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Tutschek, Elizabeth. “Montréal 375: Who Speaks When We Speak.” In 150 Years of Canada: Grappling with Diversity since 1867, edited by Ursula Lehmkuhl and Elizabeth Tutschek, 37–56. Münster, Germany: Waxmann, 2020.
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Trépanier, Esther. “The Beaver Hall Group: A Montreal Modernity.” In 1920s Modernism in Montreal: The Beaver Hall Group, edited by Jacques Des Rochers and Brian Foss, 160–261. Montreal: Montreal Museum of Fine Arts, 2015.
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Trépanier, Esther. “1920 : création du Groupe de Beaver Hall : des femmes font jazzer la couleur.” In De la Belle époque à la Crise: Chroniques de la vie culturelle à Montréal, edited by Denis Saint-Jacques and Marie-José des Rivières, 245–259. Montréal: Nota Bene, 2015.
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Trépanier, Esther. “Les enjeux artistiques à Montréal : le discours critique dans la presse montréalaise de 1915 à 1930.” In Peindre à Montréal, 1915-1930 : Les peintres de la Montée Saint-Michel et leurs contemporains, edited by Laurier Lacroix, 86–107. Montréal et Québec: Galerie de l’UQÀM – Musée du Québec, 1996.
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Trépanier, Esther. “Entre socialisme et modernisme : les peintres progressistes québécois (1930-1945).” In Le droit de se taire: Histoire des communistes au Québec, de la Première Guerre mondiale à la Révolution tranquille, edited by Robert Comeau and Bernard Dionne, 134–161. Outremont, QC: VLB Éditeur, 1989.
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Trehearne, Brian. “A.J.M. Smith’s Eclectic Surrealism.” In The Canadian Modernists Meet, edited by David Irvine, 119–138. Ottawa, ON: University of Ottawa Press, 2005.
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Thompson, Lee Briscoe. “Norman Bethune and His Brethren: Poetry in Depression Montreal.” In Norman Bethune: His Life and His Legacy, edited by D. A. E. Shepard and Andrée Lévesque, 104–113. Ottawa, ON: Canadian Public Health Association, 1982.
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Tembeck, Iro Valaskakis. “Politics and Dance in Montreal, 1940s to 1980s : The Imaginary Maginot Line Between Anglophone and Francophone Dancers.” In Canadian Dance : Visions and Stories, edited by Selma Landen Odom and Mary Jane Warner, 278–280. Toronto, ON: Dance Collection Danse Press/es, 2004.
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Sweeney, Laureen. “La bibliothèque publique de Westmount : un modèle pour le Québec.” In Bibliothèques québécoises remarquables, edited by Claude Corbo, 139–150. Montréal: Del Busso, 2017.
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Straw, Will. “Media Networks and Language Crossing in Montreal.” In Speaking Memory: How Translation Shapes City Life, edited by Sherry Simon, 153–168. Montreal and Kingston: McGill-Queen’s University Press, 2016.
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Stratford, Philip. “Quebec Landscape Poetry in French and English: A Song for Two Voices, Not Necessarily a Duet.” In Multiple Voices: Recent Canadian Fiction, edited by Jeanne Delbaere, 161–174. Sydney, Australia: Dangaroo Press, 1990.
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St-Jean, France. “Ghitta Caiserman Roth (née en 1923) : Peintre sociale de l’après-guerre.” In Ces femmes qui ont bâti Montréal: La petite et la grande histoire des femmes qui ont marqué la vie de Montréal depuis 350 ans, edited by Maryse Darsigny, 275–276. Montréal: Édition du Remue-Ménage, 1994.
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Stirling, J. Craig. “Postsecondary Art Education in Quebec from the 1870s to the 1920s.” In From Drawing to Visual Culture: A History of Art Education in Canada, edited by Harold Pearse, 47–84. Montreal and Kingston: McGill-Queen’s University Press, 2006.
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Still, Robert. “F. R. Scott: An Annotated Bibliography.” In The Annotated Bibliography of Canada’s Major Authors, edited by Robert Lecker and Jack David, [Vol. 4]:205–265. Downsview, ON: ECW Press, 1983.
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Steinberg, M. W. “A.M. Klein and the Canadian Mosaic.” In The A.M. Klein Symposium, edited by Seymour Mayne, 73–76. Ottawa, ON: University of Ottawa Press, 1975.
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Spergel, Julie. “Gendered Experience in Chava Rosenfarb’s The Tree of Life : A Trilogy of Life in the Łódź Ghetto.” In Women Writers of Yiddish Literature : Critical Essays, edited by Rosemary Horowitz, 208–229. Jefferson, NC: McFarland and Company, 2015.
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