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Struthers, J. R., ed. The Montreal Story Tellers: Memoirs, Photographs, Critical Essays. Montreal: Véhicule Press, 1985.
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Kallmann, Helmut, Gilles Potvin, and Kenneth Winters, eds. Encyclopedia of Music in Canada. 2nd ed. Toronto: University of Toronto Press, 1992.
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Ball, John, and Richard Plant, eds. Bibliography of Theatre History in Canada: The Beginnings Through 1984/Bibliographie d’histoire Du Théatre Au Canada: Des Début-Fins 1984. Toronto: ECW Press, 1993.
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Ackerman, Marianne. “A Crisis of Vision: Anglophone Theatre in Montreal.” Canadian Theatre Review No. 46 (Spring 1986): 21–27.
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Ackerman, Marianne. L’affaire Tartuffe, or The Garrison Officers Rehearse Molière. Performance Series. Montreal: NuAge Editions, 1993.
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Ackerman, Marianne. Minority Report: An Alternative History of English-Language Arts in Quebec. Edited by Guy Rodgers. Toronto, ON: Guernica, 2011.
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Ackerman, Marianne. “Reclaiming Centre Stage: The Theatre Community of English Quebec.” Quebec Heritage News, Fall 2011. http://qahn.org/files/quebecanglophoneheritagenetwork/documents/qhn/qhn_fall_2011_reset_layout_1_reduced.pdf.
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Aloisio, Anita. “The Transmemoric Process: The Journey of Italian-Québécois Artists.” Master’s Thesis, Concordia University, 2016. http://spectrum.library.concordia.ca/981072/2/The%20Transmemoric%20Process-%20The%20Journey%20of%20Italian-Qu%C3%A9b%C3%A9cois%20Artists-Final.pdf.
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Bains, Yashdip Singh. “Canada’s First Professional Company.” Theatre Survey Vol. 18, no. 1 (May 1977): 84–98.
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Bains, Yashdip Singh. “Frederick Brown and Montreal’s Doomed Theatre Royal, 1825-26.” Theatre Survey Vol. 24 (November 1983): 65–75.
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Bains, Yashdip Singh. English Canadian Theatre, 1765-1826. New York: Peter Lang, 1998.
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Bains, Yashdip Singh, and Norma Jenckes. “Fanny Kemble and Charles Kemble: As Canadians Saw Them in 1833.” Theatre Research in Canada/Recherches théâtrales au Canada Vol. 5, no. 2 (Fall 1984): 115–131. https://journals.lib.unb.ca/index.php/tric/article/view/7436/8495.
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Baldry, Mark S. “A Marketing Study for the Black Theatre Workshop of Montreal.” Research paper, Concordia University, 1990.
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Bangham, Nicola. “An Experiment in Integration: Working with Youth-At-Risk in Performative Style Drama Therapy at the Centre for the Arts in Human Development (Concordia University).” Master’s Thesis, Concordia University, 2000. https://spectrum.library.concordia.ca/1213/1/MQ54351.pdf.
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Barrière, Mireille. “La société canadienne-française et le théâtre lyrique à Montréal entre 1840 et 1913.” PhD dissertation, Université Laval, 1990.
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Battle, Shevaughn. “‘The Beginning After the End’: Independent Music, Canadian Cultural Policy and the Montreal Indie Music Scene.” Master’s thesis, Concordia University, 2009. https://spectrum.library.concordia.ca/976402/1/MR63287.pdf.
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Bayne, Clarence S. “Black Community Submission...Montreal-Quebec Into the 1990s.” Canadian Theatre Review Vol. 83 (1995): 24–27.
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Bayne, Clarence S. “Le Black Theatre Workshop de Montreal: Un Nouveau Bilan.” L’Annuaire théâtral: Revue québécoise d’études théâtrales Vol. 29 (Printemps 2001): 141–155.
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Bayne, Clarence S. “The Origins of Black Theatre in Montreal.” Canadian Theatre Review Vol. 118 (Spring 2004): 34–40.
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Beaubien, Jeanine C. La Poudrière Reincarnated: 25 Years of International Theatre in Montreal. Translated by Lorraine J. M. Lavigne. Montreal: Méridien, 1999.
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Bellavance, Guy, and Louise Gauthier. Creation and Implementation of a Space Dedicated to the Professional English-Language Theatre Community of Montreal : Final Report : Project Vitality: A Study for the Quebec Drama Federation. Montréal: Institut national de la recherche scientifique, Urbanisation, Culture et Société, 2003.
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Blaise, Clark. “Portrait of the Artist as Young Pup.” Canadian Literature No. 100 (1984): 35–41. http://cinema2.arts.ubc.ca/units/canlit/pdfs/articles/canlit100-Portrait(Blaise).pdf.
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Blais-Tremblay, Vanessa. “Jazz, Gender, Historiography : A Case Study of the ‘Golden Age’ of Jazz in Montreal (1925-1955).” PhD dissertation, McGill University, 2018. https://escholarship-test.mcgill.ca/concern/theses/12579v62c?locale=en.
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Blais-Tremblay, Vanessa. “Gorgeous Girlies in Glittering Gyrations! Capital érotique et danse jazz dans l’entre-deux-guerres québécois.” Recherches féministes Vol. 32, no. 1 (2019): 89–109. https://www.erudit.org/en/journals/rf/2019-v32-n1-rf04777/1062226ar/.
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Boivin, Jennifer. “From the Community to the World: Ukrainian Dance in Montréal.” Master’s Thesis, University of Alberta, 2010. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/AEU/TC-AEU-29828.pdf.
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Booth, Philip. “The Montreal Repertory Theatre, 1930-1961: A History and Handlist of Productions.” Master’s Thesis, McGill University, 1990. http://www.collectionscanada.gc.ca/obj/thesescanada/vol1/QMM/TC-QMM-61143.pdf.
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Booth, Philip. “Le Montreal Repertory Theatre et les théâtres d’art.” L’Annuaire théâtral: revue québécoise d’études théâtrales No. 13-14 (1993): 59–74. https://www.erudit.org/en/journals/annuaire/1993-n13-14-annuaire3651/041185ar.pdf.
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Booth, Philip. Anglophone Theatre in Quebec from 1870 to 2000: Status Report. Montreal: Quebec Drama Federation, 1998.
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Bourassa, André-G. “Le temps des révoltes. Le théâtre au Québec, 1825-1849.” Bulletin d’histoire politique Vol. 13, no. 1 (Automne 2004): 149–177.
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Bourassa, André-G. “Les visiteurs au pouvoir : Le théâtre au Québec, 1850-1879 (1re partie).” Bulletin d’histoire politique Vol. 13, no. 2 (Hiver 2005): 191–216. https://www.erudit.org/en/journals/bhp/2005-v13-n2-bhp04188/1055047ar.pdf.
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