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Frommer, Harvey. “Jackie Robinson as a Montreal Royal.” In Proceedings, 5th Canadian Symposium on the History of Sport and Physical Education, University of Toronto, Toronto, Canada, Aug. 26-29, 1982, 122–128. Toronto, ON: School of Physical and Health Education, University of Toronto, 1982.
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Clifton, Merritt. “Quebec Loop Broke Color Line in 1935.” Baseball Research Journal Vol. 13 (1984): 67–68.
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Elliott, Lorris, ed. Other Voices: Writings by Blacks in Canada. Toronto, ON: Williams-Wallace Publishers, 1985.
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Pringle, Allan. “Robert S. Duncanson in Montreal, 1863-1865.” Americal Art Journal Vol. 17, no. 4 (Autumn 1985): 28–50.
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Elliott, Lorris, ed. The Bibliography of Literary Writings by Blacks in Canada. Toronto, ON: Williams-Wallace Publishers, 1986.
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Gilmore, John. Swinging in Paradise: The Story of Jazz in Montreal. Montreal: Véhicule Press, 1988.
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Gilmore, John. Who’s Who of Jazz in Montreal: Ragtime to 1970. Montreal: Véhicle Press, 1989.
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Baldry, Mark S. “A Marketing Study for the Black Theatre Workshop of Montreal.” Research paper, Concordia University, 1990.
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Bayne, Clarence S. Problems Facing the Black Community of Montreal, Submitted to Le Comité de La Commission de La Culture, Hotel [Sic] Du Parliament [Sic]. Montreal: [s.n.], 1991.
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Joy, Annamma, and Clarence Bayne. Business and the Arts: The Black Theatre Workshop in Canada. Montreal: Faculty of Commerce and Administration, Concordia University, 1991.
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Joy, Annamma, and Clarence Bayne. “From Community Workshop to Professional Theatre: Audience Development and the Consumption of Art.” Advances in Non-Profit Marketing No. 4 (1993): 79–113.
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Annoual, Pascale C. “Art Therapy and the Concept of Blackness.” Master’s Thesis, Concordia University, 1995.
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Bayne, Clarence S. “Black Community Submission...Montreal-Quebec Into the 1990s.” Canadian Theatre Review Vol. 83 (1995): 24–27.
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Étienne, Gérard. La question raciale et raciste dans le roman québécois : essai d’anthroposémiologie. Montréal: Editions Balzac, 1995.
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Sherwood, Anthony. Music – A Family Tradition. Canadian Broadcasting Corporation, 1995.
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Ruggles, Clifton, and Olivia Rovinescu. Outsider Blues : A Voice from the Shadows. Halifax, NS: Fernwood Publishing, 1996.
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Lam, Meilan. Show Girls. National Film Board of Canada, 1998.
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Jean, Stéphane. Le Fonds Oscar-Peterson. Répertoire numérique. Ottawa, ON: Bibliothèque nationale du Canada, 1999.
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Péan, Stanley. Toute la ville en Jazz. Montréal: Éditions Trait d’union, 1999.
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Brownell, Edwin Orion. “Notes in Time: A Brief Oral History of Montreal’s Rhythm and Blues Club Circuit.” Research paper, Concordia University, 2000.
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Francis, Flora Blizzard. A Black Canadian Bibliography. Ottawa: Pan-African Publications, 2000.
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Lees, Gene. Oscar Peterson: The Will to Swing. Toronto: Key Porter Books, 2000.
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Gale, Lorena. Je Me Souviens : Memories of an Expatriate Anglophone Montréalaise Québecoise Exiled in Canada. Vancouver, BC: Talon Books, 2001.
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Bayne, Clarence S. “Le Black Theatre Workshop de Montreal: Un Nouveau Bilan.” L’Annuaire théâtral: Revue québécoise d’études théâtrales Vol. 29 (Printemps 2001): 141–155.
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Reynolds, Mark. “Toot Sweet: When Jazz Ruled Montreal.” The Beaver Vol. 81, no. 3 (July 2001): 26–32.
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Barris, Alex. Oscar Peterson: A Musical Biography. Scarborough, ON: Harper Collins Canada, 2002.
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Peterson, Oscar. Jazz Odyssey: The Life of Oscar Peterson. London, England: Continuum, 2002.
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Marin, Reva. Oscar: The Life and Music of Oscar Peterson. Toronto: Douglas & McIntyre, 2003.
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Pruden, Keith. “The Georgian Spirit in Crisis: The Causes of the Computer Centre Riot.” Master’s Thesis, Concordia University, 2004.
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Bayne, Clarence S. “The Origins of Black Theatre in Montreal.” Canadian Theatre Review Vol. 118 (Spring 2004): 34–40.
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