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Smith, Gustave. Compte-rendu de la réception de l’orgue de la chapelle Wesleyenne, le 5 février 1861 : à laquelle ont assisté le facteur S.R. Warren, et MM. les organistes de la cité de Montréal. Montréal: Des presses à vapeur de Plinguet & Cie, 1861.
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Lamontagne, C.-O., and Romain Gour. “Frank Stephen Meighen, dilettante et mécène (1870-1946).” Qui? Vol. 5, no. 3 (March 1954): 41–56.
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The Junior League of Montreal; The Jewish Junior Welfare League; La Ligue de la Jeunesse Féminine. The Arts in Montreal : Report of a Survey of Montreal’s Artistic Resources / Les Arts de Montréal : Rapport d’une Enquète Des Ressources Artistiques à Montréal. Montreal: Junior League of Montreal, 1956.
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Kallmann, Helmut. “From the Archives: The Montreal Gazette on Music from 1786 to 1797.” The Canadian Music Journal Vol. 6, no. 3 (Spring 1962): 3–11.
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Brotman, Ruth C. Pauline Donalda: The Life and Career of a Canadian Prima Donna. Montreal: Canadian Jewish Congress, 1975.
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Cooper, Dorith Rachel. “Opera in Montreal and Toronto: A Study of Performance Traditions and Repertoire, 1783-1980.” PhD dissertation, University of Toronto, 1983. https://tspace.library.utoronto.ca/handle/1807/24930.
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Larrue, Jean-Marc. “‘Il faut tuer Broadway’: création du Her Majesty’s Theatre et des Soirées de famille du Monument National.” L’Annuaire théâtral No. 4 (Printemps 1988): 47–80. https://www.erudit.org/fr/revues/annuaire/1988-n4-annuaire3654/041049ar.pdf.
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Gilmore, John. Who’s Who of Jazz in Montreal: Ragtime to 1970. Montreal: Véhicle Press, 1989.
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Barrière, Mireille. “La société canadienne-française et le théâtre lyrique à Montréal entre 1840 et 1913.” PhD dissertation, Université Laval, 1990.
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Bourassa-Trépanier, Juliette, and Lucien Poirier. Répertoire des données musicales de la presse québécoise, tome 1 : 1764-1799. Québec: Presses de l’Université Laval, 1990.
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Rittenhouse, Jonathan. “Building A Theatre: Sherbrooke and Its Opera House.” Theatre Research in Canada/Recherches théâtrales au Canada Vol. 11, no. 1 (Spring 1990): 71–84. https://journals.lib.unb.ca/index.php/TRIC/article/view/7301.
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Kallmann, Helmut, Gilles Potvin, and Kenneth Winters, eds. Encyclopedia of Music in Canada. 2nd ed. Toronto: University of Toronto Press, 1992.
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Rice, Kelly S. “Joseph Gould and the Montreal Mendelssohn Choir.” Master’s Thesis, McGill University, 1992. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMM/TC-QMM-61098.pdf.
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Bourassa, Dominique. “La contribution des bandes militaires britanniques au développement de la musique au Québec de la conquête à 1836.” Master’s Thesis, Université Laval, 1993.
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Therrien, Lucie. The Biculturalism of Quebec Music, 1759-1850 : French-English. 2nd ed. Portsmouth NH: French American Music Enterprises, 1994.
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Miller, Mark. Such Melodious Racket: The Lost History of Jazz in Canada, 1914-1949. Toronto: Mercury Press, 1997.
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Lam, Meilan. Show Girls. National Film Board of Canada, 1998.
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Flamand, Guylaine. “The Montreal Orchestra and Les Concerts Symphoniques de Montréal (1930-41).” PhD dissertation, City University of New York, 1999.
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Lees, Gene. Oscar Peterson: The Will to Swing. Toronto: Key Porter Books, 2000.
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Laplante, Benoît, and Guy Bellevance. “L’évolution de la formation des artistes québécois au xxe siècle.” Recherches sociographiques Vol. 42, no. 3 (2001): 543–584. https://www.erudit.org/en/journals/rs/2001-v42-n3-rs1612/057475ar.pdf.
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Reynolds, Mark. “Toot Sweet: When Jazz Ruled Montreal.” The Beaver Vol. 81, no. 3 (July 2001): 26–32.
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Peterson, Oscar. Jazz Odyssey: The Life of Oscar Peterson. London, England: Continuum, 2002.
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Marin, Reva. Oscar: The Life and Music of Oscar Peterson. Toronto: Douglas & McIntyre, 2003.
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Stahl, Geoff. “Crisis? What Crisis?: Anglophone Musicmakers in Montreal.” PhD dissertation, McGill University, 2003. http://www.collectionscanada.gc.ca/obj/s4/f2/dsk3/QMM/TC-QMM-19483.pdf.
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Marrelli, Nancy. Stepping Out: The Golden Age of Night Clubs in Montreal, 1925-1955. Montreal: Véhicule Press, 2004.
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Lelièvre, Denys. “Les Noirs et le jazz au Québec.” Cap aux Diamants No. 79 (Automne 2004): 36–41. https://www.erudit.org/en/journals/cd/2004-n79-cd1045095/7191ac.pdf.
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Hornbacher, Marya. “Return of a Virtuoso.” Smithsonian Magazine Vol. 35, no. 10 (January 2005): 56–62.
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Sansregret, Marthe. Oliver Jones. The Musician, the Man: A Biography. Montreal: XYZ, 2006.
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Sarkar, Mela, and Lise Winer. “Multilingual Codeswitching in Quebec Rap: Poetry, Pragmatics and Performativity.” International Journal of Multilingualism Vol. 3, no. 3 (2006): 173–192.
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Elliott, Robin. “István Anhalt and New Music at McGill.” In Compositional Crossroads: Music, McGill, Montreal, edited by Eleanor V. Stubley, 33–55. Montreal and Kingston: McGill-Queen’s University Press, 2008.
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