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24 resources
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Seward, Sara. “From the Outside In : Musical Heritage and Community in Valcartier.” Quebec Heritage News, Fall 2021.
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Mouillot, François. “Industrial Isolation and Cultural Self-Exile: The Formation of an Independent Music Scene in Montreal.” In Geographically Isolated and Peripheral Music Scenes : Global Insights and Perspectives, edited by Christina Ballico, 133–156. Singapore: Palgrave Macmillan, 2021.
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Williams, Dorothy W. “Little Burgundy and Montreal’s Black English-Speaking Community.” The Canadian Encyclopedia. Historica Canada, February 2020. https://www.thecanadianencyclopedia.ca/en/article/little-burgundy-and-montreal-s-black-english-speaking-community#:~:text=Little%20Burgundy%20and%20Montreal%27s%20Black%20English%2DSpeaking%20Community,-Article%20by&text=Little%20Burgundy%20is%20a%20neighbourhood,(see%20also%20Black%20Canadians).
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Huston, Lorne, and Marie-Thérèse Lefebvre. George M. Brewer et le milieu culturel anglophone montréalais, 1900-1950. Québec, QC: Septentrion, 2020.
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Poirier, Lucien. “La musique au fil de la presse québécoise dans les belles années du régime anglais.” Les Cahiers de la Société québécoise de recherche en musique Vol. 19, no. nos. 1 et 2 (Printemps-Automne 2018): 71–82. https://www.erudit.org/en/journals/sqrm/2018-v19-n1-2-sqrm05332/1069877ar.pdf.
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Flamand, Guylaine. “Le Montreal Orchestra et la création de la Société des Concerts symphoniques de Montréal (1930 - 1941).” Les Cahiers de la Société québécoise de recherche en musique Vol. 19, no. nos. 1 et 2 (Printemps-Autumne 2018): 145–154. https://www.erudit.org/en/journals/sqrm/2018-v19-n1-2-sqrm05332/1069883ar.pdf.
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Straw, Will. “Media Networks and Language Crossing in Montreal.” In Speaking Memory: How Translation Shapes City Life, edited by Sherry Simon, 153–168. Montreal and Kingston: McGill-Queen’s University Press, 2016.
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Tremblay, Alex. “L’enracinement du théâtre et de la musique à Québec au xixe siècle.” Histoire Québec, 2015. https://www.erudit.org/en/journals/hq/2015-v20-n3-hq01826/77865ac.pdf.
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Robineau, Anne. “La scène musicale anglo-québécoise : institutionnalisation, mutations et représentations.” Recherches sociographiques Vol. 55, no. 3 (September 2014): 559–581. https://www.erudit.org/en/journals/rs/2014-v55-n3-rs01677/1028379ar.pdf.
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Siemerling, Winfried. “Jazz, Diaspora, and the History and Writing of Black Anglophone Montreal.” In Critical Collaborations : Indigeneity, Diaspora, and Ecology in Canadian Literary Studies, edited by Smaro Kamboureli and Christl Verduyn, 199–214. Waterloo, ON: Wilfrid Laurier University Press, 2014.
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Falardeau, Marie-Chantal. “L’impact du climat social et économique sur la musique francophone et anglophone au Québec.” Master’s Thesis, Université du Québec à Trois-Rivières, 2014. http://depot-e.uqtr.ca/id/eprint/7531/1/030827085.pdf.
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Vineberg, Robert. “The British Garrison and Montreal Society, 1830-1850.” Canadian Military History Vol. 21, no. 1 (Autumn 2012): 3–16. https://scholars.wlu.ca/cgi/viewcontent.cgi?article=1643&context=cmh.
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Cummins-Russell, Thomas A., and Norma M. Rantisi. “Networks and Place in Montreal’s Independent Music Industry.” Canadian Geographer/Le Géographe canadien Vol. 56, no. 1 (February 2012): 80–97.
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Bellavance, Guy, and Christian Poirier. “Champ culturel et espace montréalais (I) : la vie culturelle à Montréal avant 1960.” In Histoire de Montréal et de sa région. Tome II. De 1930 à nos jours, edited by Dany Fougères, 1285–1320. Les régions du Québec. Québec: Les Presses de l’Université Laval, 2012. http://www.chairefernanddumont.ucs.inrs.ca/wp-content/uploads/2013/09/PoirierC_BellavanceG_2012_Champ_culturel_et_espace_montrealais_I_La_vie_culturelle_a_Montreal_avant_1960.pdf.
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Ackerman, Marianne. Minority Report: An Alternative History of English-Language Arts in Quebec. Edited by Guy Rodgers. Toronto, ON: Guernica, 2011.
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Cummins-Russel, Thomas. “Networks in Montreal’s Independent Music Industry.” Master’s Thesis, Concordia University, 2009. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMG/TC-QMG-976639.pdf.
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Sarkar, Mela, and Lise Winer. “Multilingual Codeswitching in Quebec Rap: Poetry, Pragmatics and Performativity.” International Journal of Multilingualism Vol. 3, no. 3 (2006): 173–192.
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Stahl, Geoff. “Crisis? What Crisis?: Anglophone Musicmakers in Montreal.” PhD dissertation, McGill University, 2003. http://www.collectionscanada.gc.ca/obj/s4/f2/dsk3/QMM/TC-QMM-19483.pdf.
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Lazar, Barry. “La culture anglophone à la conquête du Québec.” In L’Annuaire du Québec 2003 : toute l’année politique, sociale, économique et culturelle, edited by Michel Venne and Roch Côté, 135–140. Montréal: Fides, 2002.
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Lefebvre, Marie-Thérèse. “La semaine annuelle de musique de Montréal sous les auspices du Delphic Study Club, 1923–1937.” Canadian University Music Review / Revue de musique des universités canadiennes Vol. 21, no. 2 (2001): 60–76. https://www.erudit.org/en/journals/cumr/2001-v21-n2-cumr0473/1014485ar.pdf.
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Lazar, Barry. Underestimated Importance: Anglo-Quebec Culture. Montreal: Synercom Téléproductions et Institut national de la recherche Scientifique, Urbanisation, Culture et Société, 2001.
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Demchinsky, Bryan, and Elaine Kalman Naves. Storied Streets: Montreal in the Literary Imagination. Toronto & Montreal: Macfarlane Walter & Ross, 2000.
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Therrien, Lucie. The Biculturalism of Quebec Music, 1759-1850 : French-English. 2nd ed. Portsmouth NH: French American Music Enterprises, 1994.
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Barrière, Mireille. “La société canadienne-française et le théâtre lyrique à Montréal entre 1840 et 1913.” PhD dissertation, Université Laval, 1990.