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Trépanier, Esther. “1920 : création du Groupe de Beaver Hall : des femmes font jazzer la couleur.” In De la Belle époque à la Crise: Chroniques de la vie culturelle à Montréal, edited by Denis Saint-Jacques and Marie-José des Rivières, 245–259. Montréal: Nota Bene, 2015.
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Des Rochers, Jacques, and Brian Foss, eds. 1920s Modernism in Montreal: The Beaver Hall Group. Montreal: Montreal Museum of Fine Arts, 2015.
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Mayerovitch, Harry. 1929-1989, Retrospective H. Mayerovitch: 28 Nov. 1989 - 4 Jan. 1990, Centre Saidye Bronfman...Montreal. Montreal: Centre Saidye Broinfman, 1989.
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Sherman, Leah. 25 Artists, 25 Years: Celebrating the Faculty of Fine Arts / 25 Artistes, 25 Ans: Homage à La Faculté Des Beaux Arts. Montreal: Leonard & Bina Ellen Art Gallery, Concordia University, 2001.
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Bridges, Marjorie Lismer, ed. A Border of Beauty: Arthur Lismer’s Pen and Pencil. Toronto, ON: Red Rock, 1977.
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Germain, Georges-Hébert. A City’s Museum: A History of the Montreal Museum of Fine Arts. Translated by Janet Chapman. Montreal: Montreal Museum of Fine Arts, 2007.
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Rolfe, Christopher. “A Collaborative (Ad)Venture: Metropolitan Museum.” British Journal of Canadian Studies Vol. 13, no. 1 (1998): 1–16.
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Sherman, Leah, and Angela Grigor. A Comparison of the Influences of Anne Savage and Arthur Lismer: Oral History Project. Montreal: Concordia University Libraries, Oral History Montreal Studies, 1985.
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MacDonald, Colin S. A Dictionary of Canadian Artists. 8 vols. Ottawa, ON: Canadian Paperbacks, 1967. http://www.rcip-chin.gc.ca/application/aac-aic/description-about.app?lang=en.
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McKendry, Blake. A Dictionary of Folk Artists in Canada: From the 17th Century to the Present with Inclusions of Popular Portrait, Topographical, Genre, Religious and Decorative Artists of the 17th, 18th and 19th Centuries. Elginburg, ON: Blake McKendry Ltd., 1988.
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Meadowcroft, Barbara. “A Feminist Methodology for a Biography of the Beaver Hall Group.” Simone de Beauvoir Newsletter Vol. 12, no. 2 (1992): 8–17.
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Nemiroff, Diana. “A History of Artist-Run Spaces in Canada, With Particular Reference to Véhicule, A Space and the Western Front.” Master’s Thesis, Concordia University, 1985. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMG/TC-QMG-4551.pdf.
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Crosby, Joni S. “A History of the Evolution of the Teaching of Textiles and Weaving in Quebec Since 1905.” Master’s Thesis, Concordia University, 1987. http://spectrum.library.concordia.ca/4552/1/ML41656.pdf.
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Chauvin, Jean. “À l’atelier d’Edwin Holgate.” La Revue Populaire Vol. 20, no. 2 (Février 1927): 7–9.
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Bosnitch, Katherine. “A Little on the Wild Side: Eaton’s Prestige Fashion Advertising Published in the Montreal Gazette, 1952-1972.” Master’s Thesis, Concordia University, 2000. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMG/TC-QMG-1065.pdf.
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Fowler, Robyn. “‘A New Canadian National Spirit’: Allegorical Miss Canada and the Occult Canadian State.” In Culture + the State, edited by James Gifford and Gabrielle E. M. Zezulka-Mailloux, 40–52. Edmonton, AB: CRC Humanities Studio, 2003. http://epe.lac-bac.gc.ca/100/200/300/crc_humanities_studio/culture_and_the_state/fowler.pdf.
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Mackey, Frank. “A Painter’s Progress.” Connections: Journal of The Quebec Family History Society, June 2017.
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Villeneuve, René. “A Scottish-Born Silversmith in Montreal: Robert Cruikshank.” In Kingdom of the Mind: How the Scots Helped Make Canada, edited by Peter E. Rider and Heather McNabb, 137–148. Montreal and Kingston: McGill-Queen’s University Press, 2006.
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Buis, Alena. “‘A Story of Struggle and Splendid Courage’: Anne Savage’s Broadcasts of The Development of Art in Canada.” In Rethinking Professionalism: Women and Art in Canada, 1850-1970, edited by Kristina Huneault and Janice Anderson, 106–131. Montreal and Kingston: McGill-Queen’s University Press, 2012.
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McNaughton, Janet Elizabeth. “A Study of the CPR-Sponsored Quebec Folk Song and Handicraft Festivals, 1927-1930.” Master’s Thesis, Memorial University of Newfoundland, 1982. https://research.library.mun.ca/11022/1/McNaughton_JanetElizabeth.pdf.
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Maciejewski, Andrzej. After Notman : Montreal Views, A Century Apart/D’après Notman : Regards Sur Montréal, Un Siècle plus Tard. Willowdale, ON: Firefly Books Ltd., 2003.
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Rousseau, Marlène. “Alexander Henderson (1831-1913) : photographe paysagiste montréalais du XIXe siècle.” Master’s Thesis, Université du Québec à Montréal, 2005.
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Skidmore, Colleen. “‘All That Is Interesting in the Canadas’ : William Notman’s Maple Box Portfolio of Stereographic Views, 1860.” Journal of Canadian Studies/Revue d’études canadiennes Vol. 32, no. 4 (Winter 1998): 69–90.
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Pageot, Édith-Anne. “Ambiguïtés de la réception critique de l’exposition « Canadian Women Artists », Riverside Museum, New York, 1947.” RACAR (Revue d’art canadienne/Canadian Art Review) Vol. 27, no. 1–2 (2000): 123–134. https://www.erudit.org/fr/revues/racar/2000-v27-n1-2-racar05318/1069728ar.pdf.
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Beavis, Lori. “An Educational Journey: Women’s Art Training in Canada and Abroad, 1880-1929.” Master’s Thesis, Concordia University, 2006. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMG/TC-QMG-9279.pdf.
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Allodi, Mary MacAulay, and Rosemary L. Tovell. An Engraver’s Pilgrimage: James Smillie in Quebec, 1821-1830. Toronto, ON: Royal Ontario Museum, 1989.
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Rosenfeld, Roslyn. “An Index of Miniaturists and Silhouettists Who Worked in Montreal.” The Journal of Canadian Art History/Annales d’histoire de l’art canadien Vol. 5, no. 2 (1981): 111–121.
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Calvin, H. A. “Ann [Sic] Savage, Teacher.” Master’s Thesis, Concordia University, 1967.
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McDougall, Anne. “Anne Savage.” Vie des arts Vol. 21, no. 86 (1977): 50–53.
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Braide, Janet. Anne Savage : Sa Vision de La Beauté/Anne Savage : Her Expression of Beauty. Montreal: Montreal Museum of Fine Arts/Musée des beaux-arts de Montréal, 1979.
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