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Williams, Dorothy W. “‘You Don’t Have A History’: Passion as the Counter-Narrative of Heritage, History, and Archives.” Minorités linguistiques et société / Linguistic Minorities and Society No. 21 (2023): 1–14. https://www.erudit.org/fr/revues/minling/2023-n21-minling07803/1097640ar.pdf.
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Stavert, William Ewart. Windows of History, Service and Sacrifice. Montreal: Price-Patterson, 2011.
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Pollock, Grace. “William Henry Drummond’s True ‘Canayen’: Dialect Poetry and the Politics of Canadian Imperialism.” Essays on Canadian Writing No. 79 (2003): 103–131.
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Boutillier, Alicia, and Paul Maréchal, eds. William Brymner: Artist, Teacher, Colleague. Kingston, ON: Agnes Etherington Art Centre, 2010.
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Ingram, Darcy. Wildlife, Conservation and Conflict in Quebec, 1840-1914. Vancouver, BC: UBC Press, 2013.
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Little, J. I. “West Coast Exile: A Scottish-Canadian Bard in the United States at the Turn of the Twentieth Century.” International Journal of Canadian Studies/Revue internationale d’études canadiennes Vol. 44, no. 2 (2011): 119–133. https://www.erudit.org/en/journals/ijcs/2011-n44-ijcs0130/1010084ar.pdf.
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Stanworth, Karen. Visibly Canadian: Imaging Collective Identities in the Canadas, 1820-1910. Montreal and Kingston: McGill-Queen’s University Press, 2014.
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Weiser, Kalman. “Vilna on the Saint Lawrence: Montreal as the Would-Be Haven for Yiddish Culture.” In No Better Home?: Canada, Its Jews, and the Question of Home, edited by David H. Koffman, 56–69. Toronto, ON: University of Toronto Press, 2021.
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Brodeur, Magaly. Vice et corruption à Montréal, 1892-1970. Québec: Presses de l’Université du Québec, 2011.
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Mehdi, Ghafouri M. “Value-Based Characterization of Cultural Landscapes: The Cases of Villa Thompson and Villa Sparrow, Mont-Royal, Montreal.” Master’s Thesis, Concordia University, 2012. http://spectrum.library.concordia.ca/974004/1/Ghafouri_MA_S2012.pdf.
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Buis, Alena. “Ut Pictura Poesis: Edward Black Greenshields’ Collection of Hague School Paintings.” Master’s Thesis, Concordia University, 2008. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMG/TC-QMG-976098.pdf.
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Tétrault-Farber, Jérémy. “Une Ville - Plusieurs Reels: Montreal’s Multicultural Irish Soundscape.” PhD dissertation, Concordia University, 2019. https://spectrum.library.concordia.ca/985503/1/Tetrault-Farber_PhD_F2019.pdf.
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Richard, Pierre. “Une histoire sociale du curling au Québec de 1807 à 1980.” PhD dissertation, Université du Québec à Trois-Rivières, 2006.
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Leroux, Éric. “Une bibliothèque communautaire d’exception : la Atwater Library of the Mechanics’ Institute of Montreal.” In Bibliothèeques québécoises remarquables, edited by Claude Corbo, 127–137. Montréal: Del Busso, 2017.
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Stock, Sandra. “Under the Sun: Dominion Square’s Insurance Showcase.” Quebec Heritage News, Summer 2022.
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Nadeau-Saumier, Monique. “Un lieu de rencontre entre deux communautés : La première bibliothèque publique à Sherbrooke.” Cap-aux-Diamants No. 121 (Printemps 2015): 21–24. https://www.erudit.org/fr/revues/cd/2015-n121-cd01896/78025ac.pdf.
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Nadeau-Saumier, Monique. Un espace et un lieu de culture : le Art Building de Sherbrooke 1887-1927. Sherbrooke, QC: GGC Éditions, 2008.
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Nadeau-Saumier, Monique. “Un espace et un lieu de culture : le Art Building de Sherbrooke, 1887-1927.” PhD dissertation, Université du Québec à Montréal, 2007. https://archipel.uqam.ca/9616/1/D1560-1.pdf.
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Lamonde, Yvan. “Un aspect inconnu du débat autour de la bibliothèque publique à Montréal : la Montreal Free Library (1889- ).” Les Cahiers des Dix No. 57 (2003): 263–271. https://www.erudit.org/fr/revues/cdd/2003-n57-cdd5007928/1008108ar.pdf.
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Colby-Curtis Museum. Trois maisons historiques : architecture, culture, patrimoine des Cantons de l’Est/Three Historical Houses : Architecture, Culture, Heritage of the Townships. Coaticook, QC: Beaulne Museum, 2000.
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Tauben, Sara Ferdman. Traces of the Past: Montreal’s Early Synagogues. Montreal: Véhicule Press, 2011.
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Kalbfleisch, John. This Island in Time: Remarkable Tales from Montreal’s Past. Montreal: Véhicule Press, 2008.
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Léger, Danielle. “Théâtre à Montréal, 1825-1930 : un récit visuel mettant en scène des documents patrimoniaux.” Archives Vol. 48, no. 1 (2019): 89–106. https://www.erudit.org/fr/revues/archives/2019-v48-n1-archives04662/1060816ar.pdf.
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Keays, Cathy. The Women’s Art Society of Montreal and Its Place in History, 1894-2019. Montreal: Cathy Keays, 2019.
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Pigeon, Danielle. The Walbridge Estate in Mystic. Translated by Peter Dare. Québec: Direction du patrimoine du Québec, Ministère de la Culture et des Communications, 2007.
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Chapman, Mary. “The ‘Thrill’ of Not Belonging: Edith Eaton (Sui Sin Far) and Flexible Citizenship.” Canadian Literature/Littérature canadienne Vol. 212 (Spring 2012): 191–195. http://canlit.ca/article/the-thrill-of-not-belonging/.
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McKay, Joan, and Dolly Allen. The Shawville “Equity”: Birth, Marriage and Death Extracts. 4 vols. [S.l.]: Joan McKay & Dolly Allen, 2005.
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Dueck, Gordon Bernhard. “The Salamander and the Chameleon: Religion, Race and Evolutionism in the Anglo-Jewish Press, Montreal, 1897-1914.” PhD dissertation, Queen’s University, 2000. http://www.collectionscanada.gc.ca/obj/s4/f2/dsk2/ftp03/NQ54411.pdf.
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Ó hAllmhuráin, Gearóid. “The Place of Sound – The Sound of Place: Irish Music and Cultural Memory in Rural Quebec.” In Ireland and Quebec: Multidisciplinary Perspectives on History, Culture and Society, edited by Margaret Kelleher and Michael Kenneally, 183–196. Dublin, Ireland: Four Courts Press, 2016.
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Forrest, Andrew. “The Organ at St. James United Church, Montréal.” The Diapason Vol. 105, no. 1 (January 2014): 22–28.
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