Your search results
10 resources
-
Tremblay, François. William Hugh Coverdale, collectionneur : chronologie de Pointe-au-Pic (Manoir Richelieu) et de Tadoussac (Hôtel). La Malbaie, QC: Musée régional Laure Conan, 1979.
-
Miller, George L., and Elizabeth A. Jorgensen. Some Notes on Bottle Mould Numbers from The Dominion Glass Company and Its Predecessors. Ottawa, ON: National Historic Parks and Sites Branch, Parks Canada, 1986.
-
Watson, William R. Retrospective : Recollections of a Montreal Art Dealer. Toronto, ON: University of Toronto Press, 1974.
-
Smart, Tom. “Letters to Canada : Jack Chambers’ Correspondence with Charles Greenshields, 1955-1962.” RACAR (Revue d’art canadienne/Canadian Art Review) Vol. 19, no. 1–2 (1992): 133–141.
-
Moreno, Pilar. “L’engagement social de trois artistes montréalais durant les années trente et quarante : L. Muhlstock, F.B. Taylor et F. Brandtner.” Master’s Thesis, Université du Québec à Montréal, 1984.
-
Nadeau-Saumier, Monique. “Late Victorian and Edwardian Jewellery in Montreal.” The Journal of Canadian Art History/Annales d’histoire de l’art canadien Vol. 9, no. 1 (1986): 69–80.
-
Bara, Jana. “Cradled in Fur: Winter Fashions in Montreal in the 1860s.” Dress: Journal of the Costume Society of America Vol. 16 (1990): 39–47.
-
Korman, Julie Beth. “Corporate Art Collecting in Canada.” Master’s Thesis, Concordia University, 1985.
-
Clowery, Freeman. “Bank of Montreal Centenary Medal, 1817-1917.” Transactions of the Canadian Numismatic Research Society Vol. 16, no. 3 (1980): 80–81.
-
McKay, Shona. “A Little on the Wild Side: The Sixties Advertising of Eaton’s Montreal.” Applied Arts Vol. 8, no. 4 (December 1993): 26–28.