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27 resources
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Vachon, Christian. “Images of Montreal for the Motherland.” In James Duncan (1806-1881): Painter of Montreal, edited by Laurier Lacroix and Suzanne Sauvage, 62–80. Montreal: McCord Stewart Museum, 2023.
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Béland, Mario. “William Brymner en Irlande.” Cap-aux-Diamants No. 132 (Hiver 2018): 47–48.
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Skelly, Julia. “The Politics of Drunkenness: John Henry Walker, John A. Macdonald, and Graphic Satire.” RACAR (Revue d’art canadienne/Canadian Art Review) Vol. 40, no. 1 (2015): 71–84. http://www.uaac-aauc.com/sites/default/files/40_1_Skelly.pdf.
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Huston, Lorne. “The 1913 Spring Exhibition of the Art Association of Montreal: Anatomy of a Public Debate.” Journal of Canadian Art History/Annales d’histoire de l’art Vol. 34, no. 1 (2013): 12–55. http://jcah-ahac.concordia.ca/fr/archive/2013_34-1.
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Antoncic, Debra Anne. “‘Oddballs and Eccentrics’ ('Les Hirsutes et Les Excentriques’): Visual Arts and Artists in the Popular Press in Post-War Canada.” PhD dissertation, Queen’s University, 2011. https://qspace.library.queensu.ca/bitstream/1974/6540/3/Antoncic_Debra_A_201105_PhD.pdf.
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Todd, Phillip. “Breaking Bones in Political Cartooning: Aislin and the Free Trade Fight of 1998.” Master’s Thesis, McGill University, 2004. http://digitool.Library.McGill.CA:80/R/-?func=dbin-jump-full&object_id=79981&silo_library=GEN01.
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Rigelhof, T. F. Philip Surrey, 1910-1990: Retrospective Exhibition, September 18-October 2, 2004. Montreal: Walter Klinkhoff Gallery, 2004.
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Fowler, Robyn. “‘A New Canadian National Spirit’: Allegorical Miss Canada and the Occult Canadian State.” In Culture + the State, edited by James Gifford and Gabrielle E. M. Zezulka-Mailloux, 40–52. Edmonton, AB: CRC Humanities Studio, 2003. http://epe.lac-bac.gc.ca/100/200/300/crc_humanities_studio/culture_and_the_state/fowler.pdf.
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Beitel, Garry. Y’a Rien de Sacré / Nothing Sacred. Documentary. National Film Board of Canada, 2003.
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Stober, JoAnne. “That’s Not What I Heard: Synchronized Sound Cinema in Montreal, 1926-1931.” Master’s Thesis, Concordia University, 2001. https://spectrum.library.concordia.ca/id/eprint/1544/1/MQ64013.pdf.
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Robinson, Jennifer, and Yves Jasmin. Shooting the Story: Outstanding Photojournalism from Montreal’s La Presse and The Gazette. Montreal: The Gazette, 2000.
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Collins, John. Montreal Memories of the Century from the Sketchbooks of John Collins. Ste-Anne-de-Bellevue, QC: Shoreline Press, 2000.
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Bosnitch, Katherine. “A Little on the Wild Side: Eaton’s Prestige Fashion Advertising Published in the Montreal Gazette, 1952-1972.” Master’s Thesis, Concordia University, 2000. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMG/TC-QMG-1065.pdf.
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St-Jean, France. “La réception critique dans la presse montréalaise francophone des décennies 1930 et 1940 de l’œuvre de cinq femmes artistes : Prudence Heward, Lilias Torrance Newton, Anne Savage, Marian Scott et Jori Smith.” Master’s Thesis, Université du Québec à Montréal, 1999.
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Hardy, Dominic Llwelyn. “Drawn To Order: Henri Julien’s Political Cartoons of 1899 and His Career with Hugh Graham’s Montreal Daily Star, 1888-1908.” Master’s Thesis, Trent University, 1998. http://www.collectionscanada.gc.ca/obj/s4/f2/dsk2/ftp01/MQ30215.pdf.
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Trépanier, Esther. “Les femmes, l’art et la presse francophone montréalaise de 1915 à 1930.” The Journal of Canadian Art History/Annales d’histoire de l’art canadien Vol. 18, no. 1 (1997): 68–83. http://jcah-ahac.concordia.ca/fr/archive/1997_18-1.
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Aislin. One Oar in the Water: The Nasty Nineties Continued in Cartoons. Edited by Joe Fiorito. Toronto, ON: Little, Brown Canada, 1997.
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Trépanier, Esther. “Les enjeux artistiques à Montréal : le discours critique dans la presse montréalaise de 1915 à 1930.” In Peindre à Montréal, 1915-1930 : Les peintres de la Montée Saint-Michel et leurs contemporains, edited by Laurier Lacroix, 86–107. Montréal et Québec: Galerie de l’UQÀM – Musée du Québec, 1996.
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Morris, Raymond N. The Carnivalization of Politics: Quebec Cartoons on Relations with Canada, England and France, 1960-1979. Montreal and Kingston: McGill-Queen’s University Press, 1995.
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McElroy, George E. “High Life and Low Life: A Scrapbook of Edwardian Montreal.” The Beaver Vol. 72, no. 1 (March 1992): 23–28.
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Valliant, Lois, and Sandra Paikowsky. Robert Ayre : The Critic and the Collection / Le Critique Face à La Collection. Translated by Monique Nadeau-Saumier. Montreal: Concordia Art Gallery, Concordia University, 1992.
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Valliant, Lois. “Robert Hugh Ayre, 1900-1980: Art, A Place in the Community : Reviews at The Gazette, Montreal, 1935-1937, and at The Standard, Montreal, 1938-1942.” Master’s Thesis, Concordia University, 1991. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMG/TC-QMG-4139.pdf.
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Sicotte, Hélène. “WaIter Abell, Robert Ayre, Graham Mclnnes: aperçu de la perspective sociale dans la critique d’art canadienne entre 1935 et 1945.” Master’s Thesis, Université du Québec à Montréal, 1989.
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Farand, Francine. “La critique d’art dans les journaux montréalais de 1940 à 1948.” Master’s Thesis, Université de Montréal, 1985.
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Smith, Rosalie McCrea. “James Wilson Morrice and the Canadian Press, 1888-1916.” Master’s Thesis, Carleton University, 1980.
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Asselin, Hedwige. Inédits de John Lyman. Montréal: Bibliothèque nationale du Québec, 1980.
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Hayes, E. H. Montrealers As We See’em. [S.l.]: Canada Newspaper Cartoonists’ Association, 1905.