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47 resources
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Charlebois, Catherine, and Mathieu Lapointe, eds. Scandale! Le Montréal illicite, 1940-1960. Montréal: Cardinal, 2016.
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Blais-Tremblay, Vanessa. “Jazz, Gender, Historiography : A Case Study of the ‘Golden Age’ of Jazz in Montreal (1925-1955).” PhD dissertation, McGill University, 2018. https://escholarship-test.mcgill.ca/concern/theses/12579v62c?locale=en.
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Blais-Tremblay, Vanessa. “Gorgeous Girlies in Glittering Gyrations! Capital érotique et danse jazz dans l’entre-deux-guerres québécois.” Recherches féministes Vol. 32, no. 1 (2019): 89–109. https://www.erudit.org/en/journals/rf/2019-v32-n1-rf04777/1062226ar/.
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Boileau, Roger. “L’Église et le sport au Québec à la lumière du concept d’acculturation.” PhD dissertation, Université Laval, 2007. http://www.theses.ulaval.ca/2007/24391/24391.pdf.
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Brodeur, Magaly. Vice et corruption à Montréal, 1892-1970. Québec: Presses de l’Université du Québec, 2011.
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Burgess, Joanne. “Le centre victorien : commerce et culture, 1850-1880.” In L’histoire de Vieux Montréal à travers son patrimoine, edited by Gilles Lauzon and Madeleine Forget, 151–198. Sainte-Foy, QC: Les publications du Québec, 2004.
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Burns, Patricia. Life on the Home Front: Montreal 1939-1945. Montreal: Véhicule Press, 2012.
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Comtois, Patricia. “Jeunes femmes et loisirs commerciaux durant les années folles (1919-1929) : étude des discours ecclésiastiques et journalistiques.” Master’s Thesis, Université du Québec à Montréal, 2007. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMUQ/TC-QMUQ-817.pdf.
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Darch, Heather. “The Whistling Chautauqua Girl.” Quebec Heritage News, Winter 2024.
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Dombowsky, Philip. “C. Howard Crane’s Allen Theatres.” Marquee: The Journal of the Theatre Historical Society of America Vol. 41, no. 3 (Third-Quarter 2009): 7–23.
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Foss, Brian. “Out on the Town: Modernism, Arts and Entertainment in Montreal, 1920-33.” In 1920s Modernism in Montreal: The Beaver Hall Group, edited by Jacques Des Rochers and Brian Foss, 126–159. Montreal; Montreal Museum of Fine Arts, 2015.
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Ghandhi, Rohinton. “Gone In A Puff Of Smoke: Magic Tom Auburn.” Quebec Heritage News, Fall 2014. http://qahn.org/files/quebecanglophoneheritagenetwork/documents/qhn/qhn_fall_2014.final_.2.mf_reduced.pdf.
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Harvey, Douglas S. “Strolling Players in Albany, Montreal, and Quebec City, 1797 and 1810: Performance, Class, and Empire.” Studies in Eighteenth Century Culture Vol. 38 (2009): 237–260.
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Howarth, Ian. Rock “n” Radio: When DJs and Rock Music Ruled the Airwaves. Montreal: Véhicule Press, 2017.
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Hustak, Alan. Neil McKenty Live! – The Lines Are Still Blazing. Ste-Anne-de-Bellevue, QC: Shoreline Press, 2015.
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Khoury, Sam (Samir). “An Exploratory Study of the Multiple Roles Modeled by Teachers of English as a Second Language in Multicultural Classrooms in Montreal.” Master’s Thesis, Concordia University, 2007. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/002/MR28832.PDF.
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Léger, Danielle. “Théâtre à Montréal, 1825-1930 : un récit visuel mettant en scène des documents patrimoniaux.” Archives Vol. 48, no. 1 (2019): 89–106. https://www.erudit.org/fr/revues/archives/2019-v48-n1-archives04662/1060816ar.pdf.
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Linteau, Paul-André. La rue Sainte-Catherine : au coeur de la vie montréalaise. Montréal: Pointe-à-Callière, musée d’archéologie et d’histoire; Éditions de l’Homme, 2010.
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Macleod, Donald A. W. Stanford Reid: An Evangelical Calvinist in the Academy. Montreal and Kingston: McGill-Queen’s University Press, 2004.
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Mansbridge, Joanna. “In Search of a Different History : The Remains of Burlesque in Montreal.” Canadian Theatre Review Vol. 158 (Spring 2014): 7–12.
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Marrelli, Nancy. Stepping Out: The Golden Age of Night Clubs in Montreal, 1925-1955. Montreal: Véhicule Press, 2004.
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Moore, Paul S. “Movie Palaces on Canadian Downtown Main Streets: Montreal, Toronto and Vancouver.” Urban History Review/Revue d’historire urbaine Vol. 32, no. 2 (Spring 2004): 3–20.
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Murphy, Peter. “The Eaton’s Toyville Trains.” Canadian Rail: The Magazine of Canada’s Railway Heritage No. 509 (2005): 207–223.
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Nadeau-Saumier, Monique. “Le Sherbrooke Library and Art Building, 1887-1927 : un espace et un lieu de rencontre entre les cultures anglophone et francophone.” Journal of Eastern Townships Studies/Revue d’études de Cantons de l’Est No. 38 (Printemps 2012): 33–49. http://www.etrc.ca/journal/jets-archive/.
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Nigam, Sunita. “Not Just for Laughs: Sugar Sammy, Stand-up Comedy, and National Performance.” Québec Studies (Winter , Special Issue 2013): 117–133.
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Palmer, Al. Montreal Confidential: The Low Down on the Big Town. 2nd ed. Montreal: Véhicule Press, 2009.
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Pelletier, Louis. “George Ganetakos et la United Amusement Corporation, Limited, 1910-1930 : formation d’une chaîne de cinémas montréalaise.” Master’s Thesis, Concordia University, 2004. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMG/TC-QMG-7981.pdf.
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Pelletier, Louis. “An Experiment in ‘Historically Correct’ Canadian Photoplays: Montreal’s British American Film Manufacturing Co.” Film History Vol. 19 (2007): 34–48.
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Perron, Mathieu. “Le ’Parlement du peuple’ : enjeux politiques et sociaux des tavernes, auberges et coffeehouses du district de Québec (1759-1775).” Master’s Thesis, Université de Sherbrooke, 2014. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QSHERU/TC-QSHERU-11143_163.pdf.
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Peterson, Oscar. Jazz Odyssey: The Life of Oscar Peterson. London, England: Continuum, 2002.
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