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20 resources
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Gilmore, John. Who’s Who of Jazz in Montreal: Ragtime to 1970. Montreal: Véhicle Press, 1989.
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Reynolds, Mark. “Toot Sweet: When Jazz Ruled Montreal.” The Beaver Vol. 81, no. 3 (July 2001): 26–32.
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Bayne, Clarence S. “The Origins of Black Theatre in Montreal.” Canadian Theatre Review Vol. 118 (Spring 2004): 34–40.
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Breon, Robin. “The Growth and Development of Black Theatre in Canada: A Starting Point.” Theatre Research in Canada / Recherches Théâtrales Au Canada Vol. 9, no. 2 (1988): 216–228. https://journals.lib.unb.ca/index.php/tric/article/view/7342/8401.
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Lam, Meilan. Show Girls. National Film Board of Canada, 1998.
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Hornbacher, Marya. “Return of a Virtuoso.” Smithsonian Magazine Vol. 35, no. 10 (January 2005): 56–62.
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Marin, Reva. Oscar: The Life and Music of Oscar Peterson. Toronto: Douglas & McIntyre, 2003.
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Lees, Gene. Oscar Peterson: The Will to Swing. Toronto: Key Porter Books, 2000.
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Sansregret, Marthe. Oliver Jones. The Musician, the Man: A Biography. Montreal: XYZ, 2006.
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Stevens, Lys. “Miss Swing: Ethel Bruneau from Harlem to Rockhead’s.” Quebec Heritage News, Winter 2013. http://qahn.org/files/quebecanglophoneheritagenetwork/documents/qhn/qhn_winter_2013_layout_1_reduced.pdf.
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Lelièvre, Denys. “Les Noirs et le jazz au Québec.” Cap aux Diamants No. 79 (Automne 2004): 36–41. https://www.erudit.org/en/journals/cd/2004-n79-cd1045095/7191ac.pdf.
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Bayne, Clarence S. “Le Black Theatre Workshop de Montreal: Un Nouveau Bilan.” L’Annuaire théâtral: Revue québécoise d’études théâtrales Vol. 29 (Printemps 2001): 141–155.
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Peterson, Oscar. Jazz Odyssey: The Life of Oscar Peterson. London, England: Continuum, 2002.
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Blais-Tremblay, Vanessa. “Jazz, Gender, Historiography : A Case Study of the ‘Golden Age’ of Jazz in Montreal (1925-1955).” PhD dissertation, McGill University, 2018. https://escholarship-test.mcgill.ca/concern/theses/12579v62c?locale=en.
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Blais-Tremblay, Vanessa. “Gorgeous Girlies in Glittering Gyrations! Capital érotique et danse jazz dans l’entre-deux-guerres québécois.” Recherches féministes Vol. 32, no. 1 (2019): 89–109. https://www.erudit.org/en/journals/rf/2019-v32-n1-rf04777/1062226ar/.
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Joy, Annamma, and Clarence Bayne. “From Community Workshop to Professional Theatre: Audience Development and the Consumption of Art.” Advances in Non-Profit Marketing No. 4 (1993): 79–113.
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Stevens, Lys. “Ethel Bruneau : Montreal’s Rhythm Tap Legend.” Dance Collection Danse, Fall 2011. https://www.dcd.ca/download/71DCDTheMagazine.pdf.
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Henry, Jeff. “Black Theatre in Montreal and Toronto in the Sixties and Seventies: The Struggle for Recognition.” Canadian Theatre Review Vol. 118 (Spring 2004): 29–33.
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Bayne, Clarence S. “Black Community Submission...Montreal-Quebec Into the 1990s.” Canadian Theatre Review Vol. 83 (1995): 24–27.
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Baldry, Mark S. “A Marketing Study for the Black Theatre Workshop of Montreal.” Research paper, Concordia University, 1990.