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Whittaker, Herbert. Setting the Stage : Montreal Theatre, 1920-1949. Edited by Jonathan Rittenhouse. Montreal and Kingston: McGill-Queen’s University Press, 1999.
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Wagner, Anton. “Saving the Nation’s Aesthetic Soul: B.K. Sandwell at the Montreal Herald (1900-1914) and Saturday Night (1932-1951).” In Establishing Our Boundaries: English-Canadian Theatre Criticism, edited by Anton Wagner, 177–198. Toronto: University of Toronto Press, 1999.
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Lieblein, Leanore. “Establishing Contact Between Two Cultures: Marianne Ackerman at the Montreal Gazette, 1983-1987.” In Establishing Our Boundaries: English-Canadian Theatre Criticism, edited by Anton Wagner, 371–385. Toronto: University of Toronto Press, 1999.
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Harvie, Jennifer, and Richard Paul Knowles. “Herbert Whittaker, Reporting From the Front: Montreal Gazette (1937-1949) and the Globe and Mail (1949-1975).” In Establishing Our Boundaries: English-Canadian Theatre Criticism, edited by Anton Wagner, 215–233. Toronto: University of Toronto Press, 1999.
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Hardt, Yvonne. “Writing Bodies: Modern Dance, Gender, and Jewish Identity in New York and Montreal, 1930 to 1960.” Essay, Concordia University, 1999.
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Flamand, Guylaine. “The Montreal Orchestra and Les Concerts Symphoniques de Montréal (1930-41).” PhD dissertation, City University of New York, 1999.
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Charpentier, Marc. “Broadway North: Musical Theatre in Montreal in the 1920s.” PhD dissertation, McGill University, 1999. http://www.collectionscanada.gc.ca/obj/thesescanada/vol1/QMM/TC-QMM-35990.pdf.
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Beaubien, Jeanine C. La Poudrière Reincarnated: 25 Years of International Theatre in Montreal. Translated by Lorraine J. M. Lavigne. Montreal: Méridien, 1999.
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Zatzman, Belarie. “Yiddish Theatre in Montreal: Review Essay.” Canadian Jewish Studies/Études juives canadiennes Vol. 6 (1998): 89–97.
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Lam, Meilan. Show Girls. National Film Board of Canada, 1998.
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Kremer, Johanna. “Die Geschichte des deutschsprachigen Theaters in Montreal von seinen Anfängen 1953 bis 1997.” Master’s Thesis, McGill University, 1998. http://www.collectionscanada.gc.ca/obj/thesescanada/vol1/QMM/TC-QMM-28286.pdf.
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Booth, Philip. Anglophone Theatre in Quebec from 1870 to 2000: Status Report. Montreal: Quebec Drama Federation, 1998.
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Bains, Yashdip Singh. English Canadian Theatre, 1765-1826. New York: Peter Lang, 1998.
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Rittenhouse, Jonathan. “‘Our Granada’: The Granada Theatre, Wellington Street, Sherbrooke, Quebec, Canada, America, the World, and Me.” Theatre Research in Canada/Recherches théâtrales au Canada Vol. 18, no. 2 (Fall 1997): 148–166. https://journals.lib.unb.ca/index.php/TRIC/article/view/7127/8186.
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Rittenhouse, Jonathan. “Festival Lennoxville.” Journal of Eastern Townships Studies/Revue d’études des Cantons de l’Est No. 10 (Spring 1997): 89–135.
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Podbrey, Maurice. Half Man, Half Beast: Making a Life in Canadian Theatre. Montreal: Véhicule Press, 1997.
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Miller, Mark. Such Melodious Racket: The Lost History of Jazz in Canada, 1914-1949. Toronto: Mercury Press, 1997.
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Cuccioletta, Donald. “The Américanité of Quebec Urban Popular Culture As Seen Through Burlesque Theater in Montreal (1919-1939).” PhD dissertation, Université du Québec à Montréal, 1997.
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Larrue, Jean-Marc. Le Théâtre Yiddish à Montréal/Yiddish Theatre in Montreal. Translated by Catherine Browne. Montréal: Éditions Jeu, 1996.
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Page, Malcolm. “David Fennario’s Balconville: Document and Message.” In On-Stage and Off-Stage : English Canadian Drama in Discourse, edited by Albert-Reiner Glapp and Rolf Althof. St. John’s, NL: Breakwater, 1995.
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Bayne, Clarence S. “Black Community Submission...Montreal-Quebec Into the 1990s.” Canadian Theatre Review Vol. 83 (1995): 24–27.
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Therrien, Lucie. The Biculturalism of Quebec Music, 1759-1850 : French-English. 2nd ed. Portsmouth NH: French American Music Enterprises, 1994.
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Tembeck, Iro Valaskakis. Dancing in Montreal: Seeds of a Choreographic History. Madison, WI: Society of Dance History Scholars, 1994.
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Hulslander, Kenneth. “L’émergence d’une identité québécoise dans la dramaturgie anglo-montréalaise.” Master’s Thesis, Université du Québec à Montréal, 1994.
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Lanken, Dane. Montreal Movie Palaces: Great Theatres in the Golden Age 1884-1938. Waterloo, ON: Archives of Canadian Art, 1993.
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Joy, Annamma, and Clarence Bayne. “From Community Workshop to Professional Theatre: Audience Development and the Consumption of Art.” Advances in Non-Profit Marketing No. 4 (1993): 79–113.
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Bourassa, Dominique. “La contribution des bandes militaires britanniques au développement de la musique au Québec de la conquête à 1836.” Master’s Thesis, Université Laval, 1993.
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Booth, Philip. “Le Montreal Repertory Theatre et les théâtres d’art.” L’Annuaire théâtral: revue québécoise d’études théâtrales No. 13-14 (1993): 59–74. https://www.erudit.org/en/journals/annuaire/1993-n13-14-annuaire3651/041185ar.pdf.
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Ackerman, Marianne. L’affaire Tartuffe, or The Garrison Officers Rehearse Molière. Performance Series. Montreal: NuAge Editions, 1993.
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Ball, John, and Richard Plant, eds. Bibliography of Theatre History in Canada: The Beginnings Through 1984/Bibliographie d’histoire Du Théatre Au Canada: Des Début-Fins 1984. Toronto: ECW Press, 1993.
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