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Ferron-Desautels, Marie. “Katherine Jane Ellice (1812-1864) : de Beauharnois à Glenquoich, rires et pérégrinations d’une artiste en mouvement.” Master’s Thesis, Université du Québec à Montréal, 2019. https://archipel.uqam.ca/13368/1/M16342.pdf.
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Esteves, Filipa. “La position historique des artistes issus de l’immigration : le cas de Leopold Plotek.” Master’s Thesis, Université de Montréal, 2016. https://papyrus.bib.umontreal.ca/xmlui/bitstream/handle/1866/18743/Esteves_Filipa_2016_memoire.pdf?sequence=2&isAllowed=y.
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Durante, Agnes. “The Visual Politics of the Female Form in 1920s Canada.” PhD dissertation, York University, 2015. https://yorkspace.library.yorku.ca/xmlui/handle/10315/30630.
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Truchon, Caroline. “Entre passion et raison : une histoire du collectionnement privé à Montréal (1850-1910).” PhD dissertation, Université de Montréal, 2014. https://papyrus.bib.umontreal.ca/xmlui/bitstream/handle/1866/18363/Truchon_Caroline_2014_these.pdf?sequence=10&isAllowed=y.
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Rackham, Michèle. “Between the Lines: Interartistic Modernism in Canada, 1930-1960.” PhD dissertation, McGill University, 2011. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMM/TC-QMM-107764.pdf.
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Burton, Samantha. “Canadian Girls in London: Negotiating Home and Away in the British World at the Turn of the Twentieth Century.” PhD dissertation, McGill University, 2011. http://digitool.Library.McGill.CA:80/R/-?func=dbin-jump-full&object_id=107634&silo_library=GEN01.
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Antoncic, Debra Anne. “‘Oddballs and Eccentrics’ ('Les Hirsutes et Les Excentriques’): Visual Arts and Artists in the Popular Press in Post-War Canada.” PhD dissertation, Queen’s University, 2011. https://qspace.library.queensu.ca/bitstream/1974/6540/3/Antoncic_Debra_A_201105_PhD.pdf.
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Sorbelli, Silvia. “Renaissance Art in Montreal: The City’s Early Collectors and Their Gifts to the Art Association of Montreal and the Montreal Museum of Fine Arts.” Master’s Thesis, Concordia University, 2010. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/002/MR70958.PDF.
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Godin-Laverdière, Julie-Anne. “L’apport de Prudence Heward, Lilias Torrance Newton et Jori Smith à l’élaboration de la modernité picturale canadienne : 1920-1948.” Master’s Thesis, Université du Québec à Montréal, 2010. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMUQ/TC-QMUQ-2702.pdf.
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Frey, Geza. “L’institution muséale et le marché de l’art : étude de cas sur cinq artistes membres du Groupe du Beaver Hall, 1970-2007.” Master’s Thesis, Université du Québec à Montréal, 2007.
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Sinclair, Catherine. “Season’s Greetings in Canada : Gender and Nationalism in Rous and Mann, Limited’s Canadian Artists Series Christmas Cards, 1923-1929.” Master’s Thesis, Carleton University, 2006. https://curve.carleton.ca/702fb01c-a854-48c1-9fdd-8924b1617bb6.
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Samulak, Anna Regina Christine. “Krieghoff in Context: Souvenir Paintings of the Habitant Community in Nineteenth-Century British North America.” Master’s Thesis, Queen’s University, 2006.
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Samulak, Anna Regina Christine. “Krieghoff in Context: Souvenir Paintings of the ‘Habitant’ Community in Nineteenth Century British North America.” Master’s Thesis, Queen’s University, 2006.
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Banham, Kathryn J. “The Architecture and Painting Collection of the Mount Royal Club, Montreal, 1899-1920.” Master’s Thesis, Concordia University, 2006. https://spectrum.library.concordia.ca/8751/1/MR14351.pdf.
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Parkinson, Kamille T. H. “Philip John Bainbrigge and the Group of 1838: Imperial Landscapes and the Colonial Art Scene in Canada.” PhD dissertation, Queen’s University, 2005.
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Chatti, Amel. “Le comportement de consommation artistique et culturel des groupes francophones et anglophones à Montréal.” Master’s Thesis, Université du Québec à Montréal, 2005.
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Burton, Samantha. “Re-Mapping Modernity: The Sites and Sights of Helen McNicoll (1879-1915).” Master’s Thesis, McGill University, 2005. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMM/TC-QMM-83172.pdf.
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Pageot, Édith-Anne. “Images du subjet, du feminine et du masculine chez Smith, Roberts, Lyman et M. Gagnon.” PhD dissertation, Université de Montréal, 2004. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/001/nq92748.pdf.
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Sicotte, Hélène. “L’Implantation de la galerie d’art à Montréal : le cas de W. Scott & Sons, 1859-1914. Comment la révision du concept d’œuvres d’art autorisa la spécialisation du commerce d’art.” PhD dissertation, Université du Québec à Montréal, 2003.
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Parent, Alain. “Entre empire et nation : Gravures de la ville de Québec et des environs, 1760-1833.” PhD dissertation, Université Laval, 2003. http://theses.ulaval.ca/archimede/fichiers/20940/20940.html.
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Bissett, Tara. “The Children’s Chapel, Unitarian Church of Montreal: Two Case Studies of the Role of the Mural in the Transformation of the Room into a Sacred Space.” Master’s Thesis, Concordia University, 2000.
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St-Jean, France. “La réception critique dans la presse montréalaise francophone des décennies 1930 et 1940 de l’œuvre de cinq femmes artistes : Prudence Heward, Lilias Torrance Newton, Anne Savage, Marian Scott et Jori Smith.” Master’s Thesis, Université du Québec à Montréal, 1999.
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Adley, Allyson Sarah. “Re-Presenting Diasporic Difference: Images of Immigrant Women by Canadian Women Artists, 1912-1935.” Master’s thesis, Concordia University, 1999. http://www.nlc-bnc.ca/obj/s4/f2/dsk3/ftp04/mq39122.pdf.
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Hébert Stoneberger, Jacqueline. “The Beaver Hall Group: Montréal Painters between World War I and World War II.” Master’s Thesis, University of Miami, 1996.
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Ivory, Sarah Elizabeth. “The European Art and Canadiana Collections of Robert Wilson Reford (1867-1951).” Master’s Thesis, Concordia University, 1995. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMG/TC-QMG-112.pdf.
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Haskins, Heather Victoria. “Bending the Rules: The Montreal Branch of the Women’s Art Association of Canada, 1894-1900.” Master’s Thesis, Concordia University, 1995. http://spectrum.library.concordia.ca/6199/.
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Avon, Susan. “The Beaver Hall Group and Its Place in the Montreal Art Milieu and the Nationalist Network.” Master’s Thesis, Concordia University, 1994. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMG/TC-QMG-74.pdf.
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Schofield, Appolonia Elizabeth. “The Soul Pictures of Margaret Mary Nealis R.S.C.J., 1876 to 1957.” Master’s Thesis, Concordia University, 1993. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMG/TC-QMG-6105.pdf.
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Dion, François. “Jack Beder, la vie et l’oeuvre d’un peintre montréalais : (1910-1987).” Master’s Thesis, Université du Québec à Montréal, 1993.
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Antaki, Karen. “H. Mabel May (1877-1971), the Montreal Years: 1909-1938.” Master’s Thesis, Concordia University, 1992. http://spectrum.library.concordia.ca/6035/1/MM73690.pdf.
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