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Robillard-Cardinal, Laurent. “Vous souvenez-vous du son des cloches? Que reste-t-il des clochers d’Aylmer?” Histoire Québec Vol. 22, no. 4 (2017): 31–32.
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Tétrault-Farber, Jérémy. “Une Ville - Plusieurs Reels: Montreal’s Multicultural Irish Soundscape.” PhD dissertation, Concordia University, 2019. https://spectrum.library.concordia.ca/985503/1/Tetrault-Farber_PhD_F2019.pdf.
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Retzleff, Garry. “Un nouvel orgue pour la chapelle St. Mark.” Continuité, March 1993. https://www.erudit.org/en/journals/continuite/1993-n56-continuite1052632/17503ac.pdf.
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Nadeau-Saumier, Monique. “Un lieu de rencontre entre deux communautés : La première bibliothèque publique à Sherbrooke.” Cap-aux-Diamants No. 121 (Printemps 2015): 21–24. https://www.erudit.org/fr/revues/cd/2015-n121-cd01896/78025ac.pdf.
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Nadeau-Saumier, Monique. Un espace et un lieu de culture : le Art Building de Sherbrooke 1887-1927. Sherbrooke, QC: GGC Éditions, 2008.
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Nadeau-Saumier, Monique. “Un espace et un lieu de culture : le Art Building de Sherbrooke, 1887-1927.” PhD dissertation, Université du Québec à Montréal, 2007. https://archipel.uqam.ca/9616/1/D1560-1.pdf.
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Ó hAllmhuráin, Gearóid. “The Place of Sound – The Sound of Place: Irish Music and Cultural Memory in Rural Quebec.” In Ireland and Quebec: Multidisciplinary Perspectives on History, Culture and Society, edited by Margaret Kelleher and Michael Kenneally, 183–196. Dublin, Ireland: Four Courts Press, 2016.
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Forrest, Andrew. “The Organ at St. James United Church, Montréal.” The Diapason Vol. 105, no. 1 (January 2014): 22–28.
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Sandwell, Bernard K., ed. The Musical Red Book of Montreal: A Review of Music in Montreal from 1895 to 1907 with Biographical Sketches of Musicians, Histories of Musical Societies, Institutions, Choirs, Schools and Orchestras, A List of Concert-Goers... Montreal: F.A. Veitch, Publisher, 1907.
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Pelletier, Robert. “The Hybrid Organ at St. Paul’s Anglican in Abbotsford, Quebec.” ROS Quarterly Vol. 25, no. 2 (Summer 2006). http://www.reedsoc.org/articlearchive/Abbotsford.pdf.
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Patterson, Glenn. “The Gaspé Sound: Fiddle Music from Two Anglo-Gaspesian Villages.” Canadian Folk Music Vol. 47, no. 4 (Winter 2013): 14–24. http://www.canfolkmusic.ca/index.php/cfmb/article/viewFile/666/651.
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Vineberg, Robert. “The British Garrison and Montreal Society, 1830-1850.” Canadian Military History Vol. 21, no. 1 (Autumn 2012): 3–16. https://scholars.wlu.ca/cgi/viewcontent.cgi?article=1643&context=cmh.
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Therrien, Lucie. The Biculturalism of Quebec Music, 1759-1850 : French-English. 2nd ed. Portsmouth NH: French American Music Enterprises, 1994.
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Hare, John. “The Beginnings of Music Printing in Lower Canada.” Canadian Notes and Queries No. 5 (May 1970): 9–10.
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Glazer, Aubrey L. Tangle of Matter & Ghost : Leonard Cohen’s Post-Secular Songbook of Mysticism(s) Jewish & Beyond. Brighton, MA: Academic Studies Press, 2017.
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Demchinsky, Bryan, and Elaine Kalman Naves. Storied Streets: Montreal in the Literary Imagination. Toronto & Montreal: Macfarlane Walter & Ross, 2000.
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Ingraham, Mary I. “Something to Sing About : A Preliminary List of Canadian Staged Dramatic Music Since 1867.” Intersections : Canadian Journal of Music / Revue canadienne de musique Vol. 28, no. 1 (2007): 14–77. https://www.erudit.org/en/journals/is/2007-v28-n1-is2474/019291ar.pdf.
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Raudsepp, Karl J. Organs of Montreal. Pointe Claire, QC: Orel Press, 1993.
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Cooper, Dorith Rachel. “Opera in Montreal and Toronto: A Study of Performance Traditions and Repertoire, 1783-1980.” PhD dissertation, University of Toronto, 1983. https://tspace.library.utoronto.ca/handle/1807/24930.
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Calderisi, Maria. Music Publishing in the Canadas, 1800-1867/L’édition Musicale Au Canada, 1800-1867. Ottawa, ON: Library and Archives Canada, 1981.
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Morey, Carl. Music in Canada: A Research and Information Guide. New York, NY: Garland Publications, 1997.
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Amtmann, Willy. Music in Canada 1600-1800. Montreal: Habitex Books, 1975.
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Keillor, Elaine. Music in Canada : Capturing Landscape and Diversity. Montreal and Kingston: McGill-Queen’s University Press, 2006.
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Gordon, Tom. “Music in Absentia: Bishop’s Faculty of Music, 1886-1947.” Canadian University Music Review / Revue de musique des universités canadiennes Vol. 11, no. 2 (1991): 33–50. https://www.erudit.org/en/journals/cumr/1991-v11-n2-cumr0439/1014106ar.pdf.
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Slemon, Peter. “Montreal’s Musical Life Under the Union, with an Emphasis on the Terminal Years, 1841 and 1867.” Master’s Thesis, McGill University, 1975. http://www.collectionscanada.gc.ca/obj/thesescanada/vol1/QMM/TC-QMM-53737.pdf.
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Forrest, Andrew. “L’orgue de l’église unie St. James à Montreal. Une restauration signée Orgues Létourneau (1e partie).” Mixtures: Bulletin de liaison de la Fédération Québécoise des Amis de l’Orgue Vol. 37 (November 2012): 13–17.
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Williams, Dorothy W. “Little Burgundy and Montreal’s Black English-Speaking Community.” The Canadian Encyclopedia. Historica Canada, February 2020. https://www.thecanadianencyclopedia.ca/en/article/little-burgundy-and-montreal-s-black-english-speaking-community#:~:text=Little%20Burgundy%20and%20Montreal%27s%20Black%20English%2DSpeaking%20Community,-Article%20by&text=Little%20Burgundy%20is%20a%20neighbourhood,(see%20also%20Black%20Canadians).
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Corrigan, Keith, and Jimmy Kelly. L’Irlande Au Québec, Musique et Chansons Traditionnelles de Keith Corrigan et Jimmy Kelly / Ireland in Québec, Traditional Music and Songs from Keith Corrigan and Jimmy Kelly. CD with Pdf file, 65p. Québec: Centre de valorisation du patrimoine vivant Ès-Trad, 2008.
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Tremblay, Alex. “L’enracinement du théâtre et de la musique à Québec au xixe siècle.” Histoire Québec, 2015. https://www.erudit.org/en/journals/hq/2015-v20-n3-hq01826/77865ac.pdf.
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Burgess, Joanne. “Le centre victorien : commerce et culture, 1850-1880.” In L’histoire de Vieux Montréal à travers son patrimoine, edited by Gilles Lauzon and Madeleine Forget, 151–198. Sainte-Foy, QC: Les publications du Québec, 2004.
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