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15 resources
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Mouillot, François. “Industrial Isolation and Cultural Self-Exile: The Formation of an Independent Music Scene in Montreal.” In Geographically Isolated and Peripheral Music Scenes : Global Insights and Perspectives, edited by Christina Ballico, 133–156. Singapore: Palgrave Macmillan, 2021.
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Poirier, Lucien. “La musique au fil de la presse québécoise dans les belles années du régime anglais.” Les Cahiers de la Société québécoise de recherche en musique Vol. 19, no. nos. 1 et 2 (Printemps-Automne 2018): 71–82. https://www.erudit.org/en/journals/sqrm/2018-v19-n1-2-sqrm05332/1069877ar.pdf.
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Flamand, Guylaine. “Le Montreal Orchestra et la création de la Société des Concerts symphoniques de Montréal (1930 - 1941).” Les Cahiers de la Société québécoise de recherche en musique Vol. 19, no. nos. 1 et 2 (Printemps-Autumne 2018): 145–154. https://www.erudit.org/en/journals/sqrm/2018-v19-n1-2-sqrm05332/1069883ar.pdf.
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Straw, Will. “Media Networks and Language Crossing in Montreal.” In Speaking Memory: How Translation Shapes City Life, edited by Sherry Simon, 153–168. Montreal and Kingston: McGill-Queen’s University Press, 2016.
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Foss, Brian. “Out on the Town: Modernism, Arts and Entertainment in Montreal, 1920-33.” In 1920s Modernism in Montreal: The Beaver Hall Group, edited by Jacques Des Rochers and Brian Foss, 126–159. Montreal; Montreal Museum of Fine Arts, 2015.
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Falardeau, Marie-Chantal. “L’impact du climat social et économique sur la musique francophone et anglophone au Québec.” Master’s Thesis, Université du Québec à Trois-Rivières, 2014. http://depot-e.uqtr.ca/id/eprint/7531/1/030827085.pdf.
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Cummins-Russell, Thomas A., and Norma M. Rantisi. “Networks and Place in Montreal’s Independent Music Industry.” Canadian Geographer/Le Géographe canadien Vol. 56, no. 1 (February 2012): 80–97.
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Cummins-Russel, Thomas. “Networks in Montreal’s Independent Music Industry.” Master’s Thesis, Concordia University, 2009. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMG/TC-QMG-976639.pdf.
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Matte, Isabelle. “Récit d’une Beauceronne en Irlande ou la découverte de ‘l’irlandicité’ des Québécois.” Cap-aux-Diamants No. 88 (Hiver 2007): 36–39. https://www.erudit.org/en/journals/cd/2007-n88-cd1044833/6967ac.pdf.
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Sarkar, Mela, and Lise Winer. “Multilingual Codeswitching in Quebec Rap: Poetry, Pragmatics and Performativity.” International Journal of Multilingualism Vol. 3, no. 3 (2006): 173–192.
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Young, David. “Céline Dion, National Unity, and the English-Language Press in Canada.” Media, Culture & Society Vol. 23, no. 5 (September 2001): 547–563.
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Lefebvre, Marie-Thérèse. “La semaine annuelle de musique de Montréal sous les auspices du Delphic Study Club, 1923–1937.” Canadian University Music Review / Revue de musique des universités canadiennes Vol. 21, no. 2 (2001): 60–76. https://www.erudit.org/en/journals/cumr/2001-v21-n2-cumr0473/1014485ar.pdf.
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Demchinsky, Bryan, and Elaine Kalman Naves. Storied Streets: Montreal in the Literary Imagination. Toronto & Montreal: Macfarlane Walter & Ross, 2000.
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Therrien, Lucie. The Biculturalism of Quebec Music, 1759-1850 : French-English. 2nd ed. Portsmouth NH: French American Music Enterprises, 1994.
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Barrière, Mireille. “La société canadienne-française et le théâtre lyrique à Montréal entre 1840 et 1913.” PhD dissertation, Université Laval, 1990.