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45 resources
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Tétrault-Farber, Jérémy. “Une Ville - Plusieurs Reels: Montreal’s Multicultural Irish Soundscape.” PhD dissertation, Concordia University, 2019. https://spectrum.library.concordia.ca/985503/1/Tetrault-Farber_PhD_F2019.pdf.
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Blais-Tremblay, Vanessa. “Jazz, Gender, Historiography : A Case Study of the ‘Golden Age’ of Jazz in Montreal (1925-1955).” PhD dissertation, McGill University, 2018. https://escholarship-test.mcgill.ca/concern/theses/12579v62c?locale=en.
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Aloisio, Anita. “The Transmemoric Process: The Journey of Italian-Québécois Artists.” Master’s Thesis, Concordia University, 2016. http://spectrum.library.concordia.ca/981072/2/The%20Transmemoric%20Process-%20The%20Journey%20of%20Italian-Qu%C3%A9b%C3%A9cois%20Artists-Final.pdf.
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Icíar Álvarez Pérez, María. “Leonard Cohen en la aldea global: construcciones de la identidad y el deseo de su poética.” PhD dissertation, Universidad Complutense de Madrid, 2015. https://core.ac.uk/download/pdf/33106007.pdf.
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Hopkins, Emily. “Sistema in the News: Exploring Media Coverage of Sistema-Inspired Programs in Montreal and Kahnawà:Ke.” Master’s Thesis, McGill University, 2015. https://escholarship.mcgill.ca/concern/theses/cj82kb245.
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Mok, Lucille Yehan. “Glenn Gould, Oscar Peterson, and New World Virtuosities.” PhD dissertation, Harvard University, 2014. http://dash.harvard.edu/bitstream/handle/1/13064972/Mok_gsas.harvard.inactive_0084L_11837.pdf?sequence=1.
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Falardeau, Marie-Chantal. “L’impact du climat social et économique sur la musique francophone et anglophone au Québec.” Master’s Thesis, Université du Québec à Trois-Rivières, 2014. http://depot-e.uqtr.ca/id/eprint/7531/1/030827085.pdf.
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Mimnagh, Keely. “The Music Criticism of Jacob Siskind : A Case Study of Corpus Linguistic Analysis.” Master’s Thesis, Carleton University, 2012. https://repository.library.carleton.ca/concern/etds/pg15bf42c?locale=en.
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Cummins-Russel, Thomas. “Networks in Montreal’s Independent Music Industry.” Master’s Thesis, Concordia University, 2009. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMG/TC-QMG-976639.pdf.
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Battle, Shevaughn. “‘The Beginning After the End’: Independent Music, Canadian Cultural Policy and the Montreal Indie Music Scene.” Master’s thesis, Concordia University, 2009. https://spectrum.library.concordia.ca/976402/1/MR63287.pdf.
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Maki, Christine. “The Conservation of a Gender Fantasy: Women and Top 40 Radio in Montreal.” Master’s Thesis, McGill University, 2008. http://digitool.Library.McGill.CA:80/R/-?func=dbin-jump-full&object_id=22016&silo_library=GEN01.
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Fauteux, Brian. “Campus Frequencies: The ‘Alternativeness’ of Campus Radio Broadcasting.” Master’s Thesis, Concordia University, 2008. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/002/MR45295.PDF.
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Nadeau-Saumier, Monique. “Un espace et un lieu de culture : le Art Building de Sherbrooke, 1887-1927.” PhD dissertation, Université du Québec à Montréal, 2007. https://archipel.uqam.ca/9616/1/D1560-1.pdf.
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Lebold, Christophe. “Ecritures, masques et voix : pour une poétique des chansons de Leonard Cohen et Bob Dylan.” PhD dissertation, Université Marc Bloch, 2004.
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Stahl, Geoff. “Crisis? What Crisis?: Anglophone Musicmakers in Montreal.” PhD dissertation, McGill University, 2003. http://www.collectionscanada.gc.ca/obj/s4/f2/dsk3/QMM/TC-QMM-19483.pdf.
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Mathieu, Catherine. “La musique anglo-québecoise depuis les années 80.” Student essay, Université de Montréal, 2003. http://tagg.org/xpdfs/CathMathieuAngloQbc.pdf.
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Constantinides, John. “The Sound System: Contributions to Jamaican Music and the Montreal Dancehall Scene.” Master’s Thesis, Université de Montréal, 2002. https://debate.uvm.edu/dreadlibrary/constantinides2004.htm.
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Brownell, Edwin Orion. “Notes in Time: A Brief Oral History of Montreal’s Rhythm and Blues Club Circuit.” Research paper, Concordia University, 2000.
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Flamand, Guylaine. “The Montreal Orchestra and Les Concerts Symphoniques de Montréal (1930-41).” PhD dissertation, City University of New York, 1999.
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Beausoleil-Morrison, Rachel Chantal. “Montreal Jazz Vocalists: The Relationship Between Their Status and Improvisation, and the Canons of Jazz.” Master’s Thesis, University of Ottawa, 1999. https://ruor.uottawa.ca/bitstream/10393/8536/1/MQ48132.PDF.
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Stahl, Geoff. “Troubling Below: Rethinking Subcultural Theory.” Master’s Thesis, McGill University, 1998. http://www.collectionscanada.gc.ca/obj/thesescanada/vol1/QMM/TC-QMM-20474.pdf.
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Balfour, Sappho M. “No Fixed Address : Locating Leonard Cohen in Western Religious/ Spiritual Culture.” Master’s Thesis, University of Calgary, 1998. https://prism.ucalgary.ca/bitstream/handle/1880/25917/34875Balfour.pdf?sequence=1&isAllowed=y.
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Pezzarello, Christopher Joseph. “‘You Have Sweetened Your Word’: Sincerity and Prayer in Leonard Cohen’s Book of Mercy.” Master’s Thesis, McGill University, 1997. http://www.nlc-bnc.ca/obj/s4/f2/dsk2/ftp03/MQ29507.pdf.
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Hill, Colin. “Leonard Cohen’s Lives in Art: The Story of the Artist in His Novels, Poems and Song.” Master’s Thesis, McGill University, 1996. http://digitool.Library.McGill.CA:80/R/-?func=dbin-jump-full&object_id=26737&silo_library=GEN01.
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Berman, Anthony. “If You Could Read His Mind… A Subjectively-Objective Study of the Complete Works of Leonard Cohen.” Master’s Thesis, Université de Montréal, 1995.
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Berthiaume-Zavada, Claudette. “Le chant Ukrainien, une puissance qui défie les pouvoirs.” PhD dissertation, Université de Montréal, 1994.
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Bourassa, Dominique. “La contribution des bandes militaires britanniques au développement de la musique au Québec de la conquête à 1836.” Master’s Thesis, Université Laval, 1993.
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Rice, Kelly S. “Joseph Gould and the Montreal Mendelssohn Choir.” Master’s Thesis, McGill University, 1992. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMM/TC-QMM-61098.pdf.
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Adria, Marco L. “Leonard Cohen and the Word Made Flesh.” Master’s Thesis, Trent University, 1992.
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Barrière, Mireille. “La société canadienne-française et le théâtre lyrique à Montréal entre 1840 et 1913.” PhD dissertation, Université Laval, 1990.
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