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11 resources
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Wright, Jr, James R., Richard Fraser, Annmarie Adams, and Mary Hunter. “Portraying Maude Abbott.” Canadian Medical Association Journal/Journal de l’Association médicale canadienne Vol. 189, no. 7 (February 21, 2017): E281–E283. https://www.ncbi.nlm.nih.gov/pmc/articles/PMC5318216/.
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Urschel, Katrin. “From the ‘White Lily’ to the ‘King Frog in a Puddle’: A Comparison of Confederation and Multiculturalism in Irish-Canadian Literature.” International Journal of Canadian Studies/Revue internationale d’études canadiennes Vol. 43, no. 1 (2011): 45–65. http://www.erudit.org/revue/ijcs/2011/v/n43/1009454ar.pdf.
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Tarasoff, Lesley A. “Nina May (Pickel) Owens, 1869–1959 : English Quebec’s Early ‘Independent’ Woman/Artist.” Journal of Eastern Townships Studies / Revue d’études des Cantons-de-l’Est No. 32-33 (Spring-Fall 2008): 89–112. http://www.etrc.ca/wp-content/uploads/2016/12/JETS_32-33_Spring-Fall_2008.pdf.
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Paterson, Elaine C. “Crafting Empire: Intersections of Irish and Canadian Women’s History.” Journal of Canadian Art History / Annales d’histoire de l’art Canadien Vol. 34, no. 2 (2013): 242–267. http://jcah-ahac.concordia.ca/en/archive.
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Pageot, Édith-Anne. “Une voix féminine dans l’espace public : La Galerie Dominion, 1941-1956.” Globe: revue internationale d’études québécoises Vol. 11, no. 2 (2008): 186–302. https://www.erudit.org/en/journals/globe/2008-v11-n2-globe1497200/1000528ar.pdf.
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Pageot, Édith-Anne. “Jori Smith, une figure de la modernité picturale québécoise : étude de case : le portrait d’enfant.” Globe: revue internationale d’études québécoises Vol. 3, no. 2 (2000): 171–186. http://www.erudit.org/revue/globe/2000/v3/n2/1000587ar.pdf.
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Pageot, Édith-Anne. “Ambiguïtés de la réception critique de l’exposition « Canadian Women Artists », Riverside Museum, New York, 1947.” RACAR (Revue d’art canadienne/Canadian Art Review) Vol. 27, no. 1–2 (2000): 123–134. https://www.erudit.org/fr/revues/racar/2000-v27-n1-2-racar05318/1069728ar.pdf.
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Frédette, Julie. “De la lecture à la bibliophilie : Villeneuve Publications ou l’édition artisanale anglo-québécoise.” Mémoires du livre / Studies in Book Culture Vol. 1, no. 2 (2010): 1–23. https://www.erudit.org/en/journals/memoires/2010-v1-n2-memoires3876/044207ar/.
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Des Rochers, Jacques. “Circonscrire l’œuvre : quelques notes au sujet des encadrements d’œuvres de membres du Groupe de Beaver Hall.” Journal of Canadian Art History / Annales d’histoire de l’art Canadien Vol. 35, no. 2 (2014): 207–211. http://jcah-ahac.concordia.ca/en/archive.
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Burr, Christina Ann. “Why the Flapper Still Matters: Feminist Pedagogy, the Modern Girl, and the Women Artists of the Beaver Hall Group.” Historical Studies in Education/Revue d’histoire de l’éducation Vol. 29, no. 2 (Fall 2017): 113–135. https://historicalstudiesineducation.ca/index.php/edu_hse-rhe/article/view/4531/4789.
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Béland, Mario. “Edith Hemming: Au service des Livernois.” Cap-aux-Diamants No. 96 (2009): 51. https://www.erudit.org/en/journals/cd/2009-n96-cd1044555/6844ac.pdf.