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Callaghan, Lori. “Witnesses of Their Time : The Visual Arts in Quebec’s English-Speaking Community.” Quebec Heritage News, Summer 2011. http://qahn.org/files/quebecanglophoneheritagenetwork/documents/qhn/qhn_summer_2011_layout_1_reduced.pdf.
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Burr, Christina Ann. “Why the Flapper Still Matters: Feminist Pedagogy, the Modern Girl, and the Women Artists of the Beaver Hall Group.” Historical Studies in Education/Revue d’histoire de l’éducation Vol. 29, no. 2 (Fall 2017): 113–135. https://historicalstudiesineducation.ca/index.php/edu_hse-rhe/article/view/4531/4789.
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McNabb, Heather. “Visions of Canada: Photographs and History in a Museum, 1921-1967.” PhD dissertation, Concordia University, 2015. https://spectrum.library.concordia.ca/980517/1/McNabb_PhD_F2015.pdf.
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Vigo, Laura. “Then and Now: On Activating Sikh Visual and Material Culture at the Montreal Museum of Fine Arts (MMFA).” Sikh Research Journal Vol. 8, no. 1 (Spring 2023): 57–76. https://sikhresearchjournal.org/wp-content/uploads/articles/SRJ-V8N1-Spring2023-4_L_Vigo_Then_and_Now_57-76.pdf.
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Donovan, Patrick, and Lorraine O’Donnell. “The Tourist Offer of the Whiteley Museum and Its Surrounding Area on the Lower North Shore : A Quality Improvement Report.” [Report]. Concordia University - Quebec English-Speaking Communities Research Network. Last modified March 2022. https://www.concordia.ca/content/dam/artsci/scpa/quescren/docs/QUESCREN_LNS_Tourism_Report_Whiteley.pdf.
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Nadeau-Saumier, Monique. “The Impact of Immigration on Art, History and Architecture.” Histoire Québec, 2008. https://www.erudit.org/en/journals/hq/2008-v14-n2-hq1059842/11378ac.pdf.
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Lerner, Loren. “The Aron Museum at Temple Emanu-El-Beth Sholom in Montreal.” Material Culture Review/Revue d’histoire de la culture matérielle Vol. 64 (Fall 2006): 8–19. https://journals.lib.unb.ca/index.php/MCR/article/view/18069.
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Kuntz, Harry. “Science Culture in English-Speaking Montreal, 1815-1842.” PhD dissertation, Concordia University, 2010. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMG/TC-QMG-979513.pdf.
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Laplace, Josée. “Rêve muséal : Étude de la patrimonalisation de l’église Erskine and American United à Montréal.” Journal of the Society for the Study of Architecture in Canada/Journal de la Société pour l’étude de l’architecture au Canada Vol. 36, no. 2 (2011): 27–44. https://dalspace.library.dal.ca/bitstream/handle/10222/65286/vol36_no2_27_43.pdf?sequence=1&isAllowed=y.
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Sorbelli, Silvia. “Renaissance Art in Montreal: The City’s Early Collectors and Their Gifts to the Art Association of Montreal and the Montreal Museum of Fine Arts.” Master’s Thesis, Concordia University, 2010. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/002/MR70958.PDF.
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Tremblay, Mathieu. “Quand une église devient musée : le cas du MUSO – Musée de société des Deux-Rives à Salaberry-de-Valleyfield.” Rabaska : revue d’ethnologie de l’Amérique française Vol. 8 (2010): 93–99. https://www.erudit.org/en/journals/rabaska/2010-v8-rabaska3976/045257ar.pdf.
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McNally, Peter F. “Peter and Grace Redpath: Collectors and Benefactors.” Fontanus Vol. 11 (2003): 153–173. http://fontanus.mcgill.ca/article/view/180.
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Cousins, Darlene Caroline. “Otto Dix’s Portrait of the Lawyer Hugo Simons: German Art for a Canadian Museum.” Master’s Thesis, Concordia University, 2002. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMG/TC-QMG-1854.pdf.
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Antoncic, Debra Anne. “‘Oddballs and Eccentrics’ ('Les Hirsutes et Les Excentriques’): Visual Arts and Artists in the Popular Press in Post-War Canada.” PhD dissertation, Queen’s University, 2011. https://qspace.library.queensu.ca/bitstream/1974/6540/3/Antoncic_Debra_A_201105_PhD.pdf.
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Farfan, Matthew, and Rod MacLeod, eds. Meet the Network : Profiles of Heritage Groups across Quebec. Lennoxville, QC: Quebec Anglophone Heritage Network (QAHN), 2022. https://qahn.org/news/groups-working-preserve-and-promote-quebec%E2%80%99s-english-speaking-history-share-their-stories-new-f.
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Mulchey, Kimberley Mills. “Maude Abbott: A Biography.” In The Proceedings of the 13th Annual History of Medicine Days, Faculty of Medicine, University of Calgary, March 19th and 20th, 2004 in the Health Sciences Centre, Calgary, AB, edited by W. A. Whitelaw, 233–240. Calgary, AB: Faculty of Medicine, University of Calgary, 2004. http://www.ucalgary.ca/uofc/Others/HOM/Proceedings-2004.pdf#page=245.
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Blain, Marie-Pier. “L’orfèvrerie québécoise dans le contexte muséal : une relecture contemporaine de la Collection Henry Birks d’orfèvrerie canadienne.” Master’s Thesis, Université de Montréal, 2017. https://papyrus.bib.umontreal.ca/xmlui/bitstream/handle/1866/20158/Blain_Marie-Pier_2017_memoire.pdf?sequence=2&isAllowed=y.
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Harvey, Kathryn. “Location, Location, Location: David Ross McCord and the Making of Canadian History.” Journal of the Canadian Historical Association/Revue de la Société historique du Canada New Series, Vol. 19, no. 1 (2008): 57–82. https://www.erudit.org/en/journals/jcha/2008-v19-n1-jcha3094/037426ar.pdf.
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Boisclair, Rachel. “Les impacts du contexte canadien de la deuxième guerre mondiale sur l’Art Association of Montreal.” Master’s Thesis, Université du Québec à Montréal, 2019. https://archipel.uqam.ca/12706/1/M16106.pdf.
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Charpentier, Noëlle. “Les Archives photographiques Notman au Musée McCord.” Conserveries Mémorielles : Revue Transdisciplinaire de Jeunes Chercheurs Vol. 19 (2016). http://journals.openedition.org/cm/2376.
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Trudel, Jean. “L’Art Association of Montreal : Les années d’incertitude : 1863-1877 (Première partie).” The Journal of Canadian Art History/Annales d’histoire de l’art canadien Vol. 29 (2008): 116–145. http://jcah-ahac.concordia.ca/fr/archive/2009_30.
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Blanchette, Jean-François. “La collection Nettie Covey Sharpe: Trois mille objets, trois siècles d’histoire.” Cap-aux-Diamants No. 73 (Printemps 2003): 57–58. https://www.erudit.org/en/journals/cd/2003-n73-cd1045728/7414ac.pdf.
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Maheu, Annique (le Musée de la monnaie de la Banque du Canada). “La collection nationale de monnaies et la collection Hart. Rapport de recherche.” Last modified July 4, 2017. http://www.bankofcanadamuseum.ca/wp-content/uploads/2014/08/Hart.pdf.
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Lacroix, Laurier. “La collection comme temps de la Nation : Les premières acquisitions du Musée de la province de Québec en 1920.” Les Cahiers des dix No. 62 (2008): 123–151. https://www.erudit.org/en/journals/cdd/2008-n62-cdd3423/038123ar.pdf.
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Pierce, Alexandria. “Imperialist Intent - Colonial Response: The Art Collection and Cultural Milieu of Lord Strathcona in Nineteenth-Century Montreal.” PhD dissertation, McGill University, 2002. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMM/TC-QMM-84197.pdf.
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Truchon, Caroline. “Entre passion et raison : une histoire du collectionnement privé à Montréal (1850-1910).” PhD dissertation, Université de Montréal, 2014. https://papyrus.bib.umontreal.ca/xmlui/bitstream/handle/1866/18363/Truchon_Caroline_2014_these.pdf?sequence=10&isAllowed=y.
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Boucher, Denis. “Église Erskine and American : Un patrimoine polyphonique.” Continuité, t 2011. https://www.erudit.org/fr/revues/continuite/2011-n129-continuite1812835/64384ac.pdf.
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Harvey, Kathryn Nancy. “David Ross McCord (1844-1930): Imagining a Self, Imagining a Nation.” PhD dissertation, McGill University, 2006. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMM/TC-QMM-100618.pdf.
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Fleming, Arwen Jean. “David Marvin’s Griffintown: An Archival Exploration of a Ghosted Neighbourhood.” Master’s thesis, Concordia University, 2015. https://spectrum.library.concordia.ca/980525/1/Fleming_MA_F2015.pdf.
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Blanchette, Jean-François. “Collectionner le Québec de tradition française à la manière de Nettoe Covey Sharpe.” In Du coq à l’âme : l’art populaire au Québec, 39–61. Gatineau, QC: Musée canadien de l’histoire / Les Presses de l’Université d’Ottawa, 2014. https://www.historymuseum.ca/cmc/exhibitions/arts/sharpe/sharpe_e.html.
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