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8 resources
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Wing, Emily. “On Different Sides of the Studio: Chinese Male and Female Sitters in Montreal’s Photographic Portraiture, Pre Exclusion Era (1885-1923).” Chrysalis: A Critical Student Journal of Transformative Art History Vol. 1, no. 1 (Fall 2014): 77–90. http://www.blackcanadianstudies.com/cms/chrysalis_journal_fall_2014_final.pdf.
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Chapman, Mary. “The ‘Thrill’ of Not Belonging: Edith Eaton (Sui Sin Far) and Flexible Citizenship.” Canadian Literature/Littérature canadienne Vol. 212 (Spring 2012): 191–195. http://canlit.ca/article/the-thrill-of-not-belonging/.
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Chapman, Mary. “Finding Edith Eaton.” Legacy: A Journal of American Women Writers Vol. 29, no. 2 (2012): 263–269.
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Howard, June. “Introduction to ‘The Son of Chung Wo,’ by Sui Sin Far.” Legacy: A Journal of American Women Writers Vol 28, no. 1 (2011): 115–125.
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Lim, Shirley Geok-lin. “Sibling Hybridities : The Case of Edith Eaton/Sui Sin Far and Winnifred Eaton/Onoto Watanna.” Life Writing Vol. 4, no. 1 (2007): 81–99.
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Cha, Jonathan. “La représentation symbolique dans le contexte de la mondialisation : L’exemple de la construction identitaire du quartier chinois de Montréal.” Journal of the Society for the Study of Architecture in Canada/Journal de la Société pour l’étude de l’architecture au Canada Vol. 29, no. 3–4 (2004): 3–18. https://patrimoine.uqam.ca/wp-content/uploads/sites/35/CH.pdf.
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Leighton, Joy M. “‘A Chinese Ishmael’: Sui Sin Far, Writing, and Exile.” Melus Vol. 26, no. 3 (Autumn 2001): 3–29.
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Létouneau, Isabelle. “Du Petit Dublin au quartier chinois.” Continuité No. 88 (Printemps 2001): 40. https://www.erudit.org/en/journals/continuite/2001-n88-continuite1053535/15749ac.pdf.