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Harper, J. Russell, and Stanley Triggs, eds. Portrait of a Period: A Collection of Notman Photographs, 1856-1915. Montreal: McGill University Press, 1967.
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Hommage à Nincheri à l’occasion du XXème anniversaire de sa mort /Omaggio a Nincheri nel XX anniversario della sua scomparsa. Montréal: Centre culturel italien du Québec / Centro culturale italiano del Quebec / Italian Cultural Center of Quebec, 1993.
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Adams, Robert. The Life and Work of Alexander Bercovitch, Artist. Montreal: Éditions Marlowe, 1988.
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Adley, Allyson Sarah. “Re-Presenting Diasporic Difference: Images of Immigrant Women by Canadian Women Artists, 1912-1935.” Master’s thesis, Concordia University, 1999. http://www.nlc-bnc.ca/obj/s4/f2/dsk3/ftp04/mq39122.pdf.
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Aislin. One Oar in the Water: The Nasty Nineties Continued in Cartoons. Edited by Joe Fiorito. Toronto, ON: Little, Brown Canada, 1997.
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Andrus, Donald F. P. Ghitta Caiserman-Roth: A Retrospective View, 1947-1980. [S.l.]: Sir George Williams Art Galleries of Concordia University, 1981.
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Antaki, Karen. “H. Mabel May (1877-1971), the Montreal Years: 1909-1938.” Master’s Thesis, Concordia University, 1992. http://spectrum.library.concordia.ca/6035/1/MM73690.pdf.
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Antoniou, Sylvia. “The Sculpture of Anne Kahane.” Master’s Thesis, Concordia University, 1992. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMG/TC-QMG-6091.pdf.
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Avon, Susan. “The Beaver Hall Group Redefined.” Imposture Vol. 6 (Winter 1992): 56–61.
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Avon, Susan. “The Beaver Hall Group and Its Place in the Montreal Art Milieu and the Nationalist Network.” Master’s Thesis, Concordia University, 1994. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMG/TC-QMG-74.pdf.
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Baird, Shirley May. “The Stained Glass War Memorial Windows of Charles William Kelsey.” Master’s Thesis, Concordia University, 1995. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMG/TC-QMG-110.pdf.
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Borenstein, Joyce. The Colours of My Father: A Portrait of Sam Borenstein. National Film Board of Canada and Imageries P.B. Ltée, 1991. https://www.nfb.ca/film/colours_of_my_father_a_portrait_of_sam_borenstein/.
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Braide, Janet. “John Lyman - A Bibliography Of His Writings.” Journal of Canadian Art History / Annales d’histoire de l’art Canadien Vol. 4, no. 2 (78 1977): 130–140. http://jcah-ahac.concordia.ca/en/archive/6.
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Braide, Janet. Prudence Heward (1896-1947): An Introduction to Her Life and Work. Montreal: Galerie Walter Klinkhoff, 1980.
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Caccia, Fulvio. Sous le signe du phénix. Entretiens avec quinze créateurs italo-québécois. Montréal: Éditions Guernica, 1985.
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Calvin, H. A. “Ann [Sic] Savage, Teacher.” Master’s Thesis, Concordia University, 1967.
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Cameron, Elspeth. “Montreal Modernists: The Emergence of Canadian Art and Literature in Montreal, 1926-1951.” In Canada Ieri e Oggi: 2, Sezione Anglofona, edited by Giovanni Bonanno, 291–299. Fasano, Italia: Schena, 1986.
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Chauvin, Jean. “À l’atelier d’Edwin Holgate.” La Revue Populaire Vol. 20, no. 2 (Février 1927): 7–9.
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Cox, Leo. “Fifty Years of Bush and Pen.” Queen’s Quarterly 46, no. 3 (Autumn 1939): 341–347.
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Cox, Leonard. Portrait of a Club. Montreal: The Arts Club of Montreal, 1962.
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Crosby, Joni S. “A History of the Evolution of the Teaching of Textiles and Weaving in Quebec Since 1905.” Master’s Thesis, Concordia University, 1987. http://spectrum.library.concordia.ca/4552/1/ML41656.pdf.
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Déry, Louise. “L’influence de la critique d’art de John Lyman dans le milieu artistique québécois de 1936 à 1942.” Master’s Thesis, Université Laval, 1982.
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Déry, Louise. “La mémoire à rebours : Lyman et le ‘présent du passé.’” In Des lieux de mémoire: identité et culture modernes au Québec, 1930-1960, edited by Marie Carani, 183–191. Ottawa, ON: Presses de l’Université d’Ottawa, 1995.
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Dion, François. “Jack Beder, la vie et l’oeuvre d’un peintre montréalais : (1910-1987).” Master’s Thesis, Université du Québec à Montréal, 1993.
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Dorais, Lucie. “James Wilson Morrice -- Peintre canadien (1865-1924) -- Les années de formation.” Master’s Thesis, Université de Montréal, 1980.
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Dumas, Paul. Lyman. Montréal: Éditions de l’Arbre, 1944.
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Dumas, Paul. “Un peintre méconnu : Allan Harrison.” Vie des arts, Printemps 1973.
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Edmonton Art Gallery. The Contemporary Arts Society, Montreal, 1939-1948/La Societe d’art Contemporain, Montréal, 1939-1948. Edmonton, AB: Edmonton Art Gallery, 1980.
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Edward, Joan. Rediscovering McGill’s Heritage: A Collection of Pen Drawings. Montreal: McGill Development Office, 1997.
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Emeny, Shirley Kathleen. “Plurality and Agency: Portraits of Women by Prudence Heward.” Master’s Thesis, University of Alberta, 1999. http://www.nlc-bnc.ca/obj/s4/f2/dsk2/ftp01/MQ40006.pdf.
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