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Hardt, Yvonne. “Writing Bodies: Modern Dance, Gender, and Jewish Identity in New York and Montreal, 1930 to 1960.” Essay, Concordia University, 1999.
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Harper, J. Russell. Early Painters and Engravers in Canada. Toronto, ON: University of Toronto Press, 1970.
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Harris, Jennifer. “Unmasking The Literary Garland’s T.D. Foster.” Canadian Literature : A Quarterly of Criticism and Review No. 213 (Summer 2012): 84–98.
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Harris, Jennifer. “Black Canadian Contexts: The Case of Amelia E. Johnson.” African American Review Vol. 49, no. 3 (Fall 2016): 241–259.
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Harvey, Kathryn. “To Love, Honour and Obey: Wife-Battering in Working Class Montreal, 1869-1879.” Master’s Thesis, Université de Montréal, 1991.
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Hébert Stoneberger, Jacqueline. “The Beaver Hall Group: Montréal Painters between World War I and World War II.” Master’s Thesis, University of Miami, 1996.
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Hill, Charles. “Beaver Hall Group.” In The Oxford Companion to Canadian History, edited by Gerald Hallowell, 66–67. Don Mills, ON: Oxford University Press, 2004.
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Hodges, Margaret Emily. “Blanche Lemco van Ginkel and H.P. Daniel van Ginkel: Urban Planning.” PhD dissertation, McGill University, 2004.
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Holowach-Amiot, Elaine. The Women’s Art Society of Montreal: A Century of Commitment to the Arts. Montreal: McCord Museum of Canadian History, 1994.
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Horwood, Dorothy M. From Monica With Love : Sketches of the Life of an English Quebecer in the Early 20th Century. Ottawa, ON: Baico Publishing, 2013.
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Howard, Jane. “Sui Sin Far’s American Words.” Comparative American Literature Vol. 6, no. 2 (June 2008): 144–160.
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Howard, June. “Introduction to ‘The Son of Chung Wo,’ by Sui Sin Far.” Legacy: A Journal of American Women Writers Vol 28, no. 1 (2011): 115–125.
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Howes, Marjorie. “Discipline, Sentiment, and the Irish-American Public: Mary Ann [Sic] Sadlier’s Popular Fiction.” Éire-Ireland Vol. 40, no. 1–2 (Spring/Summer 2005): 140–169.
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Huneault, Kristina. “Impressions of Difference: The Painted Canvases of Helen McNicoll.” Art History Vol. 27, no. 2 (April 2004): 212–249.
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Huneault, Kristina. “The Lived Experience and Cultural Narrative of Helen McNicoll’s Impressionist Canvases.” In I’m Not Myself At All : Women, Art and Subjectivity in Canada, 103–145. Montreal and Kingston: McGill-Queen’s University Press, 2018.
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Hunrault, Kristina. “‘As Well as Men’: The Gendering of Beaver Hall.” In 1920s Modernism in Montreal: The Beaver Hall Group, edited by Jacques Des Rochers and Brian Foss, 262–292. Montreal: Montreal Museum of Fine Arts, 2015.
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Innis, Mary Quayle. Unfold the Years: A History of the Young Women’s Christian Association in Canada. Toronto, ON: McClelland and Stewart, 1949.
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Irvine, Dean. Editing Modernity: Women and Little Magazine Cultures in Canada, 1916-1956. Toronto: University of Toronto Press, 2007.
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Irvine, Lorna. “Words on the Prowl: Quebec Literature and Gail Scott’s Heroine.” Québec Studies Vol. 9 (Fall /Winter 1990 1989): 111–120.
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Israël, Véronique. “La problématique de la fonction de l’art dans la production des années quarante de Ghitta Caiserman-Roth.” Master’s Thesis, Université du Québec à Montréal, 1999.
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Jackson, A.Y. Prudence Heward, 1896-1947. Ottawa, ON: National Gallery of Canada, 1948.
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Jarrett, Mary. “The Presentation of Montreal in Mavis Gallant’s ‘Between Zero and One’ and of Toronto in Margaret Atwood’s ‘Cat’s Eye.’” Études canadiennes/Canadian Studies No. 29 (1990): 173–181.
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Jasmin, Hélène. Elsie Reford : La grande dame des Jardins de Métis. Montréal: Lidec, 2015.
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Jiwani, Yasmin. “Gendering Terror: Representations of the Orientalized Body in Quebec’s Post-September 11 English-Language Press.” Critique: Critical Middle Eastern Studies Vol. 13, no. 3 (2004): 265–291.
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Jones, Laura. “Canadian Women Photographers 1841-1910.” Resources for Feminist Research/Documentation sur la recherche féministe Vol. 13, no. 4 (January 1984): 13–14.
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Kalter, Bella Briansky. “Ida Maza: A Memoir.” Canadian Jewish Studies/Études juives canadiennes Vol. 6 (1998): 55–63.
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Kay, Linda. The Sweet Sixteen : The Journey That Inspired the Canadian Women’s Press Club. Montreal and Kingston: McGill-Queen’s University Press, 2012.
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Kear, Céline. “Canada’s First Literary Ladies.” The Beaver Vol. 82, no. 1 (2002): 15–19.
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Keays, Cathy. The Women’s Art Society of Montreal and Its Place in History, 1894-2019. Montreal: Cathy Keays, 2019.
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Keillor, Elaine. Music in Canada : Capturing Landscape and Diversity. Montreal and Kingston: McGill-Queen’s University Press, 2006.
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