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23 resources
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High School for Girls, Metcalfe Street, Montreal, under the Direction of the Protestant Board of School Commissioners: Session 1882-83. Montreal: Witness Printing House, 1882.
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Adamo, Maria Gabriella, ed. “Il Québec e La Sicilia Nella Cinematografia Del Canada Francofono: Le Radici, Il Sogno, Il Multilinguismo: Università di Messina, 8 maggio. Biblioteca di Magisterium ; 4. Roma, Italia: Herder, 1999.
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Ackerman, Marianne. Minority Report: An Alternative History of English-Language Arts in Quebec. Edited by Guy Rodgers. Toronto, ON: Guernica, 2011.
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Burnett, David, and Marilyn Schiff. Contemporary Canadian Art. Edmonton, AB: Hurtig Publishers, 1983.
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Bussières, Jean-François, Denis Lebel, Adrian Maxim, Lorine de Prémonville, Nancy Marando, and Pierre-André Savard. “Development and Use of a Video about the History of Pharmacy: The Case of Quebec.” Pharmacy in History Vol. 58, no. 1–2 (2016): 36–40.
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Communauté urbaine de Montréal. Architecture commerciale III : les magasins (et) les cinémas. Montréal: Communauté urbaine de Montréal, Service de la planification du territoire, 1985.
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Coulombe, Michel. “Les anglophones et les immigrants dans le cinéma québécois : un cinéma blanc, blanc, blanc.” Ciné-Bulles Vol. 28, no. 4 (2010): 34–37.
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Cox, Kirwan. “The Rise and Fall of the Allens: The War for Canada’s Movie Theatres.” Lonergan Review Vol. 6 (2000): 44–81.
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Dombowsky, Philip. “Emmanuel Briffa Revisited.” Master’s Thesis, Concordia University, 1995.
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Dombowsky, Philip. “C. Howard Crane’s Allen Theatres.” Marquee: The Journal of the Theatre Historical Society of America Vol. 41, no. 3 (Third-Quarter 2009): 7–23.
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Falardeau, Mira. Histoire du cinéma d’animation au Québec. Montréal: Typo, 2006.
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Foss, Brian. “Out on the Town: Modernism, Arts and Entertainment in Montreal, 1920-33.” In 1920s Modernism in Montreal: The Beaver Hall Group, edited by Jacques Des Rochers and Brian Foss, 126–159. Montreal; Montreal Museum of Fine Arts, 2015.
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Fuller, Kathryn Helgesen. “The Cook and Harris High Class Moving Picture Company: Itinerant Exhibitors and the Small-Town Movie Audience, 1900-1910.” New York History Vol. 75, no. 1 (1994): 4–38.
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Hearne, Dana. “Cine Gael Montréal: A Decade of the Best in Irish Cinema.” Canadian Journal of Irish Studies/Revue canadienne d’études irlandaises Vol. 29, no. 2 (Fall 2003): 62–63.
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Lanken, Dane. “Montreal Movie Theatres.” Journal of the Society for the Study of Architecture in Canada/Journal de la Société pour l’étude de l’architecture au Canada Vol. 14, no. 2 (June 1989): 40–44.
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Lanken, Dane. Montreal Movie Palaces: Great Theatres in the Golden Age 1884-1938. Waterloo, ON: Archives of Canadian Art, 1993.
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Lazar, Barry. Underestimated Importance: Anglo-Quebec Culture. Montreal: Synercom Téléproductions et Institut national de la recherche Scientifique, Urbanisation, Culture et Société, 2001.
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Moore, Paul S. “Movie Palaces on Canadian Downtown Main Streets: Montreal, Toronto and Vancouver.” Urban History Review/Revue d’historire urbaine Vol. 32, no. 2 (Spring 2004): 3–20.
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Pelletier, Louis. “An Experiment in ‘Historically Correct’ Canadian Photoplays: Montreal’s British American Film Manufacturing Co.” Film History Vol. 19 (2007): 34–48.
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Ramirez, Bruno. “History, Immigration and Cinema: The Case of Montreal’s Italians.” In The Columbus People: Perspectives in Italian Immigration to the Americas and Australia, edited by Lydio F. Tomasi, Piero Gastaldo, and Thomas Row, 381–390. New York: Center for Migration Studies, 1994.
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Rasky, Harry. The Song of Leonard Cohen: Portrait of a Poet, a Friend and a Film. Oakville, ON: Mosaic Press, 2001.
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Straw, Will. “Montreal Confidential: Notes on an Imagined City.” CineAction No. 28 (Spring 1992): 58–64.
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Waugh, Tom. “Les Autres: English Quebec Cinema During the PQ Years.” Cinema Canada No. 129 (April 1986): 6–10.