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Kollar, Kathryn L. Women Painters of the Beaver Hall Group. Montreal: Sir George Williams Art Galleries of Concordia University, 1982.
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Nadeau-Saumier, Monique. “William Stewart Hunter Jr. (1823–1894) : The Return of an Artistic Legacy.” Stanstead Historical Journal Vol. 24 (2011): 219–232.
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Tremblay, François. William Hugh Coverdale, collectionneur : chronologie de Pointe-au-Pic (Manoir Richelieu) et de Tadoussac (Hôtel). La Malbaie, QC: Musée régional Laure Conan, 1979.
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Béland, Mario. “William Brymner en Irlande.” Cap-aux-Diamants No. 132 (Hiver 2018): 47–48.
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Boutillier, Alicia, and Paul Maréchal, eds. William Brymner: Artist, Teacher, Colleague. Kingston, ON: Agnes Etherington Art Centre, 2010.
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Sicotte, Hélène. “WaIter Abell, Robert Ayre, Graham Mclnnes: aperçu de la perspective sociale dans la critique d’art canadienne entre 1935 et 1945.” Master’s Thesis, Université du Québec à Montréal, 1989.
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Dumas, Paul. “Un peintre méconnu : Allan Harrison.” Vie des arts, Printemps 1973.
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Bazin, Jules. “Un peintre américain à Montréal.” Vie des arts No. 66 (1972): 19–23.
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Walters, Evelyn. The Women of Beaver Hall: Canadian Modernist Painters. Toronto: Dundurn Press, 2005.
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Bondil, Nathalie, and Hélène Lamarche. The Museum of Fine Arts, Montreal. Translated by Margaret Clarke. Paris and Montreal: Fondation BNP Paribas and Montreal Museum of Fine Arts, 2001.
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Huneault, Kristina. “The Lived Experience and Cultural Narrative of Helen McNicoll’s Impressionist Canvases.” In I’m Not Myself At All : Women, Art and Subjectivity in Canada, 103–145. Montreal and Kingston: McGill-Queen’s University Press, 2018.
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Cooke, W. Martha E. The Last “Lion” : Rambles in Quebec with James Pattison Cockburn Incorporating Quebec and Its Environs, a Reproduction of the 1831 Guidebook Attributed to J.P. Cockburn. Kingston, ON: Agnes Etherington Art Centre, 1978.
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Trépanier, Esther. “The Expression of a Difference : The Milieu of Quebec Art and the Group of Seven.” In The True North: Canadian Landscape Painting, 1896-1939, edited by Michael Tooby, 98–116. London, England: Lund Humphries in association with Barbican Art Gallery, 1991.
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Lortie, Léon. “The English Contribution to Quebec’s Cultural Life.” In Aux Sources Du Présent/The Roots of the Present. Études Présentées à La Section I de La Société Royale Du Canada/Studies Presented to Section I of the Royal Society of Canada, edited by Léon Lortie and Adrien Plouffe, 51–69. Toronto, ON: University of Toronto Press, 1960.
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Cameron, Christina, and Jean Trudel. The Drawings of James Cockburn: A Visit Through Quebec’s Past. Agincourt, ON: Gage Publishing, 1976.
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Stirling, J. Craig. “The Development of Art Institutions in Quebec and Ontario (1876-1914) and the South Kensington Influence.” PhD dissertation, University of Edinburgh, 1988.
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Turner, Evan H. “The Coming of Age of Quebec Painting.” Apollo Vol. 103, no. 171 (May 1976): 428–433.
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Bissett, Tara. “The Children’s Chapel, Unitarian Church of Montreal: Two Case Studies of the Role of the Mural in the Transformation of the Room into a Sacred Space.” Master’s Thesis, Concordia University, 2000.
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Avon, Susan. “The Beaver Hall Group Redefined.” Imposture Vol. 6 (Winter 1992): 56–61.
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Hébert Stoneberger, Jacqueline. “The Beaver Hall Group: Montréal Painters between World War I and World War II.” Master’s Thesis, University of Miami, 1996.
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Walters, Evelyn. The Beaver Hall Group and Its Legacy. Toronto, ON: Dundurn Press, 2017.
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Trépanier, Esther. “The Beaver Hall Group: A Montreal Modernity.” In 1920s Modernism in Montreal: The Beaver Hall Group, edited by Jacques Des Rochers and Brian Foss, 160–261. Montreal: Montreal Museum of Fine Arts, 2015.
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Des Rochers, Jacques. “The Beaver Hall Group: A Montreal Feel.” In Quebec and Canadian Art: The Montreal Museum of Fine Arts’ Collection, edited by Jacques Des Rochers, 1:184–193. Montreal: Montreal Museum of Fine Arts, 2011.
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Pepall, Rosalind. Talking to a Portrait : Tales of an Art Curator. Montreal: Véhicule Press, 2020.
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Brock, Ellison M. “Symbols of Order and Harmony in the Work of Marian Scott, 1931-1949.” Master’s Thesis, Carleton University, 1985.
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Des Rochers, Jacques. “Setting the Stage: The Emergence of the Beaver Hall Group.” In 1920s Modernism in Montreal: The Beaver Hall Group, edited by Jacques Des Rochers and Brian Foss, 39–55. Montreal: Montreal Museum of Fine Arts, 2015.
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McLeish, John A. B. September Gale: A Study of Arthur Lismer of the Group of Seven. 2nd ed. Toronto, ON: J.M. Dent & Sons, 1973.
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Meadowcroft, Barbara. Sarah Robertson, 1891-1948: Exposition Rétrospective / Sarah Robertson, 1891-1948: Retrospective Exhibition. Montreal: Galerie Walter Klinkhoff, 1991.
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Lerner, Loren. Sam Borenstein. Montreal: Montreal Museum of Fine Arts, 2005.
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Kuhns, William, and Leo Rosshandler. Sam Borenstein. Toronto, ON: McClelland and Stewart, 1978.
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