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16 resources
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Aloisio, Anita. “The Transmemoric Process: The Journey of Italian-Québécois Artists.” Master’s Thesis, Concordia University, 2016. http://spectrum.library.concordia.ca/981072/2/The%20Transmemoric%20Process-%20The%20Journey%20of%20Italian-Qu%C3%A9b%C3%A9cois%20Artists-Final.pdf.
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Durante, Agnes. “The Visual Politics of the Female Form in 1920s Canada.” PhD dissertation, York University, 2015. https://yorkspace.library.yorku.ca/xmlui/handle/10315/30630.
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Bordeleau-Cass, Jaya. “Through the Lens of William Notman’s Camera: The Exoticization of ‘Indianness’ in Montreal Fancy Dress Balls and Skating Carnivals.” Chrysalis: A Critical Student Journal of Transformative Art History Vol. 1, no. 1 (Fall 2014): 3–15. http://www.blackcanadianstudies.com/cms/chrysalis_journal_fall_2014_final.pdf.
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Grignon, Marc. “Architecture and ‘Environmentality’ in the Nineteenth Century.” Journal of the Society for the Study of Architecture in Canada /Journal de la Société pour l’étude de l’architecture au Canada Vol. 39, no. 2 (2014): 65–77. https://dalspace.library.dal.ca/bitstream/handle/10222/64726/Pages%20from%20vol39_no2_65_77.pdf?sequence=1&isAllowed=y.
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Bouchard, Lydia. “Les paysages québécois de William Brymner : expérience de la nature comme lieu identitaire canadien au tournant du XXe siècle.” Master’s Thesis, Université du Québec à Montréal, 2009. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMUQ/TC-QMUQ-2163.pdf.
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Tarasoff, Lesley A. “Nina May (Pickel) Owens, 1869–1959 : English Quebec’s Early ‘Independent’ Woman/Artist.” Journal of Eastern Townships Studies / Revue d’études des Cantons-de-l’Est No. 32-33 (Spring-Fall 2008): 89–112. http://www.etrc.ca/wp-content/uploads/2016/12/JETS_32-33_Spring-Fall_2008.pdf.
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Parent, Alain. Entre empire et nation : les représentations de la ville de Québec et de ses environs, 1760-1833. Sainte-Foy, QC: Presses de l’Université Laval, 2005.
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Stack, Eileen. “‘Very Picturesque and Very Canadian’: The Blanket Coat and Anglo-Canadian Identity in the Second Half of the Nineteenth Century.” In Fashion: A Canadian Perspective, edited by Alexandra Palmer, 17–40. Toronto, ON: University of Toronto Press, 2004.
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Carlevaris, Anna Maria. “Cultivating Heroes: From Dante and Caboto to Mussolini, The Public Art of Montreal’s Italians in the 1920s - 1930s.” PhD dissertation, Concordia University, 2004. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMG/TC-QMG-8202.pdf.
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Parent, Alain. “Entre empire et nation : Gravures de la ville de Québec et des environs, 1760-1833.” PhD dissertation, Université Laval, 2003. http://theses.ulaval.ca/archimede/fichiers/20940/20940.html.
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Fowler, Robyn. “‘A New Canadian National Spirit’: Allegorical Miss Canada and the Occult Canadian State.” In Culture + the State, edited by James Gifford and Gabrielle E. M. Zezulka-Mailloux, 40–52. Edmonton, AB: CRC Humanities Studio, 2003. http://epe.lac-bac.gc.ca/100/200/300/crc_humanities_studio/culture_and_the_state/fowler.pdf.
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Caccia, Fulvio. Interviews with the Phoenix: Interviews with Fifteen Italian-Quebecois Artists. Translated by Daniel Sloate. Toronto: Guernica, 1998.
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Morris, Raymond N. The Carnivalization of Politics: Quebec Cartoons on Relations with Canada, England and France, 1960-1979. Montreal and Kingston: McGill-Queen’s University Press, 1995.
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Poulter, Gillian. “Representation as Colonial Rhetoric : The Image of ‘the Native’ and ‘the Habitant’ in the Formation of Colonial Identities in Early Nineteenth-Century Lower Canada.” The Journal of Canadian Art History/Annales d’histoire de l’art canadien Vol. 16, no. 1 (1994): 10–29. http://jcah-ahac.concordia.ca/fr/archive/1994_16-1.
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Salvatore, Filippo. La fresque de Mussolini. Montréal: Guernica, 1992.
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Kish, Albert. Notman’s World. Documentary. National Film Board of Canada, 1989. http://www.nfb.ca/film/notmans_world.