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Amit-Talai, Vered. “The Waltz of Sociability: Intimacy, Dislocation, and Friendship in a Quebec High School.” In Academic Reading: Reading and Writing Across the Disciplines, edited by Janet Giltrow, 233–252. 2nd ed. Peterborough, ON: Broadview Press, 2002.
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Blanchette, Jean-François. “Collectionner le Québec de tradition française à la manière de Nettoe Covey Sharpe.” In Du coq à l’âme : l’art populaire au Québec, 39–61. Gatineau, QC: Musée canadien de l’histoire / Les Presses de l’Université d’Ottawa, 2014. https://www.historymuseum.ca/cmc/exhibitions/arts/sharpe/sharpe_e.html.
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Bosnitch, Katherine. “A Little on the Wild Side: Eaton’s Prestige Fashion Advertising Published in the Montreal Gazette, 1952-1972.” In Fashion: A Canadian Perspective, edited by Alexandra Palmer, 339–363. Toronto, ON: University of Toronto Press, 2004.
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Buis, Alena. “‘A Story of Struggle and Splendid Courage’: Anne Savage’s Broadcasts of The Development of Art in Canada.” In Rethinking Professionalism: Women and Art in Canada, 1850-1970, edited by Kristina Huneault and Janice Anderson, 106–131. Montreal and Kingston: McGill-Queen’s University Press, 2012.
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Campbell, Wanda. “Moonlight and Morning: Women’s Early Contribution to Canadian Modernism.” In The Canadian Modernists Meet, edited by Dean Irvine, 79–99. Ottawa, ON: University of Ottawa Press, 2005.
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Cancian, Sonia. “’Tutti a Tavola!’ : Feeding the Family in Two Generations of Italian Immigrant Households in Montreal.” In Edible Histories, Cultural Politics: Towards a Canadian Food History, edited by Franca Iacovetta, Valerie J. Korinek, and Marlene Epp, 209–221. Toronto, ON: University of Toronto Press, 2012.
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Cancian, Sonia. “From Montreal and Venice with Love: Migrant Letters and Romantic Intimacy in Italian Migration to Postwar Canada.” In Sisters or Strangers? Immigrant, Ethnic or Racialized Women in Canadian History, edited by Franca Iacovetta and Marlene Epp, 191–200. 2nd ed. Toronto, ON: University of Toronto Press, 2016.
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Cancian, Sonia. “‘My Dear, How Different Life Is Here in America…’: A Young Italian Woman’s Impressions of Postwar Montreal.” In Engaging with Diversity. Multidisciplinary Reflections on Plurality in Quebec, edited by Stéphan Gervais, Iacovino, and Mary Anne Poutanen, 439–456. Bern, Switzerland: Peter Lang, 2018.
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Chanady, Tara. “Shifting Inclusions: Identities and Spaces of Political Lesbianism in Montreal from 1970 to 2020.” In Is Lesbian Identity Obsolete?: In Conversation with Queer and Trans Perspectives, edited by Ella Ben Hagai. New York, NY: Routledge, 2023.
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Cohen, Judith R. “Selanikli Humour in Montreal : The Repertoire of Bouena Sarfatty Garfinkle.” In Judeo Espaniol : Textos Satíricos Judeoespañoles, de Salonicenses o Sobre Salonicences / Judeo-Espaniol : Satirical Texts in Judeo-Spanish by and about the Jews in Thessaloniki, edited by Rena Molho, Hilary Pomeroy, and Elena Romero, 220–242. Thessaloniki, Greece: ETS Ahaim Foundation, 2011.
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Des Rochers, Jacques. “The Beaver Hall Group: A Montreal Feel.” In Quebec and Canadian Art: The Montreal Museum of Fine Arts’ Collection, edited by Jacques Des Rochers, 1:184–193. Montreal: Montreal Museum of Fine Arts, 2011.
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Des Rochers, Jacques. “Defining the Beaver Hall Group Today.” In 1920s Modernism in Montreal: The Beaver Hall Group, edited by Jacques Des Rochers and Brian Foss, 57–112. Montreal: Montreal Museum of Fine Arts, 2015.
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Des Rochers, Jacques. “Setting the Stage: The Emergence of the Beaver Hall Group.” In 1920s Modernism in Montreal: The Beaver Hall Group, edited by Jacques Des Rochers and Brian Foss, 39–55. Montreal: Montreal Museum of Fine Arts, 2015.
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Ferrabee Sharman, Lydia. “Fashion and Refuge: The Jane Harris Salon, Montreal, 1941-1961.” In Fashion: A Canadian Perspective, edited by Alexandra Palmer, 270–287. Toronto, ON: University of Toronto Press, 2004.
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Ferrari, Pepita. “Prudence Heward: Painting At Home.” In Framing Our Past: Canadian Women’s History in the Twentieth Century, edited by Sharon Anne Cook, Lorna R. McLean, and Kate O’Rouke, 129–133. Montreal and Kingston: McGill-Queen’s University Press, 2001.
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Foss, Brian. “Out on the Town: Modernism, Arts and Entertainment in Montreal, 1920-33.” In 1920s Modernism in Montreal: The Beaver Hall Group, edited by Jacques Des Rochers and Brian Foss, 126–159. Montreal; Montreal Museum of Fine Arts, 2015.
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Fowler, Robyn. “‘A New Canadian National Spirit’: Allegorical Miss Canada and the Occult Canadian State.” In Culture + the State, edited by James Gifford and Gabrielle E. M. Zezulka-Mailloux, 40–52. Edmonton, AB: CRC Humanities Studio, 2003. http://epe.lac-bac.gc.ca/100/200/300/crc_humanities_studio/culture_and_the_state/fowler.pdf.
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Hampton, Rosalind, and Désirée Rochat. “To Commit and To Lead : Black Women Organizing Across Communities in Montreal.” In African Canadian Leadership : Continuity, Transition, and Transformation, edited by Tamari Kitossa, Erica S. Lawson, and Philip S. S. Howard, 149–169. Toronto, ON: University of Toronto Press, 2019.
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Harbec, Marie-Ève. “The Ideal Education to Construct an Ideal World: The Dunham Ladies’ College and the Anglican Elite of the Montreal Diocese, 1860-1913.” In Negotiating Identities in 19th- and 20th-Century Montreal, edited by Bettina Bradbury and Tamara Myers, translated by Yvonne Klein, 149–174. Vancouver, BC: UBC Press, 2005.
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Harvey, Janice. “Agency and Power in Child Charity: A Study of Two Montreal Child Charities, 1822-1900.” In La Régulation Sociale Entre l’acteur et l’institution: Pour Une Problématique Historique de l’interaction / Agency and Institutions in Social Regulation: Towards an Historical Understanding of Their Interaction, edited by Jean-Marie Fecteau and Janice Harvey, 328–342. Sainte-Foy, QC: Presses de l’Université du Québec, 2005.
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Hill, Charles. “Beaver Hall Group.” In The Oxford Companion to Canadian History, edited by Gerald Hallowell, 66–67. Don Mills, ON: Oxford University Press, 2004.
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Huneault, Kristina. “The Lived Experience and Cultural Narrative of Helen McNicoll’s Impressionist Canvases.” In I’m Not Myself At All : Women, Art and Subjectivity in Canada, 103–145. Montreal and Kingston: McGill-Queen’s University Press, 2018.
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Hunrault, Kristina. “‘As Well as Men’: The Gendering of Beaver Hall.” In 1920s Modernism in Montreal: The Beaver Hall Group, edited by Jacques Des Rochers and Brian Foss, 262–292. Montreal: Montreal Museum of Fine Arts, 2015.
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Lajeunesse, Marcel. “Mary Sollace Saxe et la Bibliothèque publique de Westmount.” In Pour une histoire des femmes bibliothécaires au Québec. Portraits et parcours de vies professionnelles, 47–96. Montréal: Presses de l’Université du Québec, 2020.
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Lerner, Loren. “When the Children Are Sick, So Is Society: Dr Norman Bethune and the Montreal Circle of Artists.” In Healing the World’s Children: Interdisciplinary Perspectives on Child Health in the Twentieth Century, edited by Cynthia Comacchio, Janet Golden, and George Weisz, 253–281. Montreal and Kingston: McGill-Queen’s University Press, 2008.
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Lévesque, Andrée. “Student Life at McGill: 1936-1940.” In Madeleine Parent: Activist., edited by Andrée Lévesque, 37–58. Toronto: Sumach Press, 2005.
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Lynch, Gerald. “An Intangible Cure for Death by Homesickness: Mavis Gallant’s Canadian Short-Story Cycle ‘Linnet Muir.’” In Transient Questions: New Essays on Mavis Gallant, edited by Kristjana Gunnars, 2–27. Amsterdam, Netherlands & New York, NY: Rodopi, 2004.
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Mills, Sean. “Democracy, Dissent, and the City: Cross-Cultural Encounters in Sixties Montreal.” In The Sixties in Canada: A Turbulent and Creative Decade, edited by M. Athena Palaeologu, 150–164. Montreal: Black Rose Books, 2009.
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Moore, Lisa. “Civic Identities in Conflict: Montreal’s Anglophone and Francophone Private School Girls.” In Making the Best of It : Women and Girls of Canada and Newfoundland during the Second World War, edited by Sarah Glassford and Amy Shaw, 89–106. Vancouver, BC: UBC Press, 2020.
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Morgentaler, Goldie. “Yiddish Montreal Lost and Regained: The Recuperative Power of the Translated Word.” In New Readings of Yiddish Montreal/Traduire Le Montréal Yiddish/Taytshn Un Ibertaytshn Yiddish in Montreol, edited by Pierre Anctil, Norman Ravvin, and Sherry Simon, 103–109. Ottawa, ON: Presses de l’Université d’Ottawa/University of Ottawa Press, 2007.
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