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Austin, David, ed. You Don’t Play with Revolution: The Montreal Lectures of C.L.R. James. Oakland, CA: AK Press, 2009.
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Williams, Dorothy W. “‘You Don’t Have A History’: Passion as the Counter-Narrative of Heritage, History, and Archives.” Minorités linguistiques et société / Linguistic Minorities and Society No. 21 (2023): 1–14. https://www.erudit.org/fr/revues/minling/2023-n21-minling07803/1097640ar.pdf.
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Siemerling, Winfried. “Writing the Black Canadian City at the Turn of the Twenty-First Century: Dionne Brand’s Toronto and Mairuth Sarsfield’s Montreal.” Études canadiennes/Canadian Studies No. 64 (2008): 109–122.
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Gilmore, John. Who’s Who of Jazz in Montreal: Ragtime to 1970. Montreal: Véhicle Press, 1989.
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Péan, Stanley. Toute la ville en Jazz. Montréal: Éditions Trait d’union, 1999.
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Reynolds, Mark. “Toot Sweet: When Jazz Ruled Montreal.” The Beaver Vol. 81, no. 3 (July 2001): 26–32.
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Extian-Babiuk, Tamara. “‘To Be Sold, a Negro Wench’: Slave Ads of the Montreal Gazette, 1785-1805.” Master’s Thesis, McGill University, 2006. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMM/TC-QMM-98920.pdf.
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Constantinides, John. “The Sound System: Contributions to Jamaican Music and the Montreal Dancehall Scene.” Master’s Thesis, Université de Montréal, 2002. https://debate.uvm.edu/dreadlibrary/constantinides2004.htm.
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Bayne, Clarence S. “The Origins of Black Theatre in Montreal.” Canadian Theatre Review Vol. 118 (Spring 2004): 34–40.
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Rooney, Frances. “The Montreal Women’s Symphony.” Atlantis Vol. 5, no. 1 (Fall 1979): 70–82. http://journals.msvu.ca/index.php/atlantis/article/viewFile/4711/3942.
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Boone, Emilie. “The Likeness of Fugitivity: William Notman’s Carte-de-Visite Portrait of John Anderson.” History of Photography Vol. 37, no. 2 (May 2013): 221–234.
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Rodgers, Guy. “The Jazz Scene in Montreal during the Second World War : Johnny Holmes Gave Starts to Oscar Peterson, Maynard Ferguson.” Quebec Heritage News, October 2005. http://qahn.org/files/quebecanglophoneheritagenetwork/documents/qhn/QHN%20September-October%202005.pdf.
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Ghandhi, Rohinton. “The House That Rockhead Built: Montreal’s Jazz Paradise.” Quebec Heritage News, Fall 2013. http://qahn.org/files/quebecanglophoneheritagenetwork/documents/qhn/qhn_fall_2013_layout_1_reduced_2.pdf.
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Martin, Valerie. “The Honest Man/L’Homme Honnête : The Colonial Gentleman, the Development of the Press, and the Race and Gender Discourses of the Newspapers in the British ‘Province of Quebec,’ 1764-1791.” PhD dissertation, Queen’s University, 2018. https://qspace.library.queensu.ca/bitstream/handle/1974/24848/Martin_Valerie_I_201809_PhD.pdf?sequence=2&isAllowed=y.
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Breon, Robin. “The Growth and Development of Black Theatre in Canada: A Starting Point.” Theatre Research in Canada / Recherches Théâtrales Au Canada Vol. 9, no. 2 (1988): 216–228. https://journals.lib.unb.ca/index.php/tric/article/view/7342/8401.
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Pruden, Keith. “The Georgian Spirit in Crisis: The Causes of the Computer Centre Riot.” Master’s Thesis, Concordia University, 2004.
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Siemerling, Winfried. The Black Atlantic Reconsidered: Black Canadian Writing, Cultural History, and the Presence of the Past. Montreal and Kingston: McGill-Queen’s University Press, 2015.
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Elliott, Lorris, ed. The Bibliography of Literary Writings by Blacks in Canada. Toronto, ON: Williams-Wallace Publishers, 1986.
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Gilmore, John. Swinging in Paradise: The Story of Jazz in Montreal. Montreal: Véhicule Press, 1988.
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Nelson, Charmaine A. “Sugar Cane, Slaves and Ships: Colonialism, Geography and Power in Nineteenth-Century Landscapes of Montreal and Jamaica.” In Living History: Encountering the Memory of the Heirs of Slavery, edited by Ana Lucia Araujo, 19–56. Newcastle upon Tyne, England: Cambridge Scholars Publishing, 2009.
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Mills, Sean, Eric Fillion, and Désirée Rochat, eds. Statesman of the Piano: Jazz, Race, and History in the Life of Lou Hooper. Montreal and Kingston: McGill-Queen’s University Press, 2023.
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Williams, Dorothy W. “Soirées Éthiopiennes : Blackface Culture in Quebec.” Canadian Diversity/Diversité canadienne Vol. 16, no. 3 (2019): 26–30. https://www.ciim.ca/img/boutiquePDF/canadiandiversity-vol16-no3-2019-v2-m8007.pdf.
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Nelson, Charmaine A. Slavery, Geography and Empire in Nineteenth-Century Marine Landscapes of Montreal and Jamaica. New York, NY: Routledge, 2016.
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Martel, Marcel. “‘S’ils veulent faire la révolution, qu’ils aillent la faire chez eux à leurs risques et pèriles. Nos anarchistes maison sont suffisants!’ : occupation et répression à Sir George Williams.” Bulletin d’histoire politique Vol. 15, no. 1 (Automne 2006): 163–178. https://www.erudit.org/en/journals/bhp/2006-v15-n1-bhp04290/1056093ar.pdf.
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Lam, Meilan. Show Girls. National Film Board of Canada, 1998.
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Williams, Dorothy W. “Sankofa: Recovering Montreal’s Heterogeneous Black Print Serials.” PhD dissertation, McGill University, 2006. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/002/NR25286.PDF.
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Bienvenu, Ashlie. “Rockhead’s Paradise.” Quebec Heritage News, Spring 2016. http://qahn.org/files/quebecanglophoneheritagenetwork/documents/qhn/qhn_spring_2016_layout_1.mf_.2_reduced.pdf.
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Pringle, Allan. “Robert S. Duncanson in Montreal, 1863-1865.” Americal Art Journal Vol. 17, no. 4 (Autumn 1985): 28–50.
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Hornbacher, Marya. “Return of a Virtuoso.” Smithsonian Magazine Vol. 35, no. 10 (January 2005): 56–62.
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Young, Bill. “Ray Brown in Quebec: The Forgotten Years.” Quebec Heritage News, Spring 2015. http://qahn.org/files/quebecanglophoneheritagenetwork/documents/qhn/qhn_spring_2015_layout_1.final_.mf_.pdf.
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