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Blanchette, Jean-François. “Collectionner le Québec de tradition française à la manière de Nettoe Covey Sharpe.” In Du coq à l’âme : l’art populaire au Québec, 39–61. Gatineau, QC: Musée canadien de l’histoire / Les Presses de l’Université d’Ottawa, 2014. https://www.historymuseum.ca/cmc/exhibitions/arts/sharpe/sharpe_e.html.
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Bosnitch, Katherine. “A Little on the Wild Side: Eaton’s Prestige Fashion Advertising Published in the Montreal Gazette, 1952-1972.” In Fashion: A Canadian Perspective, edited by Alexandra Palmer, 339–363. Toronto, ON: University of Toronto Press, 2004.
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Buis, Alena. “‘A Story of Struggle and Splendid Courage’: Anne Savage’s Broadcasts of The Development of Art in Canada.” In Rethinking Professionalism: Women and Art in Canada, 1850-1970, edited by Kristina Huneault and Janice Anderson, 106–131. Montreal and Kingston: McGill-Queen’s University Press, 2012.
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Cameron, Elspeth. “Montreal Modernists: The Emergence of Canadian Art and Literature in Montreal, 1926-1951.” In Canada Ieri e Oggi: 2, Sezione Anglofona, edited by Giovanni Bonanno, 291–299. Fasano, Italia: Schena, 1986.
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Campbell, Wanda. “Moonlight and Morning: Women’s Early Contribution to Canadian Modernism.” In The Canadian Modernists Meet, edited by Dean Irvine, 79–99. Ottawa, ON: University of Ottawa Press, 2005.
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Canton, Licia. “Quebec Voices of Italian Origin.” In Pillars of Lace: An Anthology of Italian-Canadian Women’s Writing, edited by Marisa De Franceschi, 18–21. Toronto, ON: Guernica Editions, 1998.
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Cohen, Judith R. “Selanikli Humour in Montreal : The Repertoire of Bouena Sarfatty Garfinkle.” In Judeo Espaniol : Textos Satíricos Judeoespañoles, de Salonicenses o Sobre Salonicences / Judeo-Espaniol : Satirical Texts in Judeo-Spanish by and about the Jews in Thessaloniki, edited by Rena Molho, Hilary Pomeroy, and Elena Romero, 220–242. Thessaloniki, Greece: ETS Ahaim Foundation, 2011.
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Des Rochers, Jacques. “The Beaver Hall Group: A Montreal Feel.” In Quebec and Canadian Art: The Montreal Museum of Fine Arts’ Collection, edited by Jacques Des Rochers, 1:184–193. Montreal: Montreal Museum of Fine Arts, 2011.
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Des Rochers, Jacques. “Defining the Beaver Hall Group Today.” In 1920s Modernism in Montreal: The Beaver Hall Group, edited by Jacques Des Rochers and Brian Foss, 57–112. Montreal: Montreal Museum of Fine Arts, 2015.
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Des Rochers, Jacques. “Setting the Stage: The Emergence of the Beaver Hall Group.” In 1920s Modernism in Montreal: The Beaver Hall Group, edited by Jacques Des Rochers and Brian Foss, 39–55. Montreal: Montreal Museum of Fine Arts, 2015.
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Dufresne, Sylvie. “Le Théâtre Royal de la rue Côté : 1851-1913.” In Travaux et conférences, 1975-1979, edited by Groupe de recherche en arts populaires, 67–170. Montréal: Département d’histoire de l’art, UQAM, 1979.
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Edwards, Mary Jane. “The History of Emily Montague: A Political Novel.” In The Canadian Novel, Volume II. Beginnings, A Critical Anthology, edited by John Moss, 19–27. Toronto, ON: NC Press, 1980.
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Edwards, Mary Jane. “Frances Brooke’s Politics and the History of Emily Montague.” In The Canadian Novel, Volume II. Beginnings. A Critical Anthology, edited by John Moss, 19–27. Toronto, ON: NC Press, 1984.
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Ferrabee Sharman, Lydia. “Fashion and Refuge: The Jane Harris Salon, Montreal, 1941-1961.” In Fashion: A Canadian Perspective, edited by Alexandra Palmer, 270–287. Toronto, ON: University of Toronto Press, 2004.
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Ferrari, Pepita. “Prudence Heward: Painting At Home.” In Framing Our Past: Canadian Women’s History in the Twentieth Century, edited by Sharon Anne Cook, Lorna R. McLean, and Kate O’Rouke, 129–133. Montreal and Kingston: McGill-Queen’s University Press, 2001.
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Foss, Brian. “Out on the Town: Modernism, Arts and Entertainment in Montreal, 1920-33.” In 1920s Modernism in Montreal: The Beaver Hall Group, edited by Jacques Des Rochers and Brian Foss, 126–159. Montreal; Montreal Museum of Fine Arts, 2015.
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Fowler, Robyn. “‘A New Canadian National Spirit’: Allegorical Miss Canada and the Occult Canadian State.” In Culture + the State, edited by James Gifford and Gabrielle E. M. Zezulka-Mailloux, 40–52. Edmonton, AB: CRC Humanities Studio, 2003. http://epe.lac-bac.gc.ca/100/200/300/crc_humanities_studio/culture_and_the_state/fowler.pdf.
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Gignac, Gilbert. “Elizabeth Frances Hale: 1774-1826.” In La Peinture au Québec 1820-1850: Nouveaux Regards, Nouvelles Perspectives, edited by Mario Béland, 276–282. Québec: Musée du Québec, 1991.
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Girard, Denise. “Les débuts dans la jeunesse bourgeoise montréalaise (1920-1940).” In Une langue, deux cultures: rites et symboles en France et au Québec, edited by Gérard Bouchard and Martine Segalen, 249–263. Sainte-Foy, QC: Presses de l’Université Laval, 1997.
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Hanson, Elizabeth. “Early Canadian Library Education: The McGill and Ontario Experience, 1904-1927.” In Readings in Canadian Library History 2, edited by Peter F. McNally, 2:57–89. Ottawa, ON: Canadian Library Association, 1996.
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Hill, Charles. “Beaver Hall Group.” In The Oxford Companion to Canadian History, edited by Gerald Hallowell, 66–67. Don Mills, ON: Oxford University Press, 2004.
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Huneault, Kristina. “The Lived Experience and Cultural Narrative of Helen McNicoll’s Impressionist Canvases.” In I’m Not Myself At All : Women, Art and Subjectivity in Canada, 103–145. Montreal and Kingston: McGill-Queen’s University Press, 2018.
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Hunrault, Kristina. “‘As Well as Men’: The Gendering of Beaver Hall.” In 1920s Modernism in Montreal: The Beaver Hall Group, edited by Jacques Des Rochers and Brian Foss, 262–292. Montreal: Montreal Museum of Fine Arts, 2015.
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Lajeunesse, Marcel. “Mary Sollace Saxe et la Bibliothèque publique de Westmount.” In Pour une histoire des femmes bibliothécaires au Québec. Portraits et parcours de vies professionnelles, 47–96. Montréal: Presses de l’Université du Québec, 2020.
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Lemerise, Suzanne, and Leah Sherman. “Contribution of Professional Artists to the Development of Art Education in Québec.” In Readings in Canadian Art Teacher Education, edited by Rita L. Irwin and Kit Grauer, 213–227. Boucherville, QC: Canadian Society for Education Through Art, 1997.
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Lerner, Loren. “When the Children Are Sick, So Is Society: Dr Norman Bethune and the Montreal Circle of Artists.” In Healing the World’s Children: Interdisciplinary Perspectives on Child Health in the Twentieth Century, edited by Cynthia Comacchio, Janet Golden, and George Weisz, 253–281. Montreal and Kingston: McGill-Queen’s University Press, 2008.
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Ley, David F. “Past Elites and Present Gentry: Neighbourhoods of Privilege in the Inner City.” In The Changing Social Geography of Canadian Cities, edited by Larry S. Bourne and David F. Ley, 214–234. Montreal and Kingston: McGill-Queen’s University Press, 1993.
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Lynch, Gerald. “An Intangible Cure for Death by Homesickness: Mavis Gallant’s Canadian Short-Story Cycle ‘Linnet Muir.’” In Transient Questions: New Essays on Mavis Gallant, edited by Kristjana Gunnars, 2–27. Amsterdam, Netherlands & New York, NY: Rodopi, 2004.
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Massey, Irving. “Public Lives in Private: Ida Maze and the Montreal Yiddish Renaissance.” In An Everyday Miracle: Yiddish Culture in Montreal, edited by Ira Robinson, Pierre Anctil, and Mervin Butovsky, 129–157. Montreal: Véhicule Press, 1990.
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McMullen, Lorrain. “Double Colonization: Femininity and Ethnicity in the Writings of Edith Eaton.” In Crisis and Creativity in the New Literatures in English: Canada, edited by Geoffrey Davis, 141–151. Amsterdam, Neatherlands: Rodopi, 1990.
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