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Kuhns, William, and Leo Rosshandler. Sam Borenstein. Toronto, ON: McClelland and Stewart, 1978.
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Lapointe, Gilles. Edmund Alleyn : biographie. Montréal: Les Presses de l’Université de Montréal, 2017.
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LeBlanc, Victoria. Clay Roots : The Potters’ Club and Its Legacy at the Visual Arts Centre. Westmount, QC: Visual Arts Centre, 2021.
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Leduc, Pierre. “Les origines et le développement de l’Art Association de Montréal (1860-1912).” Master’s Thesis, Université de Montréal, 1963.
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Lerner, Loren. Sam Borenstein. Montreal: Montreal Museum of Fine Arts, 2005.
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Lerner, Loren. “From Victorian Girl Reader to Modern Woman Artist: Reading and Seeing in the Paintings of the Canadian Girl by William Brymner, Emily Coonan, and Prudence Heward.” Canadian Children’s Literature/Littérature canadienne pour la jeunesse Vol. 33, no. 2 (Autumn 2007): 19–50.
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Lerner, Loren. “When the Children Are Sick, So Is Society: Dr Norman Bethune and the Montreal Circle of Artists.” In Healing the World’s Children: Interdisciplinary Perspectives on Child Health in the Twentieth Century, edited by Cynthia Comacchio, Janet Golden, and George Weisz, 253–281. Montreal and Kingston: McGill-Queen’s University Press, 2008.
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Lerner, Loren. “Photographs of the Child in Canadian Pictorial from 1906 to 1916: A Reflection of the Ideas and Values of English Canadians about Themselves and ‘Other’ Canadians.” The Journal of the History of Childhood and Youth Vol. 3, no. 2 (Spring 2010): 233–263.
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Luckyj, Natalie. Helen McNicoll: A Canadian Impressionist. Toronto, ON: Art Gallery of Ontario, 1999.
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Macdonald Trudel, Mary. Les Peintres Féminins Du Groupe Du Beaver Hall / The Beaver Hall Group of Women Painters. Montreal: Galerie Walter Klinkhoff, 2007.
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Maciejewski, Andrzej. After Notman : Montreal Views, A Century Apart/D’après Notman : Regards Sur Montréal, Un Siècle plus Tard. Willowdale, ON: Firefly Books Ltd., 2003.
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Mackey, Frank. “A Painter’s Progress.” Connections: Journal of The Quebec Family History Society, June 2017.
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Malboeuf, David, and Rima Hammoudi. Jennifer Hornyak. Montreal: Jennifer Hornyak, 2011.
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McClure, Virginia. The Yellow Painting: A Memoir. Montreal: Visual Arts Centre/McClure Gallery, 2009.
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McCord Museum. La Fin d’une époque : Montréal, 1880-1914/The End of an Era : Montreal 1880-1914. Montreal: Musée McCord, Université McGill/ Montreal McCord Museum, McGill University, 1977.
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McCullough, Norah. The Beaver Hall Hill Group/Le Groupe de Beaver Hall Hill: Une Exposition Itinérante de La Galerie Nationale Du Canada/Organized and Circulated by the National Gallery of Canada. Ottawa, ON: The Gallery/La Galerie, 1966.
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McDougall, Anne. “Anne Savage.” Vie des arts Vol. 21, no. 86 (1977): 50–53.
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McDougall, Anne. Anne Savage: The Story of a Canadian Painter. Montreal: Harvest House, 1977.
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McElroy, George E. “High Life and Low Life: A Scrapbook of Edwardian Montreal.” The Beaver Vol. 72, no. 1 (March 1992): 23–28.
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McMann, Evelyn (de Rostaing). Montreal Museum of Fine Arts, Formerly Art Association of Montreal: Spring Exhibitions 1880-1970. Toronto, ON: University of Toronto Press, 1988.
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McNabb, Heather. “The Arrival of the Notman Archives at the McCord Museum.” In Notman: A Visionary Photographer, edited by Hélène Samson and Suzanne Sauvage, 230–236. Paris, France & Montreal: Éditions Hazan & McCord Museum, 2016.
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Meadowcroft, Barbara. Mabel Lockerby, 1882-1976. Montreal: Galerie Walter Klinkhoff, 1989.
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Meadowcroft, Barbara. Sarah Robertson, 1891-1948: Exposition Rétrospective / Sarah Robertson, 1891-1948: Retrospective Exhibition. Montreal: Galerie Walter Klinkhoff, 1991.
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Meadowcroft, Barbara. “A Feminist Methodology for a Biography of the Beaver Hall Group.” Simone de Beauvoir Newsletter Vol. 12, no. 2 (1992): 8–17.
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Meadowcroft, Barbara. Anne Savage, 1896-1971 : exposition rétrospective, 12-26 septembre 1992 / Anne Savage, 1896-1971 : Retrospective Exhibition. Montreal: Galerie Walter Klinkhoff, 1992.
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Meadowcroft, Barbara. Rediscovering Jori Smith: Selected Works, 1932-1993: 17 April-8 May 1993, Galerie Dominion. Montreal: The Galerie, 1993.
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Meyer, Noel. “Prudence Heward (1896-1947).” MagazinArt No. 66 (Hiver -2005 2004): 88–127.
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Micillo Villata, Sylvana. Guido Nincheri, maître verrier : les vitraux des églises montréalaises. Montréal: Société de diffusion du patrimoine artistique et culturel des Italo-Canadiens, 1995.
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Millar, Joyce. “The Beaver Hall Group: Painting in Montreal, 1920-1940.” Woman’s Art Journal Vol. 13, no. 1 (Spring/Summer 1992): 3–9.
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Moreno, Pilar. “L’engagement social de trois artistes montréalais durant les années trente et quarante : L. Muhlstock, F.B. Taylor et F. Brandtner.” Master’s Thesis, Université du Québec à Montréal, 1984.
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