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Glorioso, Vincent, Marie-Louise Paquette, and Michel Vaïs. “La plus ancienne compagnie anglophone de Montréal : Andrew Johnston -- Youtheatre.” Jeu: Revue de théâtre Vol. 38 (1986): 158–160.
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Beaubien, Jeanine C. La Poudrière Reincarnated: 25 Years of International Theatre in Montreal. Translated by Lorraine J. M. Lavigne. Montreal: Méridien, 1999.
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Barrière, Mireille. “La société canadienne-française et le théâtre lyrique à Montréal entre 1840 et 1913.” PhD dissertation, Université Laval, 1990.
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Larrue, Jean-Marc. “L’activité dramatique à Montréal de 1890 à 1900.” Master’s Thesis, McGill University, 1979. http://www.collectionscanada.gc.ca/obj/thesescanada/vol1/QMM/TC-QMM-54728.pdf.
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Larrue, Jean-Marc. “L’activité théâtrale à Montréal de 1880 à 1914.” PhD dissertation, Université de Montréal, 1987.
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Ackerman, Marianne. L’affaire Tartuffe, or The Garrison Officers Rehearse Molière. Performance Series. Montreal: NuAge Editions, 1993.
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Bayne, Clarence S. “Le Black Theatre Workshop de Montreal: Un Nouveau Bilan.” L’Annuaire théâtral: Revue québécoise d’études théâtrales Vol. 29 (Printemps 2001): 141–155.
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Booth, Philip. “Le Montreal Repertory Theatre et les théâtres d’art.” L’Annuaire théâtral: revue québécoise d’études théâtrales No. 13-14 (1993): 59–74. https://www.erudit.org/en/journals/annuaire/1993-n13-14-annuaire3651/041185ar.pdf.
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Bourassa, André-G. “Le temps des révoltes. Le théâtre au Québec, 1825-1849.” Bulletin d’histoire politique Vol. 13, no. 1 (Automne 2004): 149–177.
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Larrue, Jean-Marc. Le théâtre à Montréal à la fin du XIXe siècle. Montréal: Fides, 1981.
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Larrue, Jean-Marc. Le Théâtre Yiddish à Montréal/Yiddish Theatre in Montreal. Translated by Catherine Browne. Montréal: Éditions Jeu, 1996.
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Roux, Jean-Louis, Tom Hendy, and Michel Garneau. L’École: Le Premier Quart de Siècle de l’École Nationale de Théâtre Du Canada / The School: The First Quarter of a Century of the National Theater School of Canada. Montréal: Éditions internationales Alain Stanké, 1985.
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Hulslander, Kenneth. “L’émergence d’une identité québécoise dans la dramaturgie anglo-montréalaise.” Master’s Thesis, Université du Québec à Montréal, 1994.
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Bourassa, André-G. “Les visiteurs au pouvoir : Le théâtre au Québec, 1850-1879 (1re partie).” Bulletin d’histoire politique Vol. 13, no. 2 (Hiver 2005): 191–216. https://www.erudit.org/en/journals/bhp/2005-v13-n2-bhp04188/1055047ar.pdf.
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Montpetit, Raymond. “Loisir public et société à Montréal au XIXe siècle.” Loisir et Société / Society and Leisure Vol. 2, no. 1 (Avril 1979): 101–126.
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Lanken, Dane. Montreal Movie Palaces: Great Theatres in the Golden Age 1884-1938. Waterloo, ON: Archives of Canadian Art, 1993.
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Fichman, Ina. Moving Mountains: The Montreal Yiddish Theatre in the U.S.S.R. Ergo Media, 1992.
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Gerson, Mark D. “Muriel Gold’s English Theatre Is Alive and Well in Quebec -- For Now.” Performing Arts Magazine Vol. 15 (Summer 1978): 23–25.
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Poteet, Susan. “New Play Development in Quebec: A Matter of Voice.” Canadian Theatre Review No. 46 (1986): 28–35.
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G. “On the Influence of a Well Regulated English Theatre in Montreal.” The Canadian Magazine and Literary Repository Vol. 1, no. 3 (September 1823): 221–226. http://eco.canadiana.ca/view/oocihm.8_06234_3/30?r=0&s=1.
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Ackerman, Marianne. “Reclaiming Centre Stage: The Theatre Community of English Quebec.” Quebec Heritage News, Fall 2011. http://qahn.org/files/quebecanglophoneheritagenetwork/documents/qhn/qhn_fall_2011_reset_layout_1_reduced.pdf.
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Garebian, Keith. “Saidye Bronfman Theatre -- English Drama Hits Hard Times in Quebec.” Performing Arts Magazine Vol. 19 (Fall 1982): 47–48, 50.
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Wagner, Anton. “Saving the Nation’s Aesthetic Soul: B.K. Sandwell at the Montreal Herald (1900-1914) and Saturday Night (1932-1951).” In Establishing Our Boundaries: English-Canadian Theatre Criticism, edited by Anton Wagner, 177–198. Toronto: University of Toronto Press, 1999.
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Whittaker, Herbert. Setting the Stage : Montreal Theatre, 1920-1949. Edited by Jonathan Rittenhouse. Montreal and Kingston: McGill-Queen’s University Press, 1999.
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Ripley, John. “Shakespeare on the Montreal Stage 1805-1826.” Theatre Research in Canada / Recherches Théâtrales Au Canada Vol. 3, no. 1 (Spring 1982): 3–20. https://journals.lib.unb.ca/index.php/tric/article/view/7496/8555.
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Needles, Jane. “Stage Legends : Highlights From a Long History of English Theatre in Montreal.” Quebec Heritage News, December 2008. http://qahn.org/files/quebecanglophoneheritagenetwork/documents/qhn/QHN%20Nov-Dec_2008_web%20edition.pdf.
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Paterson, Andrew. “The Amateur Theatricals in Montreal: Contemporary Criticisms of Dicken’s First Public Appearances as an Actor.” The Dickensian Vol. 38 (March 1, 1942): 72–74.
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Gold, Muriel. The Dramatic Legacy of Dorothy Davis and Violet Walters: The Montreal Children’s Theatre, 1933-2009. New York, NY: iUniverse Inc., 2010.
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Breon, Robin. “The Growth and Development of Black Theatre in Canada: A Starting Point.” Theatre Research in Canada / Recherches Théâtrales Au Canada Vol. 9, no. 2 (1988): 216–228. https://journals.lib.unb.ca/index.php/tric/article/view/7342/8401.
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Booth, Philip. “The Montreal Repertory Theatre, 1930-1961: A History and Handlist of Productions.” Master’s Thesis, McGill University, 1990. http://www.collectionscanada.gc.ca/obj/thesescanada/vol1/QMM/TC-QMM-61143.pdf.
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