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Warner, Mary Jane. “Anne Fairbrother Hill: ‘A Chaste and Elegant Dancer.’” Theatre Research in Canada/Recherches théâtrales au Canada Vol. 12, no. 2 (Fall 1991): 169–191. https://journals.lib.unb.ca/index.php/TRIC/article/view/7264.
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Trépanier, Esther. “Les carnets de dessins de Marian Dale Scott.” The Journal of Canadian Art History/Annales d’histoire de l’art canadien Vol. 20, no. 1–2 (1999): 92–129. http://jcah-ahac.concordia.ca/fr/archive/1999_20.
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Trépanier, Esther. Peinture et modernité au Québec, 1919-1939. Québec: Éditions Nota bene, 1998.
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Trépanier, Esther. “Les femmes, l’art et la presse francophone montréalaise de 1915 à 1930.” The Journal of Canadian Art History/Annales d’histoire de l’art canadien Vol. 18, no. 1 (1997): 68–83. http://jcah-ahac.concordia.ca/fr/archive/1997_18-1.
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Trépanier, Esther. “Marian Dale Scott (1906-1993). Une approche picturale de la ville.” In Ces femmes qui ont bâti Montréal : La petite et la grande histoire des femmes qui ont marqué la vie de Montréal depuis 350 ans, edited by Maryse Darsigny and Francine Descarries, 205–206. Montréal: Éditions du Remue-Ménage, 1994.
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Trépanier, Esther. “In Memoriam. Hommage à Marian Dale Scott, 1906-1993/A Tribute to Marian Dale Scott, 1906-1993.” The Journal of Canadian Art History/Annales d’histoire de l’art canadien Vol. 15, no. 2 (1993): 68–96. http://jcah-ahac.concordia.ca/fr/archive/1993_15-2.
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Trépanier, Esther. “Peinture et modernité au Québec, 1919-1939.” PhD dissertation, Université de Paris I, Panthéon-Sorbonne, 1991.
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Tippett, Maria. By a Lady: Celebrating Three Centuries of Art by Canadian Women. Toronto, ON: Viking, 1992.
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St-Jean, France. “La réception critique dans la presse montréalaise francophone des décennies 1930 et 1940 de l’œuvre de cinq femmes artistes : Prudence Heward, Lilias Torrance Newton, Anne Savage, Marian Scott et Jori Smith.” Master’s Thesis, Université du Québec à Montréal, 1999.
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St-Jean, France. “Ghitta Caiserman Roth (née en 1923) : Peintre sociale de l’après-guerre.” In Ces femmes qui ont bâti Montréal: La petite et la grande histoire des femmes qui ont marqué la vie de Montréal depuis 350 ans, edited by Maryse Darsigny, 275–276. Montréal: Édition du Remue-Ménage, 1994.
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Smith, Jori. Charlevoix County, 1930. Manotick, Ont: Penumbra Press, 1998.
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Skidmore, Colleen Marie. “Women in Photography at the Notman Studio, Montreal, 1856-1881.” PhD dissertation, University of Alberta, 1999. https://era.library.ualberta.ca/items/530019af-f126-4a3b-bf75-4539d329012f.
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Skidmore, Colleen. “Women Workers in Notman’s Studio : Young Ladies of the Printing Room.” History of Photography Vol. 20, no. 2 (1996): 122–128.
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Sherman, Leah. “Anne Savage : A Study of Her Development as an Artist/Teacher in the Canadian Art World, 1925-1950.” In Histories of Art and Design Education : Cole to Coldstream. Burnt Mill, Harlow, Essex, England: Longman in association with the National Society for Education in Art and Design, 1992.
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Schofield, Appolonia Elizabeth. “The Soul Pictures of Margaret Mary Nealis R.S.C.J., 1876 to 1957.” Master’s Thesis, Concordia University, 1993. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMG/TC-QMG-6105.pdf.
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Roome, Patricia. “Henrietta Muir Edwards: The Journey of A Canadian Feminist.” PhD dissertation, University of Calgary, 1996. https://www.collectionscanada.gc.ca/obj/s4/f2/dsk3/ftp04/nq24346.pdf.
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Prioul, Didier. “British Landscape Artists in Quebec: From Documentary Views to a Poetic Vision.” In Painting in Quebec, 1820-1850: New Views, New Perspectives, edited by Mario Béland, 50–59. Québec: Musée du Québec, 1992.
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Pepall, Rosalind M. Jori Smith : A Celebration / Jori Smith : une célébration. Montreal: Leonard & Bina Ellen Art Gallery, Concordia University / Galerie d’art Leonard & Bina Ellen, Université Concordia, 1997.
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Pearce, Lynne. “The Viewer as Producer: British and Canadian Feminists Reading Prudence Heward’s ‘Women.’” RACAR (Revue d’art canadienne/Canadian Art Review) Vol. 25, no. 1–2 (1998): 94–103.
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Page, Anne Mandely. “Canada’s First Professional Women Painters, 1890-1914: Their Reception in Canadian Writing on the Visual Arts.” Master’s Thesis, Concordia University, 1991. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMG/TC-QMG-2659.pdf.
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Nadeau-Saumier, Monique. Nina M. Owens (1869-1959). Sherbrooke, QC: Musée des beaux-arts, 1992.
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Millar, Joyce. “The Beaver Hall Group: Painting in Montreal, 1920-1940.” Woman’s Art Journal Vol. 13, no. 1 (Spring/Summer 1992): 3–9.
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Meadowcroft, Barbara. Painting Friends: The Beaver Hall Women Painters. Montreal: Véhicule Press, 1999.
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Meadowcroft, Barbara. “How Many Artists Are There In The Family? The Career of Montreal Painter Regina Seiden (1897-1991).” RACAR (Revue d’art canadienne/Canadian Art Review) Vol. 25, no. 1–2 (1998): 73–83.
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Meadowcroft, Barbara. Lilias Torrance Newton, 1896-1980: Retrospective Exhibition, September 9-23 1995 / Lilias Torrance Newton, 1896-1980: Exposition Rétrospective, 6-23 Septembre 1995. Montreal: Galerie Walter Klinkhoff, 1995.
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Meadowcroft, Barbara. Rediscovering Jori Smith: Selected Works, 1932-1993: 17 April-8 May 1993, Galerie Dominion. Montreal: The Galerie, 1993.
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Meadowcroft, Barbara. Anne Savage, 1896-1971 : exposition rétrospective, 12-26 septembre 1992 / Anne Savage, 1896-1971 : Retrospective Exhibition. Montreal: Galerie Walter Klinkhoff, 1992.
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Meadowcroft, Barbara. “A Feminist Methodology for a Biography of the Beaver Hall Group.” Simone de Beauvoir Newsletter Vol. 12, no. 2 (1992): 8–17.
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Meadowcroft, Barbara. Sarah Robertson, 1891-1948: Exposition Rétrospective / Sarah Robertson, 1891-1948: Retrospective Exhibition. Montreal: Galerie Walter Klinkhoff, 1991.
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McLeod, Ellen Mary Easton. In Good Hands: The Women of the Canadian Handicrafts Guild. Montreal and Kingston: Published for Carleton University by McGill-Queens University Press, 1999.
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